Song of Solomonchapter 5
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A.I Sleep, but My Heart Waketh: I Sought Him and Found Him Notvv. 1-8
Song of Solomon 5:1
eat, O friends: The bridegroom answers his own invitation of 4:16 in the poem's own words, I am come into my garden, my sister, my spouse, and what follows, myrrh, spice, honeycomb, wine and milk gathered and enjoyed, names the fullness the courtship movement of chapters one through four has been building toward. The address then widens past the two lovers alone, eat, O friends; drink, yea, drink abundantly, O beloved, inviting the wedding company to share the joy rather than only witness it. Delitzsch reads the verse as marking the marriage's consummation and the close of the poem's first movement; Gill reads the same invitation of Christ feasting his church.
Song of Solomon 5:1, 4 voicesWhat preachers and commentators have said about these verses, in their own words.
Song of Solomon 5:1
“We read also in the Song of Songs: "Come, brothers, drink and be inebriated." And wine which gladdens the heart of man. This fleshly wine does not gladden the heart of man, but overwhelms it, and makes it mad. Indeed, it is written that those who are powerful should not drink wine. The apostle too writes that we ought not to drink wine and eat flesh. Again it is said to us: And wine gladdens the heart of man. But it speaks of a spiritual wine, which, if anyone drinks it, he is immediately inebriated.”
Jerome· written before 420· HOMILIES ON THE PSALMS 42 (PSALM 127)patristic
Song of Solomon 5:1
“My honeycomb - literally, “my reed” or “my wood,” i. e., the substance itself, or portions of it in which the comb is formed. The bees in Palestine form their combs not only in the hollows of trees and rocks, but also in reeds by the river-banks.”
Song of Solomon 5:1
No sooner does the spouse say, "Let my Beloved come into His garden," than her Lord answers, "I am come into My garden." "Before they call, I will answer; and while they are yet speaking, I will hear." When we desire our Lord Jesus to come to us, He has already come, in a measure—our desire is the result of His coming! He meets us in all our desires, for He waits to be gracious. Our, "Come," is no sooner uttered than it is lost in His, "Behold, I come quickly!"
Charles Spurgeon· The Metropolitan Tabernacle Pulpit, Sermon No. 1943: “Love Joying In Love” (lightly modernized text, CCEL edition) (1887)Particular (Reformed) Baptist / Five-point Calvinist / 1689 LBCF / 19th-c. evangelical
Song of Solomon 5:1
“The great work of man's redemption, and the riches of the covenant of grace, are a feast to the Lord Jesus and they ought to be so to us. The invitation is very free, and hearty, and loving: Eat, O friends! If Christ comes to sup with us, it is we that sup with him, Rev. iii.”
Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan
B.What Is Thy Beloved More Than Another? He Is Altogether Lovelyvv. 9-16
Song of Solomon 5:2-3
I sleep, but my heart waketh: The second night scene opens with a state the poem states in its own words, I sleep, but my heart waketh, love keeping watch where sleep does not. The beloved's voice comes at the door asking to be let in, my head is filled with dew, and my locks with the drops of the night, marking a real night spent outdoors before he came. The bride answers with two questions rather than an open door, I have put off my coat, how shall I put it on, I have washed my feet, how shall I defile them, a hesitation the commentators read as the poem's own picture of a heart grown slow to rise for a love it does possess.
Song of Solomon 5:2, 4 voicesWhat preachers and commentators have said about these verses, in their own words.
Song of Solomon 5:2-5
“She is now awakened from sleep by him, although she was keeping watch with her heart so that she might hear his voice at once when he knocked. But while she was rising, she experienced a delay, because she could not match the swiftness of the Word. While she was opening the door, the Word passed by.”
Ambrose of Milan· written before 397· On Isaac and the Soul 6.50-52patristic
Song of Solomon 5:2
“I sleep, but my heart waketh,.... Like persons that are half awake, half asleep, whom Cicero (x) calls "semisomni".”
