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Song of Solomonchapter 4

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Song of Solomon 4:1-5

thou hast doves’ eyes within thy locks: The chapter opens the poem's first full praise song, an ordered description from the eyes downward, and the form is stated once: the images compare the bride to the best of a shepherd's world, a flock of goats streaming dark down Gilead, shorn ewes white from the washing with never a lamb lost, a thread of scarlet, the tower of David hung with the shields of mighty men. The comparisons are of impression rather than outline, as Delitzsch insists: the teeth are not like sheep in shape but in matched whiteness and completeness, the neck not like a tower in size but in adorned dignity. The exposition reads the frankness of verse 5 as the married love it celebrates, with the site's surface kept plain and the poem's own decorum trusted.

Song of Solomon 4:1, 2 voicesWhat preachers and commentators have said about these verses, in their own words.

Song of Solomon 4:1

But Christ, beholding his church, for whom he himself, as you find in the book of the prophet Zechariah, had put on filthy garments, now clothed in white raiment, seeing, that is, a soul pure and washed in the laver of regeneration, says, "Behold, you are fair, my love, behold you are fair, your eyes are like a dove's," in the likeness of which the Holy Spirit descended from heaven. The eyes are beautiful like those of a dove, because in the likeness of a dove the Holy Spirit descended from heaven.

Ambrose of Milan· written before 397· On the Mysteries 7:37patristic

Song of Solomon 4:1

Thou hast doves’ eyes ... - Thine eyes are doves behind thy veil. So also in Son 4:3; Son 6:7; Isa 47:2, “veil” is better than “locks.” That appear from ... - Or, “that couch upon Mount Gilead.” The point of comparison seems to be the multitudinousness of the flocks seen browsing on the verdant slopes of the rich pasture-lands Num 32:1; Mic 7:14.

Song of Solomon 4:2, 1 voice

Song of Solomon 4:2

The Chaldee paraphrase applies it to the priests and Levites, who fed upon the sacrifices as the representatives of the people. Faith, by which we feed upon Christ, meditation, by which we ruminate on the word and chew the cud upon what we have heard, in order to the digesting of it, are the teeth of the new man. These are here compared to a flock of sheep.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

1 more voiceon this verse →
Song of Solomon 4:3, 3 voices

Song of Solomon 4:3

Thy lips are like a thread of scarlet,.... To a "thread" for thinness, to "scarlet" for colour; thin red lips being beautiful, as well as white teeth; so the beautiful Aspasia had red lips (b), and teeth whiter than snow; hence we read of red and purple lips (c).

Song of Solomon 4:3

Thy lips are like a thread of scarlet - Both lips and cheeks were ruddy; sicut fragmen mali punici - Vulgate. Like the section of a pomegranate, that side cut off on which is the finest blush. This is a good and apt metaphor. But the inside may be referred to, as it is finely streaked with red and white melting into each other. She had beautiful hair, beautiful eyes, beautiful cheeks and lips, and a most pleasing and dulcet voice. Within thy locks - See on Son 4:1 (note), and Son 4:7 (note).

Song of Solomon 4:3

All our good works and good words must be washed in the blood of Christ, dyed like the scarlet thread, and then, and not till then, they are acceptable to God. The Chaldee applies it to the chief priest, and his prayers for Israel on the day of atonement.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Song of Solomon 4:4, 2 voices

Song of Solomon 4:4

Thy neck is like the tower of David - It is certain that bucklers were frequently hung about towers, both for their ornaments, and to have them at hand when their use was required; see Eze 27:10. But the allusion here may be to those pillars which are often seen in armouries on which weapons of various kinds are hung, formed into a great variety of shapes and very splendid. Whoever has seen the armoury in the tower of London, or such like places, has most probably seen something very similar to that of which the poet speaks.

Song of Solomon 4:4

He was a man of war, preparatory to the reign of Solomon, the king of peace. So warfare in the case of Jesus Christ and His saints precedes the coming rest. Each soul won from Satan by Him is a trophy gracing the bride (Lu 11:22); (each hangs on Him, Isa 22:23, 24); also each victory of her faith.

