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Revelation 21:20

in Revelation 21

the fifth sardonyx, the sixth carnelian, the seventh chrysolite, the eighth beryl, the ninth topaz, the tenth chrysoprase, the eleventh jacinth, and the twelfth amethyst.

BSB

The same verse in ASV and KJV

ASV

the fifth, sardonyx; the sixth, sardius; the seventh, chrysolite; the eighth, beryl; the ninth, topaz; the tenth, chrysoprase; the eleventh, jacinth; the twelfth, amethyst.

KJV

The fifth, sardonyx; the sixth, sardius; the seventh, chrysolite; the eighth, beryl; the ninth, a topaz; the tenth, a chrysoprasus; the eleventh, a jacinth; the twelfth, an amethyst.

This verse in Revelation 21

Commentary

28 notes on this verse

A commentator

Bede

Commentary on Revelation · Written before 735.

The eleventh is hyacinth. Hyacinth is found in Ethiopia, having a blue color; the best is neither rare nor dulled by density, but shines with a balanced temperament, drawing out a sweetly purified bloom. However, it does not shine uniformly but changes with the face …

This site's exposition

the building of the wall of it was of jasper

on Revelation 21:18-21

The building material named first is jasper, the same stone that opened the throne vision and the city's own glory at verse 11, wrapped now around the whole wall, while the city itself is pure gold, like unto clear glass, gold so refined it has become transparent. Twelve foundations carry twelve stones in order, jasper through amethyst, the same list of stones, in different order, that Aaron wore on the high priest's breastplate (Exodus 28:17-20), Israel's twelve tribes worn on the priest now built into the city's foundation. The twelve gates are twelve pearls, one to a gate, a single stone cut wide enough to be a city gate, and the street itself is pure gold, transparent as glass, so that even the ground is precious.

The record, by era

The Church Fathers5 voices

A commentator

Clement of Alexandria

The Instructor Book 2 · Written before 215.

Tradition assures us that the heavenly Jerusalem that is above is built up of holy gems, and we know that the twelve gates of the heavenly city, which signify the wonderful beauty of the apostolic teaching, are compared with precious jewels. These priceless stones are described as possessing certain colors that are themselves precious, while the rest is left of an earthly substance. To say that the city of the saints is built of such jewels, even though it is a spiritual edifice, is a cogent symbol indeed.
The city which he says is squared, he says also is resplendent with gold and precious stones, and has a sacred street, and a river through the midst of it, and the tree of life on either side, bearing twelve manner of fruits throughout the twelve months; and that the light of the sun is not there, because the Lamb is the light of it; and that its gates were of single pearls; and that there were three gates on each of the four sides, and that they could not be shut.

A commentator

Primasius of Hadrumetum

COMMENTARY ON THE APOCALYPSE 21:18-20 · Written before 560.

proposed

In the song of Tobit we read, "All your walls will be precious stones," and also in Isaiah, "Behold, I will set your stones in order and lay your foundations with sapphires, and I will place jasper for your buttresses, and I will put your …

A commentator

Caesarius of Arles

EXPOSITION ON THE APOCALYPSE 21:19, HOMILY 19 · Written before 542.

proposed

He mentions the names of the various gems in the foundations so that he might show the various gifts of grace that have been given to the apostles, as was spoken concerning the Holy Spirit, "who apportions to each one individually as he wills."

A commentator

Apringius of Beja

TRACTATE ON THE APOCALYPSE 21:19 · Written before 600.

proposed

These foundations of the city are understood to be the apostolic faith and the preaching of the apostles, upon which our Lord Jesus Christ constructs his city. For he who is the Foundation of foundations is himself the builder who upon the faith in his …
21 more voices on this verse

The Church Fathers1 voice

A commentator

Oecumenius

Commentary on Revelation · Written before 550.

proposed

And he says the foundations of the wall of that city are adorned with every precious stone. As for the foundation of the wall, the Lord is a wall, as has been said many times. We have spoken of the holy apostles in the foregoing. …

The Medieval Church16 voices

A commentator

Andreas of Caesarea

COMMENTARY ON THE APOCALYPSE 21:20 · Written before 614.

proposed

This stone, which has the color of a shining human fingernail, symbolizes the person of James. For before the others he received the bodily death of martyrdom for the sake of Christ, which the nail characterizes, for when cut it experiences no feelings.

A commentator

Andreas of Caesarea

COMMENTARY ON THE APOCALYPSE 21:20 · Written before 614.

proposed

Sardion has a shiny red color and possesses therapeutic power for swellings and wounds from iron. For this reason I believe that this stone represents the beauty of the virtue of Philip. For by the fire of the divine Spirit this makes bright and heals …

A commentator

Andreas of Caesarea

COMMENTARY ON THE APOCALYPSE 21:20 · Written before 614.

proposed

Chrysolite glitters like gold and perhaps symbolizes Bartholomew, for he was made glorious by his precious virtues and by his divine preaching.

