Ezekielchapter 21
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Speaks with:Ezekiel 21×14Ezekiel 4×3Ezekiel 25×3Ezekiel 5×3Ezekiel 20×4Ezekiel 7×2
Summary
Chapter summary
The song of the sword. Jehovah draws his sword out of its sheath against the righteous and the wicked alike, from the south to the north, and the prophet is told to sigh with the breaking of his loins. The sword is sharpened and furbished, given into the hand of the slayer. Then a startling scene: the king of Babylon halts at the parting of the ways to divine (shaking arrows, consulting teraphim, looking at the liver) and the lot falls on Jerusalem. The crown is taken off: 'I will overturn, overturn, overturn it: this also shall be no more, until he come whose right it is; and I will give it him' (21:27). Then the sword against Ammon.
Context
Prophecy · Ezekiel — Ezekiel overview
- A. 1–7 Sigh with a broken heart before their eyes
- B. 8–17 The song of the sword, sharpened and polished
- C. 18–27 Babylon's king casting lots at the fork in the road
- D. 28–32 A sword drawn against the Ammonites too
The outline
A.Sigh with a broken heart before their eyesvv. 1 to 7
Read vv. 1 to 7 →B.The song of the sword, sharpened and polishedvv. 8 to 17
Read vv. 8 to 17 →C.Babylon's king casting lots at the fork in the roadvv. 18 to 27
Read vv. 18 to 27 →D.A sword drawn against the Ammonites toovv. 28 to 32
Read vv. 28 to 32 →
The world behind this chapter
Ezekiel 21The history
The chapter opens by answering the complaint at the end of chapter twenty — is he not a maker of parables? — with the least parabolic thing in the book. A sword, drawn from its sheath, against righteous and wicked alike.
The sword song describes a blade being prepared for use: sharpened to slaughter and polished to flash like lightning. Bronze and iron weapons had to be honed and burnished, and a polished blade catching sunlight was a real battlefield effect. Ezekiel is told to clap his hands and strike his thigh — gestures of grief and of grim approval, both.
Then the camera moves to a fork in the road. Nebuchadnezzar stands where the highway divides, one branch running to Rabbah of the Ammonites and the other to Jerusalem, and he uses three standard Babylonian methods to decide. He shakes marked arrows in a quiver and draws one. He consults household idols. And he examines a liver.
That third method was the most respected of all. Babylonian priests read omens from the liver of a sacrificed sheep, and clay models of livers marked with omen inscriptions have been recovered from Mesopotamian sites and used for training. It was a whole profession with a technical literature. Ezekiel's point is not that the divination worked, but that the lot fell to Jerusalem anyway — God steered the omen.
The last stroke falls on the crown: remove the turban, take off the crown, the low will be exalted and the high brought low. The Davidic monarchy is set aside — a ruin, a ruin, a ruin — until he comes whose right it is.
What it meant to them
The exiles were tracking the army's movements the way people track a storm. This oracle tells them the road was chosen before the arrows were shaken.
And it tells them why the ordinary rules of comfort will not apply this time. The sword goes against righteous and wicked alike, because when a whole society comes down, everyone inside it is in the path. The one thread of hope is a single clause at the end about the one whose right the crown is, which Israel's hope would hang on for the next six centuries.
Sources cited
- John H. Walton, Victor H. Matthews and Mark W. Chavalas, The IVP Bible Background Commentary: Old Testament
- Babylonian clay liver models with omen inscriptions, from Mari and Babylon
- C. F. Keil and F. Delitzsch, Biblical Commentary on the Prophecies of Ezekiel
The text of this chapter
This page carries no textual note on Ezekiel 21. Where this site has examined a place the manuscripts differ, the examination is in the manuscripts room. Every place this site examines →
This page draws on Jamieson, Fausset & Brown, Commentary Critical and Explanatory; John Wesley, Notes on the Old Testament and Matthew Henry, Complete Commentary.