Jamieson, Fausset & Brown· Commentary Critical and Explanatory on the Whole Bible (1871)reformed

Song of Solomon 4:5, 4 voices

Song of Solomon 4:5

And in the song of the bride, hair, teeth, lips, cheeks, the neck, and breasts, are praised by the bridegroom. The bride is either the soul of man, which enters into marriage with Christ, or the church. The parts of the body are interpreted figuratively: if they are said of the soul, then they apply to its powers.

Origen of Alexandria· written before 253· FRAGMENTS ON LUKE 186patristic

Song of Solomon 4:5

Thy two breasts are like two young roes that are twins,.... Or, "two fawns, the twins of a doe": Providence, as Plutarch observes (p), has given to women two breasts, that, should they have twins, both might have a fountain of nourishment; and are fitly compared to twins of the doe.

Song of Solomon 4:5

Thy two breasts are like two young roes - I have met with many attempts to support this similitude, or rather to show that there is a similitude; but I judge them unworthy of citation. The poet speaks the language of nature; and in a case of this kind, where the impassioned lover attempts to describe the different perfections of his bride, language often fails him, and his comparisons and similitudes are often without strict correctness. In love songs we have heard ladies’ necks compared to that of the swan, not only for its whiteness, but also for its length!

Song of Solomon 4:5

The breastplate of the high priest was made of "two" pieces, folded one on the other, in which were the Urim and Thummim (lights and perfection). "Faith and love" are the double breastplate (1Th 5:8), answering to "hearing the word" and "keeping it," in a similar connection with breasts (Lu 12:27, 28). roes--He reciprocates her praise (So 2:9).

Jamieson, Fausset & Brown· Commentary Critical and Explanatory on the Whole Bible (1871)reformed

Song of Solomon 4:6-8

the mountain of myrrh: Until the day break, and the shadows flee away repeats the bride's own phrase from 2:17, now in his mouth, the poem's voices borrowing from each other as the love matures. Thou art all fair, my love; there is no spot in thee is the praise poem's summary line, and the older writers hear the church's cleansing in it (Eph 5:27, not having spot); that hearing is named as theirs. The call from Lebanon, from Amana, Shenir and Hermon, from the lions' dens and the mountains of the leopards, calls her away from real northern heights with real predators, the poem's geography carrying its point: come down from what is high and dangerous to what is loved.

Song of Solomon 4:6, 2 voices

Song of Solomon 4:6

Until the day break - Until the morning breeze. See Son 2:17. The shadows flee away - Till the sun sets. Mountain of myrrh - Probably the same as the mountains of Bether, Son 2:17. Mountains where the trees grew from which myrrh and incense were extracted.

Song of Solomon 4:6

The holy hill (as some observe) is here called both a mountain of myrrh, which is bitter, and a hill of frankincense, which is sweet, for there we have occasion both to mourn and rejoice; repentance is a bitter sweet. But in heaven it will be all frankincense, and no myrrh. Prayer is compared to incense, and Christ will meet his praying people and will bless them.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Song of Solomon 4:7, 2 voices

Song of Solomon 4:7

Section 4:7–5:1: The king meeting the bride in the evening of the same day, expresses once more his love and admiration in the sweetest and tenderest terms and figures. He calls her now “bride” (spouse, Son 4:8) for the first time, to mark it as the hour of their espousals, and “sister-bride” (spouse, Son 4:9-10, Son 4:12; Son 5:1), to express the likeness of thought and disposition which henceforth unites them. At the same time he invites her to leave for his sake her birthplace and its mountain neighborhood, and live henceforth for him alone.

Song of Solomon 4:7

There is no spot but such as is often the spot of God's children, none of the leopard's spots. The church, when Christ shall present it to himself a glorious church, will be altogether without spot or wrinkle, Eph. v. 27 . The Love of Christ to the Church.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Song of Solomon 4:8, 4 voicesWhat preachers and commentators have said about these verses, in their own words.