A commentator

Andreas of Caesarea

COMMENTARY ON THE APOCALYPSE 21:20 · Written before 614.

proposed

This stone [beryl] has the color of the sea and of the air and is close to that of the hyacinth. Beryl very likely represents Thomas, for he was sent on journeys far beyond the sea, even to India, for their salvation.

A commentator

Andreas of Caesarea

COMMENTARY ON THE APOCALYPSE 21:20 · Written before 614.

proposed

By means of the topaz, which is deep red and like charcoal, and which, as they say, sends forth a milk-like juice that relieves the pain of those suffering from eye disease, it is possible that the soul of Matthew is indicated. For he was …

A commentator

Andreas of Caesarea

COMMENTARY ON THE APOCALYPSE 21:20 · Written before 614.

proposed

Chrysoprase is deeper in color than gold itself, and through it I think that Thaddeus is indicated. For to Abgar, king of Edessa, he proclaimed the kingdom of Christ, which is signified by gold, and his death, which is indicated by ashes.

A commentator

Andreas of Caesarea

COMMENTARY ON THE APOCALYPSE 21:20 · Written before 614.

proposed

It seems likely that the hyacinth, which is deep blue, that is, like the sky, symbolizes Simon. For he was zealous for the gifts of Christ and possessed a heavenly wisdom.

A commentator

Andreas of Caesarea

COMMENTARY ON THE APOCALYPSE 21:20 · Written before 614.

proposed

It seems to me that through the amethyst, which is somewhat like fire in appearance, Matthias is indicated. He was accounted worthy of the divine fire at the distribution of the tongues and he filled the place of him who had fallen away, for by …

A commentator

Andreas of Caesarea

COMMENTARY ON THE APOCALYPSE 21:19 · Written before 614.

proposed

The twelve "foundations" were twelve precious stones, eight of which were worn in ancient times on the breastplate of the high priest, and four have been added to show the agreement of the new [covenant] with the old [covenant] and the superiority of the things …

A commentator

Bede

Commentary on Revelation · Written before 735.

proposed

The fifth is sardonyx. This draws whiteness from onyx and redness from sardius, and it gets its name from both, being called sardonyx. However, there are many types of it. One kind has the appearance of red earth. Another appears two-colored, as if blood shines …

A commentator

Bede

Commentary on Revelation · Written before 735.

proposed

The sixth is sardius. Sardius, which is entirely of a blood-red color, signifies the glory of the martyrs, of which it is said: "Precious in the sight of the Lord is the death of his saints" (Ps. CXV). Rightly placed in the sixth position, since …

A commentator

Bede

Commentary on Revelation · Written before 735.

proposed

The seventh is chrysolite. Chrysolite shines like gold, having burning sparks. Its appearance represents those who, shining with the understanding of supreme and true wisdom, pour out words of exhortation to their neighbors, or even signs of virtues, like sparks of fire. As Arator says: …

A commentator

Bede

Commentary on Revelation · Written before 735.

proposed

The eighth is beryl. Beryl, when you consider water struck by the brilliance of the sun, acquires a reddish and beautiful color. But it does not shine unless it is polished into a hexagonal shape. For the reflected brilliance of the angles sharpens its brightness. …

A commentator

Bede

Commentary on Revelation · Written before 735.

proposed

The ninth is topaz. Topaz, as rare in finding as it is precious in value, is said to have two colors: one of the purest gold and the other shining with ethereal clarity. Its rosy fatness and modest purity, close to the chrysoprase in size …

A commentator

Bede

Commentary on Revelation · Written before 735.

proposed

The tenth is chrysoprase. Chrysoprase is a mixture of green and gold, also drawing a certain purple glow with golden specks interspersed. It originates in India. It signifies those who, by the brightness of perfect charity, earn the greenness of the eternal homeland, and reveal …

A commentator

Bede

Commentary on Revelation · Written before 735.

proposed

The twelfth is amethyst. Amethyst is purple with a mixed violet color, and a certain shine like that of a rose, gently emitting small flames. Yet there is something in its purple that is not entirely fiery, but rather like red wine. Therefore, the purple …

The Puritans and the Awakening2 voices

The fifth, sardonyx,.... Which is partly of the sardian, and partly of the onyx stone, which resembles a man's nail, from whence it has its name; it is reddish, bordering on white; it may be thought to answer to the onyx in the breastplate, on which was written the name of Joseph. The sixth, sardius; the same with the sardine stone, Rev 4:3 of a blood colour, and what is commonly called a cornelian: it is found in Sardinia, from whence it has its name, and in Bohemia and Silesia, though those of Babylon are the best.

A commentator

John Wesley

1703–1791

Explanatory Notes upon the New Testament (1755)

proposed

A sardonyx is red streaked with white; a sardius, of a deep red; a chrysolite, of a deep yellow; a beryl, sea-green; a topaz, pale yellow; a chrysoprase is greenish and transparent, with gold specks; a jacinth, of a red purple; an amethyst, violet purple.