Song of Solomon 5:2
“I sleep, but my heart waketh - This is a new part; and some suppose that the fifth day’s solemnity begins here. Though I sleep, yet so impressed is may heart with the excellences of my beloved, that my imagination presents him to me in the most pleasing dreams throughout the night.”
Adam Clarke· Commentary on the Bible (1810-1826)evangelical
Song of Solomon 5:2
“Those that by faith are espoused to Christ he looks upon as his sisters, his loves, his doves, and all that is dear; and, being clothed with his righteousness, they are undefiled. This consideration should induce her to open to him. Christ's love to us should engage ours to him, even in the most self-denying instances.”
Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan
Song of Solomon 5:3, 3 voices
Song of Solomon 5:3
“In this night of the world the garment of corporeal life is first to be taken off as the Lord divested himself in his flesh that for you he might triumph over the dominions and powers of this world.”
Ambrose of Milan· written before 397· Concerning Virginity 9:55patristic
Song of Solomon 5:3
“I have put off my coat - The bride must have been in a dream or in much disorder of mind to have made the frivolous excuses here mentioned. The words relate to the case of a person who had gone to take rest on his bed. As they wore nothing but sandals, they were obliged to wash their feet previously to their lying down. I have washed my feet, taken off my clothes, and am gone to bed: I cannot therefore be disturbed. A Hindoo always washes his feet before he goes to bed.”
Adam Clarke· Commentary on the Bible (1810-1826)evangelical
Song of Solomon 5:3
“When, all too late, the bride did arise, she seems to have been more concerned to anoint herself with the liquid myrrh than to speedily welcome her waiting Lord.”
Hudson Taylor· Union and Communion; or, Thoughts on the Song of Solomon (1893)English evangelical / China Inland Mission founder / Faith-mission / Indigenous-Christianity pioneer
Song of Solomon 5:4-6
put in his hand by the hole of the door: My beloved put in his hand by the hole of the door, and my bowels were moved for him: the gesture itself moves her before any word is spoken, and she rises at last, her hands and fingers dripping myrrh onto the very handles of the lock. She opens too late; my beloved had withdrawn himself, and was gone, and what the hesitation cost is stated plainly, my soul failed when he spake, I sought him but I could not find him, I called him, but he gave me no answer. Henry and Gill both read the sequence as the poem's own picture of delay in love, a withdrawal met after the moment for opening had passed, without naming it a punishment.
Song of Solomon 5:4, 3 voices
Song of Solomon 5:4
“My beloved put in his hand - If it were a real scene, which is mentioned in this and the two following verses, it must refer, from the well-known use of the metaphors, to matrimonial endearments. Or, it may refer to his attempts to open the door, when she hesitated to arise, on the grounds mentioned Son 5:3. But this also bears every evidence of a dream.”
Adam Clarke· Commentary on the Bible (1810-1826)evangelical
Song of Solomon 5:4
“By the hole - He assayed to open the door. When his word would not prevail, his spirit, which is called the finger of God, Luke xi, 20, wrought inwardly upon my conscience.”
John Wesley· Explanatory Notes upon the Old Testament (1765)evangelical
Song of Solomon 5:4
“Her compliance with these methods of divine grace at last: My bowels were moved for him. The will was gained by a good work wrought upon the affections: My bowels were moved for him, as those of the two disciples were when Christ made their hearts to burn within them. She was moved with compassion to her beloved, because his head was wet with dew.”
Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan
Song of Solomon 5:5, 4 voices
Song of Solomon 5:5
"I sleep, but my heart is awake." Let us learn what food and produce God feasts upon and in which ones he takes pleasure. He takes pleasure in this, if anyone dies to his sin, blots out his guilt, and destroys and buries his iniquities. The myrrh represents the burial of the dead, but sins are dead, for they cannot possess the sweetness of life. Moreover, some wounds of sinners are moistened with the ointments of Scripture and the stronger food of the word as with bread, and are treated with the sweeter word like honey.