Song of Solomon 4:8

"Come with me from Lebanon, my bride, with me from Lebanon. You shall come and pass on from the beginning of faith, from the top of Senir and Hermon, from the lions' dens, from the mountains of the leopards." Lebanon is, being interpreted, "whiteness." Come then, fairest bride, concerning whom it is elsewhere said, "Who is she that comes up, all in white?"

Jerome· written before 420· Against Jovinianus 1.30patristic

Song of Solomon 4:8

This teaches us the bride's place of origin, that she comes from the worship of idols. For Mount Lebanon is full of idols, whence you come, it says, hastening past through the law. Without knowing the law, you were taught the mystery of Christ.

Cyril of Alexandria· written before 444· FRAGMENTS IN THE COMMENTARY ON THE SONG OF SONGS 4:8patristic

Song of Solomon 4:8

Come with me from Lebanon, my spouse, with me from Lebanon,.... This is a new title given the church, my "spouse"; here first mentioned, because the day of espousals was over, Son 3:11; and having on the wedding garment, in which she was so fair and spotless, as before described, she looked somewhat like a bride, and the spouse of Christ; and is chiefly used by Christ, to prevail upon her to go with him, which relation, duty, and affection, obliged her to do.

Song of Solomon 4:8

My spouse - The כלה callah which we translate spouse, seems to have a peculiar meaning. Mr. Harmer thinks the Jewish princess is intended by it; and this seems to receive confirmation from the bridegroom calling her sister, Son 4:9, that is, one of the same stock and country; and thus different from the Egyptian bride. Mr. Harmer’s opinion is very probable, that Two Queens are mentioned in this song: one Pharaoh’s daughter, the other a Jewess. See his outlines. But I contend for no system relative to this song.

Song of Solomon 4:9-11

Thou hast ravished my heart: My sister, my spouse enters here and rules the chapter, five occurrences beginning at verse 9: the pairing joins permanence to passion, kinship's unbreakable bond laid under marriage's chosen one, which is how the commentators read the double name. Thou hast ravished my heart with one of thine eyes, with one chain of thy neck: a glance and an ornament suffice, love undone by the least of the beloved. The praise of verse 10 returns the poem's opening comparison (thy love better than wine, 1:2) now spoken back by the bridegroom, and honey and milk are under thy tongue sets the promised land's own formula in her speech.

Song of Solomon 4:9, 3 voices

Song of Solomon 4:9

Flee, he says, from the lions' dens, flee from the pride of devils, that when you have been consecrated to me, I may be able to say unto you, "You have ravished my heart, my sister, my bride, you have ravished my heart with one of your eyes, with one chain of your neck." What he says is something like this—I do not reject marriage: you have a second eye, the left, which I have given to you on account of the weakness of those who cannot see the right.

Jerome· written before 420· Against Jovinianus 1.30patristic

Song of Solomon 4:9

Thou hast ravished my heart, my sister, my spouse,.... Here another new title is given to the church, "my sister", with the repetition of the former, my "spouse": for one and the same person, with the Hebrews, might be sister and spouse; see 1Co 9:

Song of Solomon 4:9

The similes employed refer to the graces of adornment, speech, and gesture, as expressions of inward character and sentiment. Son 4:9 With one of thine eyes - Rather, with one look of thine. Son 4:11 Honeycomb - literally, Thy lips distill a dropping (of pure honey). Compare the marginal references.

Song of Solomon 4:10, 1 voice

Song of Solomon 4:10

How much better is thy love - דדיך dodayich; Hebrew. mastoi sou; Septuagint. Ubera tua; Vulgate. “Thy breasts.” And so all the versions, except the Chaldee. Smell of thine ointments - Perfumes.

Song of Solomon 4:11, 2 voices

Song of Solomon 4:11

Thy lips - drop as the honey-comb - Thy words are as delicious to my heart as the first droppings of the honey-comb are to the palate. Honey and milk are under thy tongue - Eloquence and persuasive speech were compared among the ancients to honey and milk. Thus Homer, Iliad, lib. i., ver. 247: - Τοισι δε Νεστωρ Ηδυεπης ανορουσε, λιγυς Πυλιων αγορητης. Του και απο γλωσσης μελιτος γλυκιων ῥεεν αυδη. Experienced Nestor, in persuasion skill’d, Words sweet as honey from his lips distill’d. But the figure is common to all writers and languages.

