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2 Samuel

Jehovah is my rock: a cry heard in his temple

2 Samuelchapter 22

51 verses · BSB547 cross-references outward · 172 inward2 Samuel book hub →

Speaks with:Psalms 18×13Psalms 144×42 Samuel 22×4Deuteronomy 32×4Psalms 116×3Psalms 97×3

Chapter summary

David's great song of deliverance, preserved again as Psalm 18.

Read the rest, the context and the outline

David's great song of deliverance, preserved again as Psalm 18. It opens by piling up titles — 'Jehovah is my rock, and my fortress, and my deliverer,' my shield, the horn of my salvation, my high tower — then turns the answered prayer into a storm theophany: the earth shakes, 'he bowed the heavens also, and came down,' he rides upon a cherub and flies, and he reaches from on high and draws his servant out of many waters. The close is all gift: 'as for God, his way is perfect'; he maketh my feet like hinds' feet; 'thy gentleness hath made me great.' The last verses give thanks among the nations — Paul quotes them for the Gentile mission (Romans 15:9).

Drawn from Jamieson, Fausset & Brown, Commentary Critical and Explanatory, Matthew Henry, Complete Commentary and John Wesley, Notes on the Old Testament.

Context

History · Nathan, Gad2 Samuel overview

  • A. 1–7 Jehovah is my rock: a cry heard in his temple
  • B. 8–20 The earth shakes and God comes down to draw me out
  • C. 21–31 With the merciful thou wilt show thyself merciful
  • D. 32–46 He teacheth my hands to war; my feet like hinds' feet
  • E. 47–51 Jehovah liveth — praise among the nations

The world behind this chapter

2 Samuel 22
When
Appendix — David's song of deliverance · Composed across the reign; placed after the wars, c. 975 BC
Where
Sung in Israel's worship; the same song stands in the Psalms as Psalm 18
Who first heard it
Israelites who sang this in worship long after the king who wrote it was dead

The history

This is a royal thanksgiving song, and it appears twice in the Bible — here and as Psalm 18, with small differences in wording. That is not a problem to solve; it is evidence of a living text that was copied for the national collection and sung for centuries, picking up the ordinary variations of a much-used hymn.

The images come from a soldier's world. God is a rock, a fortress, a shield, a horn — the horn being the raised horn of a bull, the picture of strength that cannot be pushed over. Feet like a deer's on high places describes a man moving surefooted on the steep limestone ridges where Israel fought. Even the line about a bronze bow being bent by his arms is concrete: composite bows took real strength to string.

The long central section is a storm. Smoke from the nostrils, darkness under his feet, hailstones, the sea floor laid bare, the earth's foundations exposed. Israel's neighbors used the same storm language for their weather gods; here it is borrowed and pointed at the God who came down on Sinai in fire and cloud, and it is answered by one small line — he drew me out of many waters.

The song closes on the promise of the covenant, naming the king and his offspring forever. That is the link that made it worth preserving; the song is not only about one man's escapes.

What it meant to them

A nation that sang this in its assemblies was rehearsing its own history in the first person. Every deliverance in the book gets compressed into a single testimony: he sent from on high, he took me, he drew me out.

And the ending pointed forward. Sung generations later by people whose king was weak or gone, the last line about steadfast love to David and his descendants forever kept a promise on their lips that circumstances did not support.

Sources cited

  • Keil & Delitzsch, Biblical Commentary on the Books of Samuel
  • John H. Walton, Victor H. Matthews & Mark W. Chavalas, The IVP Bible Background Commentary: Old Testament

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