Ambrose of Milan· written before 397· DEATH AS A GOOD 5:20patristic
Song of Solomon 5:5
“Sweet smelling myrrh - Or (as in the margin) “running myrrh,” that which first and spontaneously exudes, i. e., the freshest, finest myrrh. Even in withdrawing he has left this token of his unchanged love.”
Song of Solomon 5:5
“By which she signifies, that Christ, though he withdrew himself from her, yet left a sweet savour behind him. The handles - Hebrew. with myrrh passing or flowing upon the handles of the lock, which place the bridegroom had touched when he attempted to open it.”
John Wesley· Explanatory Notes upon the Old Testament (1765)evangelical
Song of Solomon 5:5
“Christ will be sought while he may be found; if we slip our time, we may lose our passage. Note, (1.) Christ justly rebukes our delays with his denials, and suspends the communications of comfort from those that are remiss and drowsy in their duty. (2.) Christ's departures are matter of great grief and lamentation to believers.”
Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan
Song of Solomon 5:6, 1 voice
Song of Solomon 5:6
"I opened to my beloved, but my beloved had gone." What is this going? Simply that he has penetrated into the center of the mind as it was said to Mary, "And his sword will pierce your soul." For the living Word of God, as piercing as a sharp sword, comprehends both the limits of bodily thoughts and the secret places of the heart.
Ambrose of Milan· written before 397· Concerning Virginity 11:67patristic
Song of Solomon 5:7-8
The watchmen that went about the city found me: The watchmen who guided her safely to the bridegroom in 3:3 now meet her in the night search and smite her, wound her, and take away her veil, a reversal the commentators read two ways: some see the real danger of a woman abroad alone at night, and some read the wounding as what love can cost among an unsympathetic world. Still wounded, she charges the daughters of Jerusalem in the same adjuration form used at 2:7, 3:5 and 8:4, but bent now to a message, if ye find my beloved, that ye tell him, that I am sick of love. Delitzsch notes the refrain is altered here to carry a message rather than a warning, since in this scene it is the beloved who is sought rather than love that is being asked to wait.
Song of Solomon 5:7, 2 voices
Song of Solomon 5:7
“Took away my veil - They tore it off rudely, to discover who she was. See on Son 5:2 (note). To tear the veil signifies, in Eastern phrase, to deflower or dishonor a woman.”
Adam Clarke· Commentary on the Bible (1810-1826)evangelical
Song of Solomon 5:7
“Disconsolate saints are taken for sinners, and are censured and reproached as such. Thus Hannah, when she was praying in the bitterness of her soul, was wounded and smitten by Eli, one of the prime watchmen, when he said to her, How long wilt thou be drunken? so counting her a daughter of Belial, 1 Sam. i.”
Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan
Song of Solomon 5:8, 4 voices
Song of Solomon 5:8
“I charge you, O daughters of Jerusalem,.... Young converts, as before observed; who, upon the hideous outcry the church made in the streets, came to her to know what was the matter, whom she addressed as after related; this shows the humility and condescension of the church, in desiring the assistance of weaker saints in her present case, and her earnestness and resolution to make use of all ways and means she could to find her beloved; and it becomes saints to be assisting to one another; and conversation with one another, even with weak believers, is often useful.”
Song of Solomon 5:8
“I am sick of love - “I am exceedingly concerned for his absence; and am distressed on account of my thoughtless carriage towards him.” The latter clause may be well translated, “What should ye tell him?” Why, “that I am sick of love.” This ends the transactions of the third day and night.”
Adam Clarke· Commentary on the Bible (1810-1826)evangelical
Song of Solomon 5:8
“Historically, His secret friends in the night of His withdrawal (Lu 23:27, 28). Inquirers may find ("if ye find") Jesus Christ before she who has grieved His Spirit finds Him again. tell--in prayer (Jas 5:16). sick of love--from an opposite cause (So 2:5) than through excess of delight at His presence; now excess of pain at His absence.”
Jamieson, Fausset & Brown· Commentary Critical and Explanatory on the Whole Bible (1871)reformed
Song of Solomon 5:8
“It is better to be sick of love to Christ than at ease in love to the world. (2.) What course she took in this condition. She did not sink into despair, and conclude that she should die of her disease, but she sent after her beloved; she asked the advice of her neighbours, and begged their prayers for her, that they would intercede with him on her behalf.”
Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan
Song of Solomon 5:9
O thou fairest among women?: The daughters answer the charge with a question of their own, what is thy beloved more than another beloved, that thou dost so charge us, asked twice in the one verse as though testing whether the claim can be backed with substance. The question does what her grief alone could not: it draws out of her the portrait that follows, turning loss into praise rather than only lament. Henry reads the daughters' question as the poem's own hinge, the point where description becomes the answer no argument alone could give.
Song of Solomon 5:9, 1 voice
Song of Solomon 5:9
“Section 5:9–6:3: The bride’s commendation of the beloved. In the allegorical interpretations of Jewish expositors all is here spoken by exiled Israel of the Holy One whose praise she sings “by the waters of Babylon” Psa 137:1. Christian interpreters apply the description directly to the Incarnate Son, partly in His Eternal Godhead, but chiefly in His risen and glorified Humanity.”
Song of Solomon 5:10-12
the chiefest among ten thousand: My beloved is white and ruddy, the chiefest among ten thousand answers the daughters with rank and radiance together, and it opens the one place in the poem where the bride praises the bridegroom in the same descriptive form he had used of her four times over. His head is as the most fine gold, his locks are bushy, and black as a raven pictures royal wealth and youthful strength in one image, and his eyes as the eyes of doves by the rivers of waters, washed with milk, and fitly set returns the dove language he had given her at 1:15 and 4:1, now given back. Delitzsch reads the returned image as the poem's own proof that praise in this book runs both directions; Gill's allegorical line hears the church confessing Christ's beauty in the same words.
Song of Solomon 5:10, 3 voices
Song of Solomon 5:10
"My beloved is white and ruddy." It is fitting, O virgin, that you should fully know him whom you love, and should recognize in him all the mystery of his divine nature and the body which he has assumed. He is white fittingly, for he is the brightness of the Father; and ruddy, for he was born of a Virgin. The color of each nature shines and glows in him.
Ambrose of Milan· written before 397· Concerning Virginity 1.9.46patristic
Song of Solomon 5:10
“My beloved is white and ruddy,.... This, and the following verses, contain the church's answer to the question of the daughters; she first gives a general description of her beloved, and then descends to particulars: the description of him in general is, that he is "white and ruddy"; having the whiteness of the lily, and the redness of the rose, Son 2:1; which make a perfect beauty.”
Song of Solomon 5:10
“My beloved is white and ruddy - Red and white, properly mixed, are essential to a fine complexion; and this is what is intimated: he has the finest complexion among ten thousand persons; not one in that number is equal to him. Literally, “He bears the standard among ten thousand men;” or “He is one before whom a standard is borne,” i.e., he is captain or chief of the whole.”
Adam Clarke· Commentary on the Bible (1810-1826)evangelical
Song of Solomon 5:11, 3 voices
Song of Solomon 5:11
“His hair lifted like palm trees, etc. The hair of the beloved's head is the throng of saints, who adhere to God with faithful service; and deservedly are they compared to raised palm trees, because they expect the sweetness of perpetual reward. Hence it is …”
Bede· written before 735· Commentary on the Song of Songspatristic
Song of Solomon 5:11
“His head is as the most fine gold - Perhaps in the sense of noble and precious as the finest gold. Lam 4:2. Bushy - Waving like branches of the palm.”
Song of Solomon 5:11
“We need not aim at a distinct application of this and the following particulars, unto some special excellency of Christ, because such things are mere conjectures, and the only design of this description is, to set forth the beauty of Christ under the notion of a most amiable person, in whom there is no defect or blemish, from the crown of his head to the sole of his feet.”