Song of Solomon 4:11

Contrast Mt 27:44 with Lu 23:39, &c. It was literally with "one" eye, a sidelong glance of love "better than wine," that he refreshed Jesus Christ (So 4:9, 10). "To-day shalt thou be with Me (compare So 4:8) in Paradise" (So 4:12), is the only joyous sentence of His seven utterances on the cross. smell of . . . garments--which are often perfumed in the East (Ps 45:8).

Jamieson, Fausset & Brown· Commentary Critical and Explanatory on the Whole Bible (1871)reformed

Song of Solomon 4:12-15

A garden inclosed: is my sister, my spouse; a spring shut up, a fountain sealed: the poem's most quoted figure, chastity as a garden kept for one, water sealed against every other claim. The catalogue that follows plants the garden with the ancient world's whole spice trade, camphire, spikenard, saffron, calamus, cinnamon, frankincense, myrrh and aloes, most of them imports from Arabia and India, which the material-culture rows carry; the catalogue is read once as abundance rather than item by item. The figure turns at verse 15: the sealed fountain is at the same time a fountain of gardens, a well of living waters, closed to strangers and flowing for its own, and the older writers set the living-water vocabulary beside Jer 2:13 and John 4:10 by name as their reading.

Song of Solomon 4:12, 5 voicesWhat preachers and commentators have said about these verses, in their own words.

Song of Solomon 4:12

Therefore, beware that the strength of your mind is not weakened by a certain union of bodily pleasure, and that everything dissolves into its embrace, and it opens the fountain, which ought to be closed and sealed by the study of intention and the consideration of reason. For a garden is closed, a fountain is sealed. For when the strength of the mind is dissolved, the senses pour forth a bodily pleasure excessively pernicious, and rush into a desire full of serious danger; which, if it had remained under the vigilant custody of a vivid mind, it would have restrained.

Ambrose of Milan· written before 397· On Isaac and the Soul 1.2patristic

Song of Solomon 4:12

A garden enclosed - a spring shut up, a fountain sealed - Different expressions to point out the fidelity of the bride, or of the Jewish queen. See the outlines. She is unsullied, a chaste, pure virgin. None has ever entered into this garden; none has yet tasted of this spring; the seal of this fountain has never been broken. Among the Athenians, the interior part of the house, called the women’s apartment, was not only locked but sealed; so Aristophan., Thesmoph. ver. 422: - Ειτα δια τουτον ταις γυναικωνιτισιν Σφραγιδας εμβαλλουσιν ηδη και μοχλους.

Song of Solomon 4:12

Spiritually the garden is the gospel kingdom of heaven. Here all is ripe; previously (So 2:13) it was "the tender grape." The garden is His, though He calls the plants hers (So 4:13) by His gift (Isa 61:3, end). spring . . . fountain--Jesus Christ (Joh 4:10) sealed, while He was in the sealed tomb: it poured forth its full tide on Pentecost (Joh 7:37-39).

Jamieson, Fausset & Brown· Commentary Critical and Explanatory on the Whole Bible (1871)reformed

Song of Solomon 4:12

A garden - For order and beauty, for pleasant walks, and flowers, and fruits. Inclosed - Defended by the care of my providence: and reserved for my proper use. Shut up - To preserve it from all pollution, and to reserve it for the use of its owner, for which reason, springs were shut up in those countries where water was scarce and precious.

John Wesley· Explanatory Notes upon the Old Testament (1765)evangelical

Song of Solomon 4:12-14

The Old-Testament church was a garden enclosed by the partition wall of the ceremonial law. The Bible was then a spring shut up and a fountain sealed; it was confined to one nation; but now the wall of separation is removed, the gospel preached to every nation, and in Jesus Christ there is neither Greek nor Jew.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Song of Solomon 4:13, 3 voices

Song of Solomon 4:13

In order that we may know the plants that the Word cultivates in believers, the Song calls the trees he planted "pomegranates." These issue from the bride's mouth. The pomegranate is difficult for a thief to grasp because of its thorny branches, and its fruit is surrounded and protected by a rind bitter and harsh to the taste.

