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Song of Solomonchapter 2

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Song of Solomon 2:1-2

rose of Sharon, and the lily of the valleys: I am the rose of Sharon, and the lily of the valleys is spoken by the bride of herself, naming her own beauty in the coastal plain's common flowers rather than a rare one, a modesty the bench notes against the habit of quoting the line for someone else without saying who speaks it. As the lily among thorns, so is my love among the daughters answers from the bridegroom's side, setting her above her companions the way one flower stands out among thorns. The later Christian tradition transferred the rose of Sharon title to Christ himself; that reading belongs to the tradition and is named as such, while the text's own voice keeps the line hers.

Song of Solomon 2:1, 4 voicesWhat preachers and commentators have said about these verses, in their own words.

Song of Solomon 2:1

The earth has given its fruit. First it gave a flower. He says in the Song of Songs: "I am the flower of the field and the lily of the valleys." This flower, then, has been made fruit, that we might eat him, that we might feed on his flesh. Do you wish to know what this fruit is? A virgin from a virgin, the Lord from a handmaid, God from man, a son from a mother, fruit from the earth. See what this fruit himself says.

Jerome· written before 420· HOMILIES ON THE PSALMS 6 (PSALM 66)patristic

Song of Solomon 2:1

I am the rose of Sharon, and the lily of the valleys. Whether Christ, or the church, is here speaking, is not certain: most of the Jewish writers (t), and some Christian interpreters (u), take them to be the words of the church, expressing the excellency of her grace, loveliness, and beauty, she had from Christ; and intimating also her being in the open fields, exposed to many dangers and enemies, and so needed his protection.

Song of Solomon 2:1

The division of the chapters is unfortunate; Cant. 2 ought to have begun at Son 1:15, or Cant. 1 to have been continued to Son 2:7. The bride replies, “And I am like a lovely wild flower springing at the root of the stately forest-trees.” The majority of Christian fathers assigned this verse to the King (Christ). Hebrew commentators generally assign it to the bride.

Song of Solomon 2:1

Christ is the rose of Sharon, where probably the best roses grew and in most plenty, the rose of the field (so some), denoting that the gospel salvation is a common salvation; it lies open to all; whoever will may come and gather the rose-buds of privileges and comforts that grow in the covenant of grace.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Song of Solomon 2:2, 2 voices

Song of Solomon 2:2

"I am the flower of the field, and the lily of the valleys, as a lily among thorns." This is a plain declaration that virtues are surrounded by the thorns of spiritual wickedness, so that no one can gather the fruit who does not approach with caution.

Ambrose of Milan· written before 397· Concerning Virginity 1.8.43patristic

Song of Solomon 2:2

The king resumes, taking up the bride’s comparison: “As the lily excels in beauty the thorny shrubs among which it grows, so my friend excels her companions.”

Song of Solomon 2:3-4

the apple tree among the trees of the wood: As the apple tree among the trees of the wood, so is my beloved among the sons answers her flower image with a fruit tree, one tree bearing shade and sweetness where the forest's others offer neither, and I sat down under his shadow with great delight reads the same tree as shelter enjoyed rather than merely admired. He brought me to the banqueting house names literally a house of wine, the setting for a feast, and his banner over me was love reads a military banner raised over an army as the poem's figure for a love standing over her openly and publicly. Henry and Clarke both take the banner as love declared rather than love hidden.

Song of Solomon 2:3, 3 voices

Song of Solomon 2:3

The Church, following this ever-flourishing greenness of grace in Christ, says: "In his shadow I desired, and I sat." The Apostles also received this privilege of the evergreen gift, not a leaf of theirs could ever fall, so that even their shadow could heal the sick. For the weaknesses of the body overshadow the faith of the mind, and the flourishing merits of virtues.

Ambrose of Milan· written before 397· The Six Days of Creationpatristic

Song of Solomon 2:3

The bride’s answer: “As the ‘tappuach’ with its fragrant fruit excels the barren trees of the wild wood, so my beloved his associates and friends etc.” תפוח tappûach may in early Hebrew have been a generic name for apple, quince, citron, orange etc. Son 2:4 His banner - As the standard is the rallying-point and guide of the individual soldier, so the bride, transplanted from a lowly station to new scenes of unaccustomed splendor, finds support and safety in the known attachment of her beloved.

