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Song of Solomon 1:7

in Song of Solomon 1

Tell me, O one I love, where do you pasture your sheep? Where do you rest them at midday? Why should I be like a veiled woman beside the flocks of your companions?

BSB

The same verse in ASV and KJV ▾

ASV

Tell me, O thou whom my soul loveth, Where thou feedest thy flock, Where thou makest it to rest at noon: For why should I be as one that is veiled Beside the flocks of thy companions?

KJV

Tell me, O thou whom my soul loveth, where thou feedest, where thou makest thy flock to rest at noon: for why should I be as one that turneth aside by the flocks of thy companions?

This verse in Song of Solomon 1

Commentary

25 notes on this verse

A commentator

Jerome

HOMILIES ON THE PSALMS 20 (Psalm 90) · Written before 420.

Because Abraham received the angels at noon, and Joseph invited his brothers to a meal at noon. For both Abraham and Joseph were holy, and therefore their banquet was in clear light and full sun, therefore they feed at noon. And I too, if I have full knowledge of the Scriptures, although it be the third hour, nevertheless I feed you at noon. Indeed even the bride in the Song of Songs says: "Where do you feed, she says, where do you lie down at noon?"

This site's exposition

Tell me, O one I love

on Song of Solomon 1:7-8

The bride asks where he shepherds his flock at noon, unwilling to go veiled among his companions' flocks. The reply sends her to the flock's footsteps and the shepherds' tents. Wesley and Henry both read the exchange as courtship's plain speech, one wanting the other's company without contrivance or delay.

The record, by era

The Church Fathers5 voices

A commentator

Augustine of Hippo

SERMON 88:6 · Written before 430.

proposed

With good reason then to this shepherd of shepherds, does his beloved, his spouse, his fair one, but by him made fair, before by sin deformed, beautiful afterward through pardon and grace, speak in her love and ardor after him, and say to him, "Where do you feed?" And observe how, by what transport this spiritual love is here animated. And far better are they by this transport delighted who have tasted of the sweetness of this love. They bear this properly who love Christ. For in them, and of them, does the church sing this in the Song of Songs.

A commentator

Theodoret of Cyrus

COMMENTARY ON THE SONG OF SONGS 1 · Written before 458.

proposed

It is logical for the bride to enquire at the time of midday where the bridegroom takes his rest because when the light of knowledge became stronger, heresies developed which, while bearing the name of Christians, were nevertheless devoid of truth. This is the reason …

A commentator

Jerome

LETTER 108.12 · Written before 420.

proposed

I linger long in the land of the midday sun, for it was there and then that the spouse found her bridegroom at rest.

A commentator

Augustine of Hippo

SERMON 147A.3 · Written before 430.

proposed

Why do I want you to tell me where you graze, where you lie down in the noonday? "Lest I should happen, like a veiled woman, on the flocks of your companions." That is the reason, she says, why I want you to tell me where you graze your flock, where you lie down in the noonday. When I come to you I won't lose my way, lest like a veiled woman I should come upon the flocks of your companions, that is to say, I should stumble on flocks that are not yours but belong to your companions.

A commentator

Augustine of Hippo

SERMON 46:36 · Written before 430.

proposed

"Tell me, you whom my soul loves, where do you feed your flock, where you lie down?" Neither we nor they have any doubt that the bride is speaking to the bridegroom, the church to Christ. But listen to all the words of the bride. Why do you want to attribute to the bridegroom a word that is still in the bride's part? Let the bride say everything she says, and then the bridegroom will reply.…Midday is coming, you see, when the shepherds take refuge in the shade; and perhaps where you are feeding your flock and lying down will escape me; and I want you to tell me, lest perchance I go as one veiled, that is, as one concealed and not recognized. I am in fact plain to see, but lest as one veiled, as one hidden, I stumble on the flocks of your companions.
18 more voices on this verse

The Medieval Church8 voices

A commentator

Bernard of Clairvaux

Sermons on the Song of Songs, Sermon 31 · Written before 1153.

proposed

"Tell me, you whom my soul loves, where you pasture your flock, where you make it lie down at noon?" The Word, who is the Bridegroom, often makes himself known under more than one form to those who are fervent. Why so? Doubtless because he …