Gregory of Nyssa· written before 395· HOMILIES ON THE SONG OF SONGS 9patristic

Song of Solomon 4:13

Thy plants are an orchard of pomegranates - This seems to refer to the fecundity of the bride or Jewish queen; to the former it would be a prediction; to the latter, a statement of what had already taken place. The word פרדס pardes, which we translate an orchard, is the same which has given birth to our paradise, a garden of pleasure. The other expressions, in this and the following verse, seem to refer wholly to matters of a connubial nature.

Song of Solomon 4:13

It is not like the vineyard of the man void of understanding, that was all grown over with thorns and nettles; but here are fruits, pleasant fruits, all trees of frankincense, and all the chief spices,

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Song of Solomon 4:14, 1 voice

Song of Solomon 4:14

The place of his burial was a garden.… What is he going to say who was buried in the garden? "I gather my myrrh, and my spices"; and again, "Myrrh and aloes with all the finest spices." These were the tokens of his burial, and in the Gospels it is said, "The women came to the tomb, taking the spices they had prepared," and "there also came Nicodemus, bringing a mixture of myrrh and aloes."

Cyril of Jerusalem· written before 386· Catechetical Lecture 14:11patristic

Song of Solomon 4:15, 2 voices

Song of Solomon 4:15

And about mystical wells it remains for us, which we also find in the Song of Songs, as Scripture says: A fountain of gardens, a well of living waters, and flowing down from Lebanon. For if you pursue the depth of mysteries, the well appears to you as if the mystical wisdom is located in the profound: but if you desire to draw from the abundance of charity, which is greater and richer than faith and hope, then the fountain is for you.

Ambrose of Milan· written before 397· On Isaac and the Soul 4.26patristic

Song of Solomon 4:15

Living water - Though my spouse be in some sort a fountain shut up, yet that is not so to be understood as if she kept her waters to herself, for she is like a fountain of living or running water, which flows into gardens, and makes its flowers and plants to flourish. The church conveys those waters of life which she receives from Christ to particular believers.

John Wesley· Explanatory Notes upon the Old Testament (1765)evangelical

Song of Solomon 4:16

Awake, O north wind: The bride answers the garden praise in one verse that changes its ownership: awake, O north wind, and come, thou south; blow upon my garden, that the spices thereof may flow out, and then, let my beloved come into HIS garden. What was my garden in her invitation becomes his in her gift, the possessive doing the poem's work, as the bench notes. The allegorical lines hear the Spirit's wind on the church's graces and carry Bernard's long meditations here; those readings are named as theirs, and the verse's own movement, praise answered by welcome, is text.

Song of Solomon 4:16, 3 voices

Song of Solomon 4:16

Recognize also the voice of the church inviting us when it says, "Arise, O north wind, and come, O south wind, blow through my garden and let my ointments flow forth. Let my brother come down into his garden and eat the fruit of his apple trees." For knowing even then, O holy church, that from these also you would have fruitful works, you promised to your anointed one the fruit from such as these. It was you who first said that you were brought into the king's chamber, loving [Christ's] breasts above wine.

Ambrose of Milan· written before 397· On the Death of Satyrus 2.118patristic

Song of Solomon 4:16

WHAT a difference there is between what the Believer was by nature and what the Grace of God has made him! Naturally, we were like the waste howling wilderness, like the desert which yields no healthy plant or verdure. It seemed as if we were given over to be like a salt land which is not inhabited—no good thing was in us, or could spring out of us. But now, as many of us as have known the Lord are transformed into gardens—our wilderness is made like Eden, our desert is changed into the garden of the Lord.