Song of Solomon 2:3

The trees - Which are barren. I sat - I confidently reposed myself under his protection. His fruit - The benefits which I received by him, remission of sins, faith, grace, and assurance of glory.

John Wesley· Explanatory Notes upon the Old Testament (1765)evangelical

Song of Solomon 2:4, 3 voices

Song of Solomon 2:4

"Bring me into the wine cellar." The Bridegroom had stopped outside and was welcomed by the bride. Truly he had rested on her bosom. Many young maidens are not such as to be worthy of having the Bridegroom as their guest: "to the crowds" outside, he "speaks in parables." How I fear that many of us are maidens! "Bring me into the wine cellar." Why do I wait outside for so long? "See, I stand at the door and knock. If someone opens to me, I will come in to him, and sup with him, and he with me."

Song of Solomon 2:4

He brought me to the banqueting house - Literally, the house of wine. The ancients preserved their wine, not in barrels or dark cellars under ground, as we do, but in large pitchers, ranged against the wall in some upper apartment in the house, the place where they kept their most precious effects.

Song of Solomon 2:4

Spiritually, the bride or beloved is led (So 2:4) first into the King's chambers, thence is drawn after Him in answer to her prayer; is next received on a grassy couch under a cedar kiosk; and at last in a "banqueting hall," such as, JOSEPHUS says, Solomon had in his palace, "wherein all the vessels were of gold" (Antiquities, 8:5,2).

Jamieson, Fausset & Brown· Commentary Critical and Explanatory on the Whole Bible (1871)reformed

Song of Solomon 2:5-6

I am sick of love: Stay me with flagons, comfort me with apples, for I am sick of love asks for the ordinary refreshments of the orchard and the winepress to steady a longing the poem treats as overwhelming rather than shameful, love itself named the sickness. His left hand is under my head, and his right hand doth embrace me pictures an actual embrace, the same line returning later in the poem at 8:3 to close the same thought. Gill reads the sickness of love as a figure later generations applied to the soul's longing for Christ, a reading named as the tradition's own beside the plain sense of desire answered by nearness.

Song of Solomon 2:5, 3 voices

Song of Solomon 2:5

The Word of God inflicts a wound, but it does not produce a sore. There is a wound of righteous love, there are wounds of charity, as she has said, "I am wounded with love." The one who is perfect is wounded with love. Therefore the wounds of the Word are good, and good are the wounds of the lover.

Ambrose of Milan· written before 397· Concerning Virginity 14:91patristic

Song of Solomon 2:5

Stay me with flagons - I believe the original words mean some kind of cordials with which we are unacquainted. The versions in general understand some kind of ointment or perfumes by the first term. I suppose the good man was perfectly sincere who took this for his text, and, after having repeated, Stay me with flagons, comfort me with apples, for I am sick of love sat down, perfectly overwhelmed with his own feelings, and was not able to proceed! But while we admit such a person’s sincerity, who can help questioning his judgment?

Song of Solomon 2:5

Flaggons - With wine, which is a good cordial. Apples - With odouriferous apples, the smell whereof was grateful to persons ready to faint. By this understand the application of the promises, and the quickening influences of the Spirit.

John Wesley· Explanatory Notes upon the Old Testament (1765)evangelical

Song of Solomon 2:6, 2 voices

Song of Solomon 2:6

But turn yourself quickly toward the life-giving Spirit and, while avoiding physical terms, look keenly at what is the "left hand" of the Word of God and what is the "right hand" and also what is the "head" of his bride, namely of the perfect soul or of the church, and let not the carnal and changeable sense of the word take hold of you.For this here is the "right hand" and "left hand" of the groom, that is said concerning Wisdom in Proverbs, where she says, "Long life is in her right hand, but in her left hand are riches and glory."