A commentator

Bernard of Clairvaux

Sermons on the Song of Songs, Sermon 32 · Written before 1153.

proposed

HOW CHRIST IS RECEIVED BY THE HOLY SOUL AS A BRIDEGROOM, AND BY THE WEAK SOUL AS A PHYSICIAN. LIKEWISE ON THE DIFFERENCE OF THOUGHTS, WHENCE THEY ARISE. 1. "Show me where you pasture, where you lie down at midday" (Song 1:7). Here we are, …

A commentator

Bernard of Clairvaux

Sermons on the Song of Songs, Sermon 3 · Written before 1153.

proposed

SERMON 3 ON THE KISS OF THE LORD'S FOOT, HAND, AND MOUTH 6. To you, Lord Jesus, to you rightly has my heart said: "My face has sought you; your face, O Lord, I will seek." For you made me hear your mercy in the …

A commentator

Bernard of Clairvaux

Sermons on the Song of Songs, Sermon 33 · Written before 1153.

proposed

"Tell me, you whom my soul loves, where you pasture your flock, where you make it to lie down at noon." But another voice, that of Job, says: "Tell me why you judge me like this?" This man does not complain of the judgment, he …

A commentator

Gregory the Dialogist

Forty Gospel Homilies, Homily 33 · Written before 604.

proposed

It is fitting meanwhile to consider this contemplation of such great mercy. The deeds of a sinful woman, but one repenting—with what esteem does Truth preserve them in His presence, which He enumerates to her adversary with such detailed distribution. The Lord was reclining at the Pharisee's dinner, but He was delighting in the feasts of the mind at the penitent woman's. At the Pharisee's house, Truth was fed outwardly; at the sinful woman's, yet one who had converted, He was fed inwardly. Hence the holy Church says to Him in the Song of Songs, whom she seeks under the likeness of a young deer: "Show me, O you whom my soul loves, where you feed, where you rest at midday." For the Lord is called a young deer, according to His assumed flesh the son of the ancient fathers. Indeed, a more fervent heat burns at midday, and the young deer seeks a shady place where the fire of heat does not affect it. Therefore, the Lord rests in those hearts which the love of the present age does not inflame, which the desires of the flesh do not burn up, which, set ablaze by their anxieties, do not wither in the lusts of this world.

A commentator

Gregory the Dialogist

Commentary on the Song of Songs, Chapter 1 · Written before 604.

proposed

At midday the sun is more fervent. Everyone who burns in faith burns in the love of desire. This bridegroom who is called below a young stag feeds the greenness of virtues in their heart; in their heart he reclines at midday, in the fervor of charity. Show me, O you whom my soul loves, where you feed, where you lie down at midday. Why she thus seeks where he feeds, where he lies down, she gives the reason for her inquiry. Lest I begin to wander after the flocks of your companions. The companions of God are His close friends, just as all who live well are; but many appear to be companions and are not companions. For many teachers, while they were promoting perverse doctrine, seemed indeed to be companions, but turned out to be enemies. While Arius, Sabellius, and Montanus were still teachers, they appeared as if companions; but when they were strictly examined and exposed, they appeared as enemies. And very often faithful souls, while they cling to the word of God, while they love in their teachers that from which they may profit, do not know how to guard against the words of perverse teachers, and fall away through their very mouths. For how many congregations there are that trusted in these companions, and while those men pursued them, they wandered astray through the flocks of companions! Let her therefore say: "Show me where you pasture, where you rest at midday, lest I begin to wander after the flocks of your companions." Show me in whose hearts you truly rest, lest I begin to wander after the flocks of those who seem to be your companions, that is, who are believed to be your close friends and are not. All priests, all teachers are companions of God, as far as appearance goes; but as far as their life is concerned, many are not companions but adversaries. […]

A commentator

Bede

Commentary on the Song of Songs · Written before 735.

proposed

Tell me, O you whom my soul loves, where you pasture, etc. Well indeed does she call him whom she seeks for protection, the beloved of her soul, because the more serious the danger from which she wishes to be rescued, the more she loves …

A commentator

Bede

Commentary on the Song of Songs · Written before 735.

proposed

"That I may not begin to wander among the flocks of your companions, etc. As if he says openly, Because the multifarious persecution by my adversaries affects me like the heat of the midday; I beseech you to declare to me, O my Redeemer and …

The Puritans and the Awakening2 voices

Tell me, O thou whom my soul loveth,....