John Wesley· Explanatory Notes upon the Old Testament (1765)evangelical
Song of Solomon 5:12, 2 voices
Song of Solomon 5:12
“In doves, the eyes are signified. For when it says, "doves over the abundance of the waters," it means this kind of bird when it comes to the waters. There it is accustomed to suffer the attacks of the hawk and to detect its hostile arrival in flight when it sees the shadow of its wings in the waters. And so it escapes the deceit of imminent peril by the keen vision of its eyes. For if you could thus look out for the snares of the devil and avoid them, you would offer "doves" as a sacrifice to God.”
Origen of Alexandria· written before 253· HOMILIES ON LEVITICUS 3:8.4patristic
Song of Solomon 5:12
“His eyes are as the eyes of doves - See on Son 4:1 (note). Washed with milk - The white of the eye, exceedingly white. By the use of stibium, in the East, the eye is rendered very beautiful; and receives such a lustre from the use of this article, that, to borrow the expression of a late traveler, “their eyes appear to be swimming in bliss.” I believe this expression to be the meaning of the text. Fitly set - Or, as the margin, very properly, sitting in fullness; not sunk, not contracted.”
Adam Clarke· Commentary on the Bible (1810-1826)evangelical
Song of Solomon 5:13-14
His cheeks are as a bed of spices: continues the portrait downward, his lips like lilies, dropping sweet smelling myrrh, and the description keeps the rule the poem already established for its praise songs, images built for impression rather than outline, as Delitzsch's reading of chapter four's catalogue holds here too. His hands are as gold rings set with the beryl, his belly is as bright ivory overlaid with sapphires moves the portrait into royal and priestly materials, gold, beryl, ivory and sapphire together, a garment of preciousness rather than a report of shape. Gill's allegorical reading hears in the gathered materials a king clothed for his people to admire, a reading he holds and states as his own.
Song of Solomon 5:13, 2 voices
Song of Solomon 5:13
“Sweet flowers - Better as in the margin, i. e., plants with fragrant leaves and flowers trained on trellis-work. Like lilies - Are lilies dropping liquid myrrh (see the Son 5:5 note). Perhaps the fragrance of the flowers, or the delicate curl of the lip-like petals, is here the point of comparison, rather than the color.”
Song of Solomon 5:13
“IN this chapter the spouse describes in detail the Person of her Beloved. She is not satisfied with saying, "He is altogether lovely," but she delights to talk of the charms of each part of His sacred Person and to picture the beauties of His Divine form and features, so that thereby she may, perhaps, win some other heart, first to admire and then to love Him. Dear Friends, there are some things about which you will be wise not to go into details.”
Charles Spurgeon· written before 1892· The Metropolitan Tabernacle Pulpit, Sermon No. 2479: “Spices, Flowers, Lilies and Myrrh” (lightly modernized text, CCEL edition)Particular (Reformed) Baptist / Five-point Calvinist / 1689 LBCF / 19th-c. evangelical
Song of Solomon 5:14, 4 voices
Song of Solomon 5:14
“His hands are like cylinders of gold, etc. After the lips, the Church praises the hands of her Redeemer, that is, His deeds after His words, because He showed by His actions that what He taught with words was to be believed. For instance, while …”
Bede· written before 735· Commentary on the Song of Songspatristic
Song of Solomon 5:14
“His hands - gold rings set with the beryl - This really seems to refer to gold rings set with precious stones on the fingers, and perhaps to circlets or bracelets about the wrists. Some suppose it to refer to the roundness and exquisite symmetry of the hand and fingers. תרשיש tarshish, which we translate beryl, a gem of a sea-green tint, had better be translated chrysolite, which is of a gold color.”
Adam Clarke· Commentary on the Bible (1810-1826)evangelical
Song of Solomon 5:14
"To the pure all things are pure." As in statuary to the artist the partly undraped figure is suggestive only of beauty, free from indelicacy, so to the saint the personal excellencies of Jesus Christ, typified under the ideal of the noblest human form.
Jamieson, Fausset & Brown· Commentary Critical and Explanatory on the Whole Bible (1871)reformed
Song of Solomon 5:14
“Beryl - Beautiful, and precious, and richly adorned, as it were with gold rings set with precious stones. Belly - Which seems to be here used, for the whole body, reaching from the neck to the bottom of the belly. Saphires - Of a pure and bright white colour, intermixt with blue veins; for some saphires are of a bright blue colour.”