Song of Solomon 2:6

They really go together, though sometimes they seem divided; here both are felt at once. THEODORET takes the left hand, equivalent to judgment and wrath; the right, equivalent to honor and love. The hand of justice no longer is lifted to smite, but is under the head of the believer to support (Isa 42:21); the hand of Jesus Christ pierced by justice for our sin supports us.

Jamieson, Fausset & Brown· Commentary Critical and Explanatory on the Whole Bible (1871)reformed

Song of Solomon 2:7

that ye stir not up, nor awake my love, till he please: The first of the poem's adjuration refrain falls here, repeated at 3:5, 5:8 and 8:4: I charge you, O ye daughters of Jerusalem, by the roes, and by the hinds of the field, that ye stir not up, nor awake my love, till he please. The oath is sworn on gentle wild creatures rather than on God's own name, fitting a book that never names him plainly, and the charge asks the chorus of daughters to let love's own timing stand rather than force it. Wesley reads the refrain as counsel against forcing affection before its season, a reading the poem repeats at each return of the line.

Song of Solomon 2:7, 3 voices

Song of Solomon 2:7

An oath works in two ways. In the present text, the soul is progressing toward great heights, as we have seen. At the same time she is instructing less advanced souls in the way of perfection. She uses the oath not to assure them of the progress she herself has made but to lead them through their oath to a life of virtue. She adjures them to keep their love alert and watchful until his good will come to fulfillment, that is, until all are saved and come to a knowledge of the truth.

Gregory of Nyssa· written before 395· HOMILIES ON THE SONG OF SONGS 4patristic

Song of Solomon 2:7

I charge you - by the roes - This was probably some rustic mode of adjuration. The verses themselves require little comment. With this verse the first night of the first day is supposed to end.

Song of Solomon 2:7

It is thought a gross rudeness in the East to awaken one sleeping, especially a person of rank. my love--in Hebrew, feminine for masculine, the abstract for concrete, Jesus Christ being the embodiment of love itself (So 3:5; 8:7), where, as here, the context requires it to be applied to Him, not her. She too is "love" (So 7:6), for His love calls forth her love.

Jamieson, Fausset & Brown· Commentary Critical and Explanatory on the Whole Bible (1871)reformed

Song of Solomon 2:8-9

leaping upon the mountains, skipping upon the hills: The voice of my beloved! behold, he cometh leaping upon the mountains, skipping upon the hills turns the poem suddenly urgent, the bride hearing him before she sees him. My beloved is like a roe or a young hart compares him to swift, watchful animals, and he standeth behind our wall, he looketh forth at the windows, shewing himself through the lattice pictures a real house with a wall still between them, nearness without yet arrival. Clarke reads the lattice as an eastern house's lattice window, letting him see in without being fully seen, the poem's own suspense built into the architecture.

Song of Solomon 2:8, 4 voicesWhat preachers and commentators have said about these verses, in their own words.

Song of Solomon 2:8

For at first, impatient of love and unable to bear the delays of the Word, she prays to be worthy of kisses, and she deserved to see the desired. Secondly, when she was also introduced into the king's chambers and engaged in mutual conversation, she rested in his shadow, and suddenly the Word departed from the midst of their conversation; however, it was not absent for long, but came forth leaping over the mountains and bounding over the hills. And not long after, like a young deer or a fawn, while addressing his beloved, he leaped forth and departed.

Ambrose of Milan· written before 397· On Isaac and the Soulpatristic

Song of Solomon 2:8

Behold, he cometh leaping - This appears to be highly characteristic of the gambols of the shepherds, and points out the ecstasy with which those who were enamoured ran to their mates. It is supposed that the second day’s eclogue begins at this verse. The author of what was then called A New Translation of Solomon’s Song, observes, 1. The bride relates how the bridegroom, attended by his companions, had come under her window, and called upon her to come forth and enjoy the beauties of the spring, Son 2:9-11, etc. 2. She then returns to her narration, Son 3:

Song of Solomon 2:8

So Margin, title of Jesus Christ (Ps 22:1), "Hind of the morning" (type of His resurrection). Historically, the coming of the kingdom of heaven (the gospel dispensation), announced by John Baptist, is meant; it primarily is the garden or vineyard; the bride is called so in a secondary sense.

