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Summary

Chapter summary

The daughters' question ('Whither is thy beloved gone… that we may seek him with thee?') is answered by faith, not sight: 'My beloved is gone down to his garden… I am my beloved's, and my beloved is mine' (the mutual-belonging refrain, second form). His praise resumes: 'Thou art fair, O my love, as Tirzah, comely as Jerusalem, terrible as an army with banners.' Threescore queens and fourscore concubines: 'my dove, my undefiled, is but one.' Who is she that looketh forth as the morning, fair as the moon, clear as the sun?

Context

Poetry · SolomonSong of Solomon overview

  • A. 1–3 Whither Is Thy Beloved Gone? He Is Gone Down to His Garden
  • B. 4–13 Fair as the Moon, Clear as the Sun, Terrible as an Army

The outline

  1. A.Whither Is Thy Beloved Gone? He Is Gone Down to His Gardenvv. 1 to 3

    Read vv. 1 to 3
  2. B.Fair as the Moon, Clear as the Sun, Terrible as an Armyvv. 4 to 13

    Read vv. 4 to 13

The world behind this chapter

Song of Solomon 6
When
The reign of Solomon · c. 960 BC
Where
A walnut grove in a valley, with the royal household in the background
Who first heard it
Hearers who knew both cities named in the same breath

The history

"I went down into the garden of nuts to see the fruits of the valley." The nut in view is the walnut, grown in watered valley ground, and "the fruits of the valley" are the green shoots that come up where there is enough moisture. Anyone farming the hills went down to the valley to see whether anything was thriving.

"Thou art beautiful, O my love, as Tirzah, comely as Jerusalem." This is a striking pairing. Tirzah was a Canaanite town in the northern hills, known for its setting; it later served as the capital of the northern kingdom after the split. Naming Tirzah as a byword for beauty alongside Jerusalem — rather than naming Samaria, which replaced it as the northern capital — is one of the honest arguments for an early, Solomonic date, since a later writer would more naturally have named the later capital.

"There are threescore queens, and fourscore concubines, and virgins without number." Royal marriage in the ancient Near East was diplomacy: treaties were sealed with a daughter, and the size of a harem measured a king's alliances. The song names the whole institution in order to set one woman above all of it — "my dove, my undefiled, is but one."

"Terrible as an army with banners" uses military language for a woman's presence. Armies marched under standards carried on poles, visible from a distance, and the sight of them coming over a ridge was the most awe-inducing thing an ancient villager ever saw.

What it meant to them

The line about queens and concubines would have been heard by people who knew what Solomon's court actually looked like, and the song's insistence that one woman is "but one" cuts across the whole royal system.

For first hearers, the chapter's answer to "where is thy beloved gone?" is quietly confident: he is in his garden. She knows where he is, and she knows whose she is.

Sources cited

  • Kenneth A. Kitchen, On the Reliability of the Old Testament
  • John H. Walton, Victor H. Matthews, Mark W. Chavalas, The IVP Bible Background Commentary: Old Testament

Every work MannaFest builds on →

The text of this chapter

This page carries no textual note on Song of Solomon 6. Where this site has examined a place the manuscripts differ, the examination is in the manuscripts room. Every place this site examines →

This page draws on Jamieson, Fausset & Brown, Commentary Critical and Explanatory; John Wesley, Notes on the Old Testament and Matthew Henry, Complete Commentary.