John Wesley· Explanatory Notes upon the Old Testament (1765)evangelical
Song of Solomon 5:15-16
His legs are as pillars of marble: finishes the downward portrait with strength and stature, set upon sockets of fine gold, and his countenance is as Lebanon, excellent as the cedars closes it with the same northern grandeur the poem has used throughout for what is high and lasting. The description ends in taste rather than sight, his mouth is most sweet, and then in the two lines the church has read longest and most often as its own confession: yea, he is altogether lovely, this is my beloved, and this is my friend, O daughters of Jerusalem. Those two lines have stood at the center of the church's reading of the whole book across the centuries, Bernard's sermons and Gill's exposition chief among them, taken as words the church could say of Christ even while the verse itself is the bride's own praise of her bridegroom.
Song of Solomon 5:15, 4 voices
Song of Solomon 5:15
Who indeed but Christ could dare to claim the church as his bride, whom he alone, and none other, has called from Libanus, saying, "Come here from Lebanon, my bride; come here from Lebanon"? Or of whom else could the church have said, "His throat is sweetness, and he is altogether desirable"? And seeing that we entered upon this discussion from speaking of the shoes of his feet, to whom else but the Word of God incarnate can those words apply? "His legs are pillars of marble, set upon bases of gold."
Ambrose of Milan· written before 397· Exposition of the Christian Faith 3.10.74patristic
Song of Solomon 5:15
“From the several parts, she proceeds to the general effect of the whole person of Jesus Christ. Lebanon--so called from its white limestone rocks. excellent--literally, "choice," that is, fair and tall as the cedars on Lebanon (Eze 31:3, &c.). Majesty is the prominent thought (Ps 21:5).”
Jamieson, Fausset & Brown· Commentary Critical and Explanatory on the Whole Bible (1871)reformed
Song of Solomon 5:15
“Marble - White, and strait, and well shaped and strong. Gold - His feet are compared to gold, for their singular brightness, for which they are compared to fine-brass, Rev. i, 15. Countenance - Hebrew. his aspect or appearance, his form or person.”
John Wesley· Explanatory Notes upon the Old Testament (1765)evangelical
Song of Solomon 5:15
“This sets forth the stateliness and magnificence of the goings of our God, our King, in his sanctuary ( Ps. lxviii. 24 ), and the steadiness and evenness of all his dispensations towards his people. The ways of the Lord are equal; they are all mercy and truth; these are the pillars of marble, more lasting than the pillars of heaven.”
Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan
Song of Solomon 5:16, 4 voices
Song of Solomon 5:16
“His mouth is most sweet,.... Or sweetness itself (k); yea, "sweetnesses" (l); exceeding sweet.”
Song of Solomon 5:16
His mouth is most sweet - His eloquence is great, and his voice is charming. Every word he speaks is sweetness, mildness, and benevolence itself. Then, her powers of description failing, and metaphor exhausted she cries out, “The whole of him is loveliness. This is my beloved, and this is my companion, O ye daughters of Jerusalem.”
Adam Clarke· Commentary on the Bible (1810-1826)evangelical
Song of Solomon 5:16
“WHEN THE OLD PURITAN MINISTER had delivered his discourse, and dwelt upon firstly, and secondly, and thirdly, and perhaps upon twenty-fifthly, before he sat down he usually gave a comprehensive summary of all that he had spoken. Every one who carefully noted the summary would carry away the essence of the sermon. The summary was always looked upon by the Puritan hearer as one of the most valuable helps to memory, and consequently a most important part of the discourse. In these five words the spouse here gives you her summary.”
Charles Spurgeon· The Metropolitan Tabernacle Pulpit, Sermon No. 1001: “Altogether Lovely” (lightly modernized text, CCEL edition) (1871)Particular (Reformed) Baptist / Five-point Calvinist / 1689 LBCF / 19th-c. evangelical
Song of Solomon 5:16
“Here is a true believer, [1.] Giving an entire consent to Christ: "He is mine, my Lord and my God ( John xx. 28 ), mine according to the tenour of the gospel-covenant, mine in all relations, bestowed upon me, to be all that to me that my poor soul stands in need of." [2.] Taking an entire complacency in Christ.”
Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan
Where the chapter sits
Song of Solomon 5 falls in Wedding and consummation (chapters 3–5). The wedding procession (3:6–11); the bridegroom's descriptive praise of the bride (4:1–7); the chiastic center at 4:16–5:1; the night-seeking and finding (5:2–8).
Before it: Opening songs: courtship, chapters 1–2. After it: Mature love and the book's close, chapters 6–8.
The whole shape of Song of Solomon→Key words
The Hebrew words this chapter turns on, by how often it uses them. Each one opens its word study.
| Word | What it means | Verses |
|---|---|---|
| דּוֹדdôwd13 times, as דּוֹדִֽים׃ ס, דּוֹדִ֣י, דּוֹדִ֗י | o lovers | 1, 2, 4, 5 and 5 more |
| מֹרmôr4 times, as מוֹרִי֙, מ֗וֹר, מ֣וֹר | myrrh | 1, 5, 13 |
| פָּתַחpâthach3 times, as פִּתְחִי־, לִפְתֹּ֣חַ, פָּתַ֤חְתִּֽי | to open | 2, 5, 6 |
| יָדyâd3 times, as יָדוֹ֙, וְיָדַ֣י, יָדָיו֙ | hand | 4, 5, 14 |
| עָבַרʻâbar3 times, as עֹבֵ֔ר, עָבָ֑ר, עֹבֵֽר׃ | flowing | 5, 6, 13 |
| מָצָאmâtsâʼ3 times, as מְצָאתִ֔יהוּ, מְצָאֻ֧נִי, תִּמְצְאוּ֙ | to find | 6, 7, 8 |
Cross references
The 8 chapters this one speaks with, most first. Open a row for the verses it shares.
Song of Solomon 24 verses
Song of Solomon 5:10, 13
Song of Solomon 2:1I am the rose of Sharon, and the lily of the valleys.Song of Solomon 5:8
Song of Solomon 2:5Stay me with flagons, comfort me with apples: for I am sick of love.Song of Solomon 5:8
Song of Solomon 2:7I charge you, O ye daughters of Jerusalem, by the roes, and by the hinds of the field, that ye stir not up, nor awake my love, till he please.Song of Solomon 5:2
Song of Solomon 2:14O my dove, that art in the clefts of the rock, in the secret places of the stairs, let me see thy countenance, let me hear thy voice; for sweet is thy voice, and thy countenance is comely.- Read Song of Solomon 2 →
Song of Solomon 44 verses
Song of Solomon 5:12
Song of Solomon 4:1Behold, thou art fair, my love; behold, thou art fair; thou hast doves’ eyes within thy locks: thy hair is as a flock of goats, that appear from mount Gilead.Song of Solomon 5:1
Song of Solomon 4:9Thou hast ravished my heart, my sister, my spouse; thou hast ravished my heart with one of thine eyes, with one chain of thy neck.Song of Solomon 5:5
Song of Solomon 4:13Thy plants are an orchard of pomegranates, with pleasant fruits; camphire, with spikenard,Song of Solomon 5:1
Song of Solomon 4:16Awake, O north wind; and come, thou south; blow upon my garden, that the spices thereof may flow out. Let my beloved come into his garden, and eat his pleasant fruits.- Read Song of Solomon 4 →
Song of Solomon 63 verses
Song of Solomon 5:9
Song of Solomon 6:1Whither is thy beloved gone, O thou fairest among women? whither is thy beloved turned aside? that we may seek him with thee.Song of Solomon 5:1, 13
Song of Solomon 6:2My beloved is gone down into his garden, to the beds of spices, to feed in the gardens, and to gather lilies.Song of Solomon 5:2, 9
Song of Solomon 6:9My dove, my undefiled is but one; she is the only one of her mother, she is the choice one of her that bare her. The daughters saw her, and blessed her; yea, the queens and the concubines, and they praised her.- Read Song of Solomon 6 →
Song of Solomon 13 verses
Song of Solomon 5:9
Song of Solomon 1:8If thou know not, O thou fairest among women, go thy way forth by the footsteps of the flock, and feed thy kids beside the shepherds’ tents.Song of Solomon 5:13
Song of Solomon 1:10Thy cheeks are comely with rows of jewels, thy neck with chains of gold.Song of Solomon 5:12
Song of Solomon 1:15Behold, thou art fair, my love; behold, thou art fair; thou hast doves’ eyes.- Read Song of Solomon 1 →
The rest of the chapters this one speaks with, 4 of them, for a reader following a thread past the four above
- Psalms 452 verses
- Revelation 32 verses
- Revelation 12 verses
- Luke 111 verse
Cross-references from the Treasury of Scripture Knowledge and OpenBible.info.