Jamieson, Fausset & Brown· Commentary Critical and Explanatory on the Whole Bible (1871)reformed

Song of Solomon 2:8

The nearer the time came the clearer discoveries were made of it; and those that waited for the consolation of Israel with an eye of faith saw him come, and triumphed in the sight: Behold, he comes; for they had heard him say ( Ps. xl. 7 ), Lo, I come, to which their faith here affixes its seal: Behold, he comes as he has promised.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Song of Solomon 2:9, 3 voices

Song of Solomon 2:9

Therefore, he comes, and first after the wall is removed, which seemed to be an obstacle to harmony, in order to dissolve the enmities between soul and body. Then he looks through the windows. About what the windows are, hear the prophet saying: The windows are opened from heaven. Certainly, the prophet signifies those through whom the Lord looked upon the human race before he himself descended to the earth. And today, if any soul earnestly seeks him, it will receive much mercy; for the one who seeks much is owed the most.

Ambrose of Milan· written before 397· On Isaac and the Soul, 4.32-33patristic

Song of Solomon 2:9

He standeth behind our wall - This may refer to the wall by which the house was surrounded, the space between which and the house constituted the court. He was seen first behind the wall, and then in the court; and lastly came to the window of his bride’s chamber.

Song of Solomon 2:9

He that was the substance was not far off from the shadows, Col. ii. The saw him looking through the windows of the ceremonial institutions and smiling through those lattices; in their sacrifices and purifications Christ discovered himself to them, and gave them intimations and earnests of his grace, both to engage and to encourage their longings for his coming.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Song of Solomon 2:10-13

Rise up, my love, my fair one: , and come away opens his invitation, and the reason he gives is the arrival of spring itself: the winter is past, the rain is over and gone, the flowers appear, the time of the singing of birds is come, and the voice of the turtle, the turtledove, is heard in the land, a real Judean spring named season by season. The fig tree putteth forth her green figs, and the vines with the tender grape give a good smell completes the picture from the orchard, and the invitation returns, now arise, my love, my fair one, and come away. Delitzsch counts the passage among the most naturally beautiful in the poem, the changing season standing for love's own readiness.

Song of Solomon 2:10, 1 voice

Song of Solomon 2:10-12

Then the bridegroom makes answer to the bride and teaches her that the shadow of the old law has passed away and the truth of the gospel has come. "Rise up, my love, my fair one, and come away, for lo, the winter is past, the rain is over and gone." … "The voice of the turtle [dove] is heard in our land." The turtle [dove], the most chaste of birds, always dwelling in lofty places, is a type of the Savior.

Jerome· written before 420· Against Jovinianus 1.30patristic

Song of Solomon 2:11, 4 voices

Song of Solomon 2:11

Furthermore, the winter time, which he signifies has passed, seems to me to designate that period when the Lord Jesus no longer walked openly among the Jews, because they had conspired against him, wishing to kill him. Whence also he said to certain ones: "My …

Song of Solomon 2:11

For, lo, the winter is past, the rain is over and gone. A season of the year which keeps persons within doors, makes going abroad unsafe, unpleasant, and uncomfortable; very unfit for travelling, roads bad, rivers impassable, and journeying very difficult; but now this season being over, and the spring come, the weather fair, and every thing gay and pleasant, it is inviting to be abroad; winter is by some writers (r) used not for the season of the year, but for a storm or tempest.

Song of Solomon 2:11

The winter is past - Mr. Harmer has made some good collections on this part, from Drs. Shaw and Russet, which I shall transcrilbe. One part of the winter is distinguished from the rest of it by the people of the East, on account of the severity of the cold. At Aleppo it lasts about forty days, and is called by the natives maurbanie. I would propose it to the consideration of the learned, whether the word here used, and translated winter, may not be understood to mean what the Aleppines express by the term maurbanie.