Charles Spurgeon· written before 1892· The Metropolitan Tabernacle Pulpit, Sermon No. 2475: “"My Garden"—"His Garden"” (lightly modernized text, CCEL edition)Particular (Reformed) Baptist / Five-point Calvinist / 1689 LBCF / 19th-c. evangelical

Song of Solomon 4:16

These, therefore, are not wanted; but first the north wind clearing the air (Job 37:22; Pr 25:23), and then the warm south wind (Job 37:17); so the Holy Ghost first clearing away mists of gloom, error, unbelief, sin, which intercept the light of Jesus Christ, then infusing spiritual warmth (2Co 4:6), causing the graces to exhale their odor.

Jamieson, Fausset & Brown· Commentary Critical and Explanatory on the Whole Bible (1871)reformed

Where the chapter sits

Song of Solomon 4 falls in Wedding and consummation (chapters 3–5). The wedding procession (3:6–11); the bridegroom's descriptive praise of the bride (4:1–7); the chiastic center at 4:16–5:1; the night-seeking and finding (5:2–8).

The bridegroom's praise. The descriptive *wasf* form; ''thou hast ravished my heart.''

Before it: Opening songs: courtship, chapters 1–2. After it: Mature love and the book's close, chapters 6–8.

The whole shape of Song of Solomon

Key words

The Hebrew words this chapter turns on, by how often it uses them. Each one opens its word study.

WordWhat it meansVerses
כַּלָּהkallâh5 times, as כַּלָּ֔ה, כַלָּ֑ה, כַּלָּ֑הbride8, 9, 10, 11 and 1 more
לְבָנוֹןLᵉbânôwn4 times, as מִלְּבָנוֹן֙, מִלְּבָנ֣וֹן, לְבָנֽוֹן׃ סLebanon8, 11, 15
גַּןgan4 times, as גַּ֥ן׀, גַּנִּ֔ים, גַנִּ֖יGarden12, 15, 16
יָפֶהyâpheh3 times, as יָפָ֤ה, יָפָ֔ה, יָפָה֙beautiful1, 7
בּוֹאbôwʼ3 times, as תָּב֑וֹאִי, וּב֣וֹאִי, יָבֹ֤אto come8, 16
רֹאשׁrôʼsh3 times, as מֵרֹ֣אשׁ, מֵרֹ֤אשׁ, רָאשֵׁ֥יfrom top of8, 14
Every word of this chapter, on the Original level →

Cross references

The 8 chapters this one speaks with, most first. Open a row for the verses it shares.

  • Song of Solomon 66 verses
    • Song of Solomon 4:16

      Song of Solomon 6:2My beloved is gone down into his garden, to the beds of spices, to feed in the gardens, and to gather lilies.
    • Song of Solomon 4:5

      Song of Solomon 6:3I am my beloved’s, and my beloved is mine: he feedeth among the lilies.
    • Song of Solomon 4:1

      Song of Solomon 6:5Turn away thine eyes from me, for they have overcome me: thy hair is as a flock of goats that appear from Gilead.
    • Song of Solomon 4:2

      Song of Solomon 6:6Thy teeth are as a flock of sheep which go up from the washing, whereof every one beareth twins, and there is not one barren among them.
    • Song of Solomon 4:1, 3

      Song of Solomon 6:7As a piece of a pomegranate are thy temples within thy locks.
    • Song of Solomon 4:13

      Song of Solomon 6:11I went down into the garden of nuts to see the fruits of the valley, and to see whether the vine flourished, and the pomegranates budded.
    • Read Song of Solomon 6 →
  • Song of Solomon 13 verses
  • Song of Solomon 73 verses
    • Song of Solomon 4:5

      Song of Solomon 7:3Thy two breasts are like two young roes that are twins.
    • Song of Solomon 4:4

      Song of Solomon 7:4Thy neck is as a tower of ivory; thine eyes like the fishpools in Heshbon, by the gate of Bath–rabbim: thy nose is as the tower of Lebanon which looketh toward Damascus.
    • Song of Solomon 4:10

      Song of Solomon 7:6How fair and how pleasant art thou, O love, for delights!
    • Read Song of Solomon 7 →
  • Song of Solomon 23 verses
    • Song of Solomon 4:8

      Song of Solomon 2:13The fig tree putteth forth her green figs, and the vines with the tender grape give a good smell. Arise, my love, my fair one, and come away.
    • Song of Solomon 4:5

      Song of Solomon 2:16My beloved is mine, and I am his: he feedeth among the lilies.
    • Song of Solomon 4:6

      Song of Solomon 2:17Until the day break, and the shadows flee away, turn, my beloved, and be thou like a roe or a young hart upon the mountains of Bether.
    • Read Song of Solomon 2 →
The rest of the chapters this one speaks with, 4 of them, for a reader following a thread past the four above

Cross-references from the Treasury of Scripture Knowledge and OpenBible.info.