The Nineteenth Century2 voices

A commentator

Adam Clarke

1762–1832

Commentary on the Bible · Written before 1832.

The fifth, sardonyx - The onyx is an accidental variety of the agate kind; it is of a dark horny color, in which is a plate of a bluish white, and sometimes of red. When on one or both sides of the white there happens to lie also a plate of a reddish color, the jewelers call the stone a sardonyx. The sixth, sardius - The sardius, sardel, or sardine stone, is a precious stone of a blood-red color. The seventh, chrysolite - The gold stone. It is of a dusky green with a cast of yellow.
The fifth, sardonyx - This word does not occur elsewhere in the New Testament. The “name” is derived from “Sardis,” a city in Asia Minor (notes on Rev 3:1), and ὄνυξ onux, a nail - so named, according to Pliny, from the resemblance of its color to the flesh and the nail. It is a silicious stone or gem, nearly allied to the onyx. The color is a reddish yellow, nearly orange (Webster, Dictionary). The sixth, sardius - This word does not elsewhere occur in the New Testament. It is also derived from “Sardis,” and the name was probably given to the gem because it was found there. It is a stone of a blood-red or flesh color, and is commonly known as a “carnelian.” It is the same as the sardine stone mentioned in Rev 4:3. See the notes on that place. The seventh, chrysolite - This word does not elsewhere occur in the New Testament. It is derived from χρυσὸς chrusos, “gold,” and λίθος lithos, “stone,” and means “golden stone,” and was applied by the ancients to all gems of a golden or yellow color, probably designating particularly the topaz of the moderns (Robinson, Lexicon). But in Webster’s Dictionary it is said that its prevalent color is green. It is sometimes transparent. This is the “modern” chrysolite. The ancients undoubtedly understood by the name a “yellow” gem. The eighth, beryl - This word occurs nowhere else in the New Testament. The beryl is a mineral of great hardness, and is of a green or bluish-green color. It is identical with the emerald, except in the color, the emerald having a purer and richer green color, proceeding from a trace of oxide of chrome. Prisms of beryl are sometimes found nearly two feet in diameter in the state of New Hampshire (Webster). The ninth, a topaz - This word does not elsewhere occur in the New Testament. The topaz is a well-known mineral, said to be so called from “Topazos,” a small island in the Arabian Gulf. […]

The words behind it

24 Greek words

Every Greek word of this verse in the order it stands, with what it means and the door to its own study. The last column counts the times a word stands in the whole Bible: the rarer the word, the more the places it appears belong together.

A shaded row is a word that stands 400 times or fewer in the Bible.

The walk

5 stops

Each card is a verse this one points to, and under it the verses that one points to in turn. Where several paths arrive at the same place, that place is listed first: the text keeps returning to it.

  • Through

    Revelation 4:3

    The One seated there looked like jasper and carnelian, and a rainbow that gleamed like an emerald encircled the throne.

    it leads to

    • Ezekiel 1:28

      The appearance of the brilliant light all around Him was like that of a rainbow in a cloud on a rainy day. This was the appearance of the likeness of the glory of the…

    • Revelation 21:11

      shining with the glory of God. Its radiance was like a most precious jewel, like a jasper, as clear as crystal.

    • Genesis 9:13–16

      I have set My rainbow in the clouds, and it will be a sign of the covenant between Me and the earth.

    • Revelation 10:1

      Then I saw another mighty angel coming down from heaven, wrapped in a cloud, with a rainbow above his head. His face was like the sun, and his legs were like pillars of fire.

    • Ezekiel 28:13

      You were in Eden, the garden of God. Every kind of precious stone adorned you: ruby, topaz, and diamond, beryl, onyx, and jasper, sapphire, turquoise, and emerald. Your mountings and settings were crafted in…

Where this verse is studied

About Revelation

The Transfiguration, Gustave Doré. Public domain.
The Transfiguration, Gustave Doré. Public domain.
This page draws on 14 works. Open the list of works

This page draws on Adam Clarke, Commentary on the Bible; Albert Barnes, Notes, Explanatory and Practical, on the Old and New Testaments (1832-1869); Andreas of Caesarea, COMMENTARY ON THE APOCALYPSE 21:20; Andreas of Caesarea, COMMENTARY ON THE APOCALYPSE 21:19; Apringius of Beja, TRACTATE ON THE APOCALYPSE 21:19; Bede, Commentary on Revelation; Caesarius of Arles, EXPOSITION ON THE APOCALYPSE 21:19, HOMILY 19; Clement of Alexandria, The Instructor Book 2; John Gill, Exposition of the New Testament (1746-1748); John Wesley, Explanatory Notes upon the New Testament; Matthew Henry, Commentary on the Whole Bible; Oecumenius, Commentary on Revelation; Primasius of Hadrumetum, COMMENTARY ON THE APOCALYPSE 21:18-20 and Victorinus of Pettau, Commentary on the Apocalypse of the Blessed John.