Song of Solomon 2:11

Even the rain that drowned the world was over and gone at last ( Gen. viii. 1-3 ), and God promised to drown the world no more, which was a type and figure of the covenant of grace, Isa. liv.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Song of Solomon 2:12, 3 voices

Song of Solomon 2:12

Such did the Savior of all become toward us, showing the most perfect gentleness, and like a turtle [dove], moreover, soothing the world and filling his own vineyard, even us who believe in him, with the sweet sound of his voice. For it is written in the Song of Songs, "The voice of the turtle[dove] has been heard in our land." For Christ has spoken to us the divine message of the gospel, which is for the salvation of the whole world.

Cyril of Alexandria· written before 444· COMMENTARY ON LUKE, HOMILY 3patristic

Song of Solomon 2:12

"The summoned bride is welcome," say some fathers, "to weave from them garlands of beauty, wherewith she may adorn herself to meet the King." Historically, the flowers, &c., only give promise; the fruit is not ripe yet; suitable to the preaching of John the Baptist, "The kingdom of heaven is at hand"; not yet fully come. the time of . . . singing--the rejoicing at the advent of Jesus Christ.

Jamieson, Fausset & Brown· Commentary Critical and Explanatory on the Whole Bible (1871)reformed

Song of Solomon 2:12

Christ's gospel warms that which was cold, makes that fruitful which before was dead and barren; when it comes to any place it puts a beauty and glory upon that place ( 2 Cor. iii. 7, 8 ) and furnishes occasion for joy. Spring-time is pleasant time, and so is gospel-time.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Song of Solomon 2:13, 3 voices

Song of Solomon 2:13-14

Immediately the turtle says to its fellow, "The fig tree has put forth its green figs," that is, the commandments of the old law have fallen, and the blossoming vines of the gospel give forth their fragrance.… While you covered your countenance like Moses and the veil of the law remained, I neither saw your face, nor did I condescend to hear your voice. I said, "Yes, when you make many prayers, I will not hear." But now, with unveiled face behold my glory, and shelter yourself in the cleft and steep places of the solid rock.

Jerome· written before 420· Against Jovinianus 1.30patristic

Song of Solomon 2:13

The fig tree putteth forth her green figs,.... Another sign of spring being come, nay, of its being pretty much advanced, since Christ makes this a token of summer being at hand, Mat 24:32. Theopompus (e) speaks of figs in the middle of the spring.

Song of Solomon 2:13

The fig tree putteth forth her green figs - The fig tree in Judea bears double crops; the first of which is ripe in spring. But the tree, as I have elsewhere observed, bears figs all the year through, in the climes congenial to it. That is, the fig tree has always ripe or unripe fruit on it. I never saw a healthy tree naked. But in the beginning of spring they grow fast, and become turgid. The vines with the tender grape - The versions understand this of the flowers of the vine.

Song of Solomon 2:14-15

in the clefts of the rock: O my dove, that art in the clefts of the rock, in the secret places of the stairs asks to see her face and hear her voice, a dove hidden in a cliffside called into view: sweet is thy voice, and thy countenance is comely. Take us the foxes, the little foxes, that spoil the vines, for our vines have tender grapes became the poem's single most quoted proverb outside itself, and the readings are named rather than settled: small sins that ruin a young love before it is tested, the daily small quarrels that spoil affection, or simply the real pest of a spring vineyard heavy with tender grapes. Gill and Henry both carry the moral reading; Delitzsch keeps the plain agricultural sense as the verse's own ground.

Song of Solomon 2:14, 3 voicesWhat preachers and commentators have said about these verses, in their own words.

Song of Solomon 2:14

"Because your voice is sweet." And who would not profess that voice of the catholic church confessing the true faith is sweet, but the voice of the heretics is rough and unpleasant, which does not speak the teachings of truth but blasphemies against God and iniquity against the Most High? Thus also the appearance of the church is comely, but that of the heretics is ugly and foul—that is, if there is someone who knows how to test the beauty of the face, that is, if there is some spiritual person who knows how to examine all things.

Song of Solomon 2:14

My dove - So the church is called, for her dove-like temper, and for her dove-like condition, because she is weak, and exposed to persecution, and therefore forced to hide herself in rocks.

