Song of Solomon 3:6

The myrrh that was mixed with frankincense was used for burying him, but frankincense because whoever rises with Christ shares his divinity. And the ecclesiastical soul is imbued not only with these fragrances but also with various principles of knowledge. For whoever discerns accurately and searches all the way to the highest peak will be said to crush everything and reduce to dust the doctrines of good fragrance, like some perfume with which the bride is now said to be fragrant. Perhaps also the one who does not live according to the flesh but according to the Spirit, whose heart has not been hardened, generating and preserving various sweet smells, renders a good odor from all the herbs which are now called perfumes. Likewise, some will say that the holy and ecclesiastical soul, a daughter formerly destitute of God, ascends from the assembly of the Gentiles, that is, from the desert of those who are remiss in dogmas, words and deeds, having abandoned God, and rises to the things that are of God.

We must enquire why on earth they call the bridegroom Solomon. Solomon means "peaceable," as you can find in the Chronicles. God said to David, when he wanted to build the new temple, "Lo, a son is born to you; he will be a man …

For Solomon made himself a bed of wood from Lebanon. Its pillars were of silver, its bottom of gold, its back strewn with gems.

Faith is a union of the Head with the body. The shining of light as related to faith is called allegory, and it is twofold, one directed to the Head and the other to the body. For there is one directed to the crucified Head, …

The third comparison between the Old and the New Testaments is related to a threefold division, for there is a time when the Synagogue was initiated, another when it was promoted, and yet another when it failed. Likewise, in the New Testament, there is a …

Again, there is a comparison of times three by three, as of the origin, promotion and fall of the Synagogue; and in the Church, the times of its beginning, expansion, and consummation. Hence, in the Canticle, there are three expressions of wonder: "Who is this," …

When these senses have been recovered, while the soul sees and hears, smells, tastes, and embraces its spouse, it can sing as a bride the Song of Songs, which was composed for the exercise of contemplation according to this fourth degree, which no one grasps …

Joined therefore as you are in songs of praise with heaven's own singers, since you too are citizens like all the saints, and part of God's household, sing wisely. As food is sweet to the palate, so does a psalm delight the heart. But the …

The Synagogue, therefore, having been brought to the faith, beholds the mind of the Church through the works she sees, and greatly admiring her sublimity, says: "Who is this that cometh out of the wilderness like pillars of smoke, perfumed with myrrh and frankincense, with …

Who is this that ascends through the desert? etc. Who is this, they ask, worthy of such praise, of such wonder, who has not been cleansed by the mystery of circumcision, nor yet washed in the font of regeneration, and already is imbued with the …

"From the aromatics of myrrh," etc. Indeed, myrrh, which is suitable for embalming bodies, as the arrangement of the sacred burial of the Lord also proves, signifies the chastity of the flesh. Frankincense, which is accustomed to be offered to God in prayers, expresses the …

What a monument of mercy is this! The graces and comforts with which she is perfumed are called the powders of the merchant, for they are far-fetched and dear-bought, by our Lord Jesus, that blessed merchant, who took a long voyage, and was at vast expense, no less than that of his own blood, to purchase them for us.

Perfumed - The spouse is said to be thus perfumed, for her excellent virtues and religious services which are pleasant and acceptable to God, and for the merits and graces of Christ, which are a sweet savour to God, wherewith she is enriched and beautified.

Who is this that cometh out of the wilderness,.... This is said by the daughters of Jerusalem, adjured in Son 3:5; who, upon the happy meeting of Christ and his church, saw a greater glory and beauty in her than they had seen before; and therefore put this question, not as ignorant of her, but as admiring at her.

Who is this that cometh out of the wilderness - Going to Egypt was called descending or going down, coming from it was termed coming up. The bride, having risen, goes after her spouse to the country, and the clouds of incense arising from her palanquin seemed like pillars of smoke; and the appearance was altogether so splendid as to attract the admiration of her own women, who converse about her splendor, excellence, etc., and then take occasion to describe Solomon’s nuptial bed and chariot. Some think that it is the bridegroom who is spoken of here.

