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Isaiah

Summary

Chapter summary

The Servant himself speaks in the opening song (vv. 1-13), addressing the isles and far peoples: Jehovah calls him from the womb, makes his mouth like a sharp sword, and names him "my servant, Israel, in whom I will be glorified." Though he protests that he has labored in vain, Jehovah enlarges the commission, beyond restoring Jacob, the Servant is given "for a light to the Gentiles," salvation to the end of the earth, the verse Paul and Barnabas cite in Acts 13:47. Kings and princes will arise and worship. Zion then complains that Jehovah has forsaken her, and the answer piles image on image: a nursing mother who cannot forget, Zion graven on Jehovah's palms, children crowding a land too narrow, kings as nursing fathers, prey wrested from the terrible, until all flesh knows Jehovah as Savior and Redeemer.

Context

Prophecy · IsaiahIsaiah overview

  • A. 1–7 A Light to the Gentiles: My Mouth Like a Sharp Sword
  • B. 8–13 Say to the Prisoners, Go Forth; Sing, O Heavens
  • C. 14–21 Graven Upon the Palms of My Hands
  • D. 22–26 Kings Shall Be Thy Nursing Fathers

The outline

  1. A.A Light to the Gentiles: My Mouth Like a Sharp Swordvv. 1 to 7

    Read vv. 1 to 7
  2. B.Say to the Prisoners, Go Forth; Sing, O Heavensvv. 8 to 13

    Read vv. 8 to 13
  3. C.Graven Upon the Palms of My Handsvv. 14 to 21

    Read vv. 14 to 21
  4. D.Kings Shall Be Thy Nursing Fathersvv. 22 to 26

    Read vv. 22 to 26

The world behind this chapter

Isaiah 49
When
The second Servant song · Spoken c. 700–690 BC
Where
A warrior's armory, a courtyard of foreign kings, and a nursing mother's arms
Who first heard it
A people convinced God had forgotten them

The history

The weapons in the opening lines are described as being kept back. God made his mouth like a sharp sword and hid him in the shadow of his hand; made him a polished arrow and hid him in his quiver. Both images are about restraint — a blade sheathed and an arrow that has been worked smooth so it will fly true, held until the shot is taken.

The mission gets enlarged mid-song, and the enlargement is the point. It is too small a thing that you should be my servant to raise up the tribes of Jacob and restore the preserved of Israel; I will also give you as a light to the Gentiles, that you may be my salvation to the end of the earth. Restoring one nation is described as a job too small.

The court scene that follows is drawn from life at an imperial palace. Kings will see and stand up, and princes will worship; kings will be your foster fathers and their queens your nursing mothers; they will bow to you with their faces to the earth and lick up the dust of your feet. Assyrian and Persian reliefs show exactly that prostration before a throne, and licking the dust was a formula in their own royal letters.

The road home is a shepherd's road: they will feed along the ways, and their pastures will be on all the bare heights; they will not hunger or thirst, and the heat and sun will not strike them, for the one who has mercy on them will lead them by springs of water. And God says he will make all his mountains a road, and his highways will be raised up.

The last image answers the complaint head on. Zion says the LORD has forsaken me, my Lord has forgotten me. The reply is a question about mothers — can a woman forget her nursing child? — followed by an admission that some do, and then the guarantee: I have engraved you on the palms of my hands; your walls are continually before me. Marking a hand as a permanent reminder was a real practice, and a wall drawing on the palm is the kind of thing a builder does.

What it meant to them

The servant's own discouragement is inside the song: I have labored in vain, I have spent my strength for nothing. Even here, the answer is not a denial. It is that his reward is with the LORD, and the assignment gets bigger.

For exiles doing the mathematics of a ruined nation, the closing promise was almost too large to take in: children born during the bereavement, crowding in until the place is too narrow, and the mother asking who bore these for me.

Sources cited

  • J. Alec Motyer, The Prophecy of Isaiah: An Introduction and Commentary
  • Walton, Matthews & Chavalas, The IVP Bible Background Commentary: Old Testament

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The text of this chapter

This page carries no textual note on Isaiah 49. Where this site has examined a place the manuscripts differ, the examination is in the manuscripts room. Every place this site examines →

This page draws on Jamieson, Fausset & Brown, Commentary Critical and Explanatory; John Calvin, Commentaries; John Wesley, Notes on the Old Testament and Matthew Henry, Complete Commentary.