John Wesley· Explanatory Notes upon the Old Testament (1765)evangelical

Song of Solomon 2:14

He has assured us that the prayer of the upright is his delight; he smelled a sweet savour from Noah's sacrifice, and the spiritual sacrifices are no less acceptable, 1 Pet. ii. This does not so much commend our services as God's gracious condescension in making the best of them, and the efficacy of the much incense which is offered with the prayers of saints, Rev. viii.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Song of Solomon 2:15, 2 voicesWhat preachers and commentators have said about these verses, in their own words.

Song of Solomon 2:15

Take us the foxes - That these were ruinous to vines all authors allow. They love the vine, and they are eaten in autumn in some countries, according to Galen, when they are very fat with eating the grapes. They abounded in Judea; and did most damage when the clusters were young and tender.

Song of Solomon 2:15

Take us - The bridegroom gives this charge to his bridemen or friends. By whom he understands those magistrates and ministers to whom, under Christ, the custody of the vineyards, the churches, principally belong.

John Wesley· Explanatory Notes upon the Old Testament (1765)evangelical

Song of Solomon 2:16-17

My beloved is mine, and I am his: he feedeth among the lilies states the poem's first mutual-possession formula, claiming him before naming herself claimed, and the same formula returns twice more, at 6:3 turned around to I am my beloved's, and my beloved is mine, and at 7:10 completed as I am my beloved's, and his desire is toward me, a progression the bench reads as possession maturing from claiming toward being claimed. Until the day break, and the shadows flee away, turn, my beloved, and be thou like a roe or a young hart upon the mountains of Bether closes the chapter with him sent away rather than arriving, the same animal images from verse 9 now used for parting instead of approach.

Song of Solomon 2:16, 3 voices

Song of Solomon 2:16

Without any loss therefore, he passed by the guardians, and the Word mixed with the daughters of that heavenly city seeks, and by seeking it arouses love in himself, and where it seeks the Word, it recognizes. It knows what waits among the prayers of the saints, and what clings to them, and understands how it feeds his Church, or the souls of his righteous ones among the lilies. The Lord demonstrated this mystery to you in the Gospel when he led his disciples through the fields on the Sabbath.

Ambrose of Milan· written before 397· On Isaac and the Soulpatristic

Song of Solomon 2:16

My beloved is mine - The words of the bride on his entering: “I am thy own; thou art wholly mine.” He feedeth among the lilies - The odor with which he is surrounded is as fine as if he passed the night among the sweetest scented flowers.

Song of Solomon 2:16

All he is is theirs, and all he has, all he has done, and all he is doing; all he has promised in the gospel, all he has prepared in heaven, all is yours. (2.) It is the undoubted character of all true believers that they are Christ's, and then, and then only, he is theirs.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Song of Solomon 2:17, 2 voices

Song of Solomon 2:17

For thus he says: "I to my brother, and his desire is towards me." He repeats this meaning in a different way three times in the Song of Songs. In the beginning, he says: "My brother to me, and I to him, who grazes among the lilies, until the day breathes and the shadows flee away." Then he says: "I to my brother, and my brother to me, who grazes among the lilies." In the end, he says: "I to my brother, and his desire is towards me."

Ambrose of Milan· written before 397· On Isaac and the Soulpatristic

Song of Solomon 2:17

Until the day break - Literally, until the day breathe; until the first dawn, which is usually accompanied with the most refreshing breezes. The shadows flee away - Referring to the evening or setting of the sun, at which all shadows vanish. The mountains of Bether - Translated also mountains of division, supposed to mean the mountains of Beth-horon. There was a place called Bithron, 2Sa 2:29, on the other side of Jordan; and as the name signifies Partition, it might have had its name from the circumstance of its being divided or separated from Judea by the river Jordan.

1 more voiceon this verse →

Where the chapter sits

Song of Solomon 2 falls in Opening songs: courtship (chapters 1–2). The bride's longing; the bridegroom's praise; the pastoral and urban imagery that frames the book's love-poetry register.

His banner over me was love. Signature verse context; ''I am the rose of Sharon, and the lily of the valleys.''

After it: Wedding and consummation, chapters 3–5.

The whole shape of Song of Solomon

Key words

The Hebrew words this chapter turns on, by how often it uses them. Each one opens its word