A commentator

Matthew Henry

1662–1714

Commentary on the Whole Bible (1710)

proposed

The title she gives to Christ: O thou whom my soul loveth. Note, It is the undoubted character of all true believers that their souls love Jesus Christ, which intimates both the sincerity and the strength of their love; they love him with all their hearts; and those that do so may come to him boldly and may humbly plead it with him.

The Nineteenth Century8 voices

A commentator

Adam Clarke

1762–1832

Commentary on the Bible · Written before 1832.

Tell me - where thou feedest - This is spoken as if the parties were shepherds, or employed in the pastoral life. But how this would apply either to Solomon, or the princes of Egypt, is not easy to ascertain. Probably in the marriage festival there was something like our masks, in which persons of quality assumed rural characters and their employments. See that fine one composed by Milton, called Comus. To rest at noon - In hot countries the shepherds and their flocks are obliged to retire to shelter during the burning heats of the noon-day sun.

A commentator

Jamieson, Fausset & Brown

1802–1910

Commentary Critical and Explanatory on the Whole Bible (1871)

Re 14:4). feedest--tendest thy flock (Isa 40:11; No single type expresses all the office of Jesus Christ; hence arises the variety of diverse images used to portray the manifold aspects of Him: these would be quite incongruous, if the Song referred to the earthly Solomon. Her intercourse with Him is peculiar.
It is my pleasant task this morning to stir up your pure minds, that you, as part of Christ's Church, may feel somewhat in your hearts today of love to Him, and may be able to address Him not only under the title, "You in whom my soul trusts," but, "You whom my soul loves." Last Sabbath, if you remember, we devoted to simple faith and tried to preach the Gospel to the ungodly. [Sermon #336, Volume —STRUGGLES OF CONSCIENCE—] The present hour we devote to the pure, Spirit-born, godlike, flame of love. On looking at my text, I shall come to regard it thus. First, we shall listen to the rhetoric of thelipsas we here read it in these words, "O You whom my soul loves." We shall then observe the logic of the heart, which would justify us in giving such a title as this to Christ. I will then come, in the third place, to something which even surpasses rhetoric or logic—the absolute demonstration of the daily life;And I pray that we may be able to constantly prove by our acts that Jesus Christ is He whom our soul loves. I. First, then, the loving title of our text is to be considered as expressing RHETORIC OF THE LIPS. The text calls Christ, "You whom my soul loves." Let us take this title and dissect it a little. One of the first things which will strike us when we come to look upon it is the reality of the love which is here expressed. Reality, I say—understanding the term, "real," not in contradistinction to that which is lying and fictitious—but in contrast to that which is shadowy and indistinct. Do you not notice that the spouse here speaks of Christ as One whom she knew actually to exist? Not as an abstraction, but as a Person.
We shall need to lift up our hearts to God and ask to be quickened in Divine Grace or the precious truths in our text will not prove to us "as honey out of the rock," nor the "least of fat things, of wine and marrow, of wine on the lees well refined." We cannot appreciate the spirituality of this book unless God's Spirit shall help us. Many read these words and only see a proof of the imaginative power of an eastern mind. Some read to scoff and blaspheme and others, even good people, neglect to read this book altogether, being unable to drink in its spirit because of their need of that higher life of communion with the Beloved which is here so beautifully laid open to our view. Now I am persuaded of better things of you, Beloved. I am sure that you believe that every Word of God is precious and most certainly we say of this Book, "it is more to be desired than gold, yes, than much fine gold, sweeter also than honey, or the droppings of the honeycomb." This book of the Canticles is most precious to us. It is the inner court of the temple of Truth. It seems to us to belong to the secret place of the tabernacle of the Most High. We see our Savior's face in almost every page of the Bible, but here we see His heart and feel His love to us. We shall hope this morning to speak of our own experience, as well as of the Church who is here speaking. You will perceive that she begins with a title, she expresses a desire, she enforces it with an argument—"Tell me, O You whom my soul loves, where You feed, where You make Your flock to rest at noon: for why should I be as one that turns aside by the flocks of Your companions?" I. We commence with the title—"O You whom my soul loves." It is well to be able to call the Lord Jesus Christ by this name without an "if," or a "but." A very large proportion of Christian people can only say of Christ that they hope they love Him.