Image from Israel and the tabernacle (answering to "bed," So 3:7) marching through the desert with the pillar of smoke by day and fire by night (Ex 14:20), and the pillars of smoke ascending from the altars of incense and of atonement; so Jesus Christ's righteousness, atonement, and ever-living intercession.

GREAT PRINCES IN THE EAST are in the habit of travelling in splendid palanquins, which are at the same time chariots and beds. The person reclines within, screened by curtains from public view; a body-guard protects the equipage from robbers, and blazing torches light up the path along which the travelers proceed. King Solomon, in this Song, describes the Church of Christ, and Christ himself, as travailing through the world in such a palanquin. The day is coming when both our divine Lord and his chosen bride shall be revealed in glory before the eyes of all men. The present age is the period of concealment—the mystical Solomon and his beloved Solyma are both on earth, but they are unseen of men; like the ark of old they dwell within curtains; only the anointed priests of God can discern their beauties, and even these gaze rather by faith than by sight. "Lo I am with you alway, even unto the end of the world," is certainly true, for Jesus is here; but equally correct is that word of Peter, "Whom having not seen, ye love; in whom, though now ye see him not, yet believing, ye rejoice with joy unspeakable and full of glory." He is here in the reality, power, and influence of his presence, but he is not here as to the visibility of his kingdom and person, for we wait with our loins girt about, and with patience of hope, until the revelation of Jesus Christ. The portion of the blessed canticle now before us is, we think, descriptive of the progress of the hidden Christ through the world. He has been borne along, in very truth, but he himself has been so little perceived of men, that they even ask the question, "Who is this that cometh out of the wilderness?" He is not now manifested openly to men. If any should say, "Lo here!" or "Lo there! this is Christ!" believe them not, for Christ is not as yet seen.

GREAT PRINCES IN THE EAST are in the habit of travelling in splendid palanquins, which are at the same time chariots and beds. The person reclines within, screened by curtains from public view; a body-guard protects the equipage from robbers, and blazing torches light up the path along which the travelers proceed. King Solomon, in this Song, describes the Church of Christ, and Christ himself, as travailing through the world in such a palanquin. The day is coming when both our divine Lord and his chosen bride shall be revealed in glory before the eyes of all men.

The very air is perfumed by the smoke of the incense that ascends pillar-like to the clouds.

The principal and central action of the Song; the bride’s entry into the city of David, and her marriage there with the king. Jewish interpreters regard this part of the poem as symbolizing the “first” entrance of the Church of the Old Testament into the land of promise, and her spiritual espousals, and communion with the King of kings, through the erection of Solomon’s Temple and the institution of its acceptable worship. Christian fathers, in a like spirit, make most things here refer to the espousals of the Church with Christ in the Passion and Resurrection, or the communion of Christian souls with Him in meditation thereon. Son 3:6-11 Two or more citizens of Jerusalem, or the chorus of youths, companions of the bridegroom, describe the magnificent appearance of the bride borne in a royal litter, and then that of the king in festive joy wearing a nuptial crown. Son 3:6 “wilderness” is here pasture-land in contrast with the cultivated districts and garden-enclosures round the city. Compare Jer 23:10; Joe 2:22; Isa 42:11; Psa 65:12. Pillars of smoke - Here an image of delight and pleasure. Frankincense and other perfumes are burned in such abundance round the bridal equipage that the whole procession appears from the distance to be one of moving wreaths and columns of smoke. All powders of the merchant - Every kind of spice forming an article of commerce. Son 3:7 Bed - Probably the royal litter or palanquin in which the bride is borne, surrounded by his own body-guard consisting of sixty mighties of the mighty men of Israel. Son 3:8 Because of fear in the night - i. e., Against night alarms. Compare Psa 91:5. Son 3:9, Son 3:10 A stately bed hath king Solomon made for himself of woods (or trees) of the Lebanon. The word rendered “bed” occurs nowhere else in Scripture, and is of doubtful etymology and meaning. […]