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Summary

Chapter summary

The first night-seeking: 'By night on my bed I sought him whom my soul loveth: I sought him, but I found him not.' She rises, circles the city, asks the watchmen. And when she finds him, 'I held him, and would not let him go.' The refrain again: awake not love until it please. Then the wedding procession: 'Who is this that cometh up from the wilderness like pillars of smoke?': Solomon's litter, threescore mighty men about it, the day of the gladness of his heart.

Context

Poetry · SolomonSong of Solomon overview

  • A. 1–5 By Night on My Bed I Sought Him Whom My Soul Loveth
  • B. 6–11 Solomon's Palanquin Comes Up Out of the Wilderness

The outline

  1. A.By Night on My Bed I Sought Him Whom My Soul Lovethvv. 1 to 5

    Read vv. 1 to 5
  2. B.Solomon's Palanquin Comes Up Out of the Wildernessvv. 6 to 11

    Read vv. 6 to 11

The world behind this chapter

Song of Solomon 3
When
The reign of Solomon · c. 960 BC
Where
The streets of Jerusalem after dark, and the road where the king's wedding procession comes up
Who first heard it
Wedding guests watching a bridal procession arrive

The history

"The watchmen that go about the city found me." Walled towns posted a night watch that patrolled the streets and manned the gate, calling the hours. A woman out alone at night would be stopped and questioned, which is why the detail is here.

"I brought him into my mother's house, and into the chamber of her that conceived me." Israelite courtship ran through the women's side of the household; the mother's room is where a daughter's marriage was arranged and blessed. Naming it is not incidental — it means this is heading toward a wedding, not an escapade.

The procession is described piece by piece. Solomon's litter — a curtained chair or bed carried on poles — comes up out of the wilderness in a column of smoke from burning myrrh and frankincense. "Threescore valiant men are about it… every man hath his sword upon his thigh, because of fear in the night." Armed escort was standard for a royal party on the roads, where brigandage was a genuine risk after dark.

The materials are royal inventory: cedar wood from Lebanon, pillars of silver, a base of gold, a covering of purple — the murex dye from the Phoenician coast that cost more by weight than most metals.

"Go forth, O ye daughters of Zion, and behold king Solomon with the crown wherewith his mother crowned him in the day of his espousals." Bridegrooms in Israel wore a crown or garland on the wedding day, placed by the mother. The custom lasted for centuries; the Mishnah records that it was finally banned during the war with Rome, when celebration was thought inappropriate.

What it meant to them

The chapter puts a woman's anxious night search beside a magnificent public procession, and the two belong together: the wanting and the wedding.

For the guests hearing it, the crown placed by the bridegroom's mother was something they had seen at every wedding in their town. The song takes an ordinary village custom and shows it on a king.

Sources cited

  • The Mishnah , Sotah 9:14 (Danby translation)
  • Roland de Vaux, Ancient Israel: Its Life and Institutions

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The text of this chapter

This page carries no textual note on Song of Solomon 3. Where this site has examined a place the manuscripts differ, the examination is in the manuscripts room. Every place this site examines →

This page draws on Jamieson, Fausset & Brown, Commentary Critical and Explanatory; John Wesley, Notes on the Old Testament and Matthew Henry, Complete Commentary.