THE bride was most unhappy and ashamed because her personal beauty had been sorely marred by the heat of the sun. The fairest among women had become swarthy as a sunburn slave. Spiritually it is so full often with a chosen soul. The Lord's Grace has made her fair to look upon, even as the lily, but she has been so busy about earthly things that the sun of worldliness has injured her beauty. The bride, with holy shamefacedness, exclaims, "Look not upon me, for I am black, because the sun has looked upon me." She dreads alike the curiosity, the admiration, the pity and the scorn of men. She then turns herself, alone, to her Beloved, whose gaze she knows to be so full of love that her swarthiness will not cause her pain when most beneath His eyes. This is one index of a gracious soul—that whereas the ungodly rush to and fro and know not where to look for consolation, the believing heart naturally flies to its beloved Savior, knowing that in Him is its only rest. It would appear from the preceding verse that the bride was also in trouble about a certain charge which had been given to her, which burdened her, and in the discharge of which she had become negligent of herself. She says, "They made me the keeper of the vineyards," and she would wish to have kept them well, but she felt she had not done so, and that, moreover, she had failed in a more immediate duty—"My own vineyard have I not kept." Under this sense of double unworthiness and failure, feeling her omissions and her commissions to be weighing her down, she turned round to her Beloved and asked instruction at His hands. This was well. Had she not loved her Lord she would have shunned Him when her comeliness was faded, but the instincts of her affectionate heart suggested to her that He would not discard her because of her imperfections. She was, moreover, wise to appeal to her Lord against herself.
We shall need to lift up our hearts to God and ask to be quickened in Divine Grace or the precious truths in our text will not prove to us "as honey out of the rock," nor the "least of fat things, of wine and marrow, of wine on the lees well refined." We cannot appreciate the spirituality of this book unless God's Spirit shall help us. Many read these words and only see a proof of the imaginative power of an eastern mind.
It is my pleasant task this morning to stir up your pure minds, that you, as part of Christ's Church, may feel somewhat in your hearts today of love to Him, and may be able to address Him not only under the title, "You in whom my soul trusts," but, "You whom my soul loves." Last Sabbath, if you remember, we devoted to simple faith and tried to preach the Gospel to the ungodly. [Sermon #336, Volume —STRUGGLES OF CONSCIENCE—] The present hour we devote to the pure, Spirit-born, godlike, flame of love.
THE bride was most unhappy and ashamed because her personal beauty had been sorely marred by the heat of the sun. The fairest among women had become swarthy as a sunburn slave. Spiritually it is so full often with a chosen soul. The Lord's Grace has made her fair to look upon, even as the lily, but she has been so busy about earthly things that the sun of worldliness has injured her beauty. The bride, with holy shamefacedness, exclaims, "Look not upon me, for I am black, because the sun has looked upon me."

The words behind it

15 Hebrew words

Every Hebrew word of this verse in the order it stands, with what it means and the door to its own study. The last column counts the times a word stands in the whole Bible: the rarer the word, the more the places it appears belong together.

  • הַגִּ֣ידָהtell !

    hagidahH5046 →

  • לִּ֗יto me

    li

  • שֶׁ֤אָהֲבָה֙[O] whom it loves

    sheahavahH157 →211 times

  • נַפְשִׁ֔יself my

    nafshiH5315 →754 times

  • אֵיכָ֣הwhere?

    ʾeikhahH349 →82 times

  • תִרְעֶ֔הwill you graze

    tirehH7462 →177 times

  • אֵיכָ֖הwhere?