The world behind itThe place, the time and the people around this chapter, for a reader who wants the setting.
The world behind this chapter
Song of Solomon 5The history
The scene at the door only works if you know the hardware. A house door was barred from the inside with a wooden bolt slid into a socket. Some doors had a hole cut above the bolt so that a person outside, or the owner with a key, which was a hooked stick, could reach a hand through and work the bar. "My beloved put in his hand by the hole of the door" describes exactly that, and "my hands dropped with myrrh… upon the handles of the lock" means he left perfumed oil on the bolt where he touched it.
"I have put off my coat; how shall I put it on? I have washed my feet; how shall I defile them?" She is already in bed with her outer tunic off, and the floor of a house was beaten earth. Getting up means getting dirty again. The excuse is small, ordinary, and costly.
"The watchmen that went about the city found me, they smote me, they wounded me; the keepers of the walls took away my veil from me." The night patrol treated a woman alone in the streets after dark as suspect, and stripping her veil was a public shaming. This is the danger of the search made explicit.
Her praise song for him is built from palace and temple craft: a head of fine gold, locks black as a raven, eyes like doves by rivers of water washed with milk, hands as gold rings set with beryl, a body of ivory overlaid with sapphires, legs as pillars of marble set on sockets of fine gold. Statues of gods and kings were made this way, a wooden core sheathed in gold and inlaid with stone, standing on a fitted base. She is describing him as a figure of that scale.
What it meant to them
The first hearers heard a love story that includes a missed moment and real pain. The book is not a run of unbroken pleasure, and it does not pretend to be.
When the other women ask what makes him different from any other man, her answer is the whole second half of the chapter, and it ends, "this is my beloved, and this is my friend." Friend is the word that closes the description, after all the gold.
Sources cited
- Roland de Vaux, Ancient Israel: Its Life and Institutions
- John H. Walton, Victor H. Matthews, Mark W. Chavalas, The IVP Bible Background Commentary: Old Testament
The text of this chapter
This page carries no textual note on Song of Solomon 5. Where this site has examined a place the manuscripts differ, the examination is in the manuscripts room. Every place this site examines →
This page draws on 14 works. Open for the list.
This page draws on Adam Clarke, Commentary on the Bible (1810-1826); Albert Barnes, Notes, Explanatory and Practical, on the Old and New Testaments (1832-1869); Ambrose of Milan; Bede, Commentary on the Song of Songs; Charles Spurgeon; Franz Delitzsch, Commentary on the Song of Songs and Ecclesiastes; Hudson Taylor, Union and Communion; or, Thoughts on the Song of Solomon (1893); Jamieson, Fausset & Brown, Commentary Critical and Explanatory on the Whole Bible (1871); Jamieson, Fausset and Brown, Commentary Critical and Explanatory on the Whole Bible; Jerome, HOMILIES ON THE PSALMS 42 (PSALM 127); John Gill; John Wesley, Explanatory Notes upon the Old Testament (1765); Matthew Henry and Origen of Alexandria, HOMILIES ON LEVITICUS 3:8.4.