The world behind itThe place, the time and the people around this chapter, for a reader who wants the setting.

The world behind this chapter

Song of Solomon 4
When
The reign of Solomon · c. 960 BC
Where
A wedding night, with the northern mountains and a walled garden in view
Who first heard it
Wedding guests hearing the bridegroom's praise song

The history

This chapter is a wasf, a head-to-foot praise song for the bride, a form well known from Egyptian love poetry and still used in Arabic wedding songs in the region centuries later. The comparisons are not meant to be pictured all at once; each one carries a single quality.

The images come from the countryside. "Thy hair is as a flock of goats, that appear from mount Gilead", black goats moving down a hillside in a long shifting line. "Thy teeth are like a flock of sheep that are even shorn, which came up from the washing", sheep were washed in a stream before shearing, so a newly shorn, washed flock is uniformly white and even, and "none is barren among them" means none missing, no gaps in the row.

"Thy neck is like the tower of David builded for an armoury, whereon there hang a thousand bucklers." Displaying shields on the outside of a tower or wall was an actual practice; Ezekiel describes Tyre's defenders hanging their shields on her walls. The comparison is to a bearing that is upright and adorned, not to a thick neck.

"Come with me from Lebanon… from the top of Amana, from the top of Shenir and Hermon, from the lions' dens, from the mountains of the leopards." These are the real peaks of the far north, and both lions and leopards lived in that country in the biblical period.

"A garden inclosed is my sister, my spouse; a spring shut up, a fountain sealed." A walled garden with its own water source was the highest luxury in a dry land, private, guarded, watered, and out of the public street. The spice list that follows, spikenard, saffron, calamus, cinnamon, frankincense, myrrh, and aloes, is a catalogue of the incense trade, hauled from Arabia, India, and beyond by caravan.

What it meant to them

The first hearers understood the garden language perfectly and would not have blushed at it. The song treats the marriage bed as good, and says so in front of everyone.

"Thou art all fair, my love; there is no spot in thee" is the line the chapter turns on. In a marriage negotiated between families, the song insists on delight, the bridegroom is not acquiring a household asset, he is undone by her.

Sources cited

  • John H. Walton, Victor H. Matthews, Mark W. Chavalas, The IVP Bible Background Commentary: Old Testament
  • Franz Delitzsch, Commentary on the Song of Songs and Ecclesiastes

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This page carries no textual note on Song of Solomon 4. Where this site has examined a place the manuscripts differ, the examination is in the manuscripts room. Every place this site examines →

This page draws on 14 works. Open for the list.

This page draws on Adam Clarke, Commentary on the Bible (1810-1826); Albert Barnes, Notes, Explanatory and Practical, on the Old and New Testaments (1832-1869); Ambrose of Milan; Charles Spurgeon, The Metropolitan Tabernacle Pulpit, Sermon No. 2475: “"My Garden"—"His Garden"” (lightly modernized text, CCEL edition); Cyril of Alexandria, FRAGMENTS IN THE COMMENTARY ON THE SONG OF SONGS 4:8; Cyril of Jerusalem, Catechetical Lecture 14:11; Franz Delitzsch, Commentary on the Song of Songs and Ecclesiastes; Gregory of Nyssa, HOMILIES ON THE SONG OF SONGS 9; Jamieson, Fausset & Brown, Commentary Critical and Explanatory on the Whole Bible (1871); Jerome, Against Jovinianus 1.30; John Gill; John Wesley, Explanatory Notes upon the Old Testament (1765); Matthew Henry and Origen of Alexandria, FRAGMENTS ON LUKE 186.