    ʾeikhahH349 →82 times

  • תַּרְבִּ֣יץwill you make [them] lie down

    tarbitzH7257 →

  • בַּֽצָּהֳרָ֑יִםat <the> noon<s>

    batzohorayimH6672 →

  • שַׁלָּמָ֤הwhich to why?

    shalamahH4100 →752 times

  • אֶֽהְיֶה֙will I be

    ʾehyehH1961 →3559 times

  • כְּעֹ֣טְיָ֔הlike a veiled [woman]

    keoteyahH5844 →

  • עַ֖לwith

    ʾalH5921 →5755 times

  • עֶדְרֵ֥י[the] flocks of

    ʾedreiH5739 →38 times

  • חֲבֵרֶֽיךָ׃companions your

    chavereikhaH2270 →

A shaded row is a word that stands 400 times or fewer in the Bible.

The walk

8 stops

Each card is a verse this one points to, and under it the verses that one points to in turn. Where several paths arrive at the same place, that place is listed first: the text keeps returning to it.

  • Through

    Psalms 28:1

    To You, O LORD, I call; be not deaf to me, O my Rock. For if You remain silent, I will be like those descending to the Pit.

    it leads to

    • Psalms 143:7

      Answer me quickly, O LORD; my spirit fails. Do not hide Your face from me, or I will be like those who descend to the Pit.

    • Psalms 18:2

      The LORD is my rock, my fortress, and my deliverer. My God is my rock, in whom I take refuge, my shield, and the horn of my salvation, my stronghold.

    • Psalms 88:4–6

      I am counted among those descending to the Pit. I am like a man without strength.

    • Proverbs 1:12

      let us swallow them alive like Sheol, and whole like those descending into the Pit.

    • Psalms 83:1

      O God, be not silent; be not speechless; be not still, O God.

  • Through

    Isaiah 13:20

    She will never be inhabited or settled from generation to generation; no nomad will pitch his tent there, no shepherd will rest his flock there.

    it leads to

    • Jeremiah 51:43

      Her cities have become a desolation, a dry and arid land, a land where no one lives, where no son of man passes through.

    • Isaiah 14:23

      “I will make her a place for owls and for swamplands; I will sweep her away with the broom of destruction,” declares the LORD of Hosts.

  • Through

    Genesis 37:16

    “I am looking for my brothers,” Joseph replied. “Can you please tell me where they are pasturing their flocks?”

    it leads to

    • Luke 19:10

      For the Son of Man came to seek and to save the lost.”

Where this verse is studied

On this page

Studies2

About Song of Solomon

The Beloved or The Bride, Dante Gabriel Rossetti, between 1865 and 1866. Public domain.
The Beloved or The Bride, Dante Gabriel Rossetti, between 1865 and 1866. Public domain.
This page draws on 21 works. Open the list of works

This page draws on Adam Clarke, Commentary on the Bible; Augustine of Hippo, SERMON 88:6; Augustine of Hippo, SERMON 147A.3; Augustine of Hippo, SERMON 46:36; Bede, Commentary on the Song of Songs; Bernard of Clairvaux, Sermons on the Song of Songs, Sermon 31; Bernard of Clairvaux, Sermons on the Song of Songs, Sermon 32; Bernard of Clairvaux, Sermons on the Song of Songs, Sermon 3; Bernard of Clairvaux, Sermons on the Song of Songs, Sermon 33; Charles Spurgeon, The New Park Street Pulpit, Sermon No. 338: “Love To Jesus” (lightly modernized text, CCEL edition); Charles Spurgeon, The Metropolitan Tabernacle Pulpit, Sermon No. 636: “The Church'S Love To Her Loving Lord” (lightly modernized text, CCEL edition); Charles Spurgeon, The Metropolitan Tabernacle Pulpit, Sermon No. 1115: “The Good Shepherdess” (lightly modernized text, CCEL edition); Gregory the Dialogist, Forty Gospel Homilies, Homily 33; Gregory the Dialogist, Commentary on the Song of Songs, Chapter 1; Jamieson, Fausset & Brown, Commentary Critical and Explanatory on the Whole Bible; Jerome, HOMILIES ON THE PSALMS 20 (Psalm 90); Jerome, LETTER 108.12; John Gill, Exposition of the Old Testament (1748-1763); John Wesley, Explanatory Notes upon the Old Testament; Matthew Henry, Commentary on the Whole Bible and Theodoret of Cyrus, COMMENTARY ON THE SONG OF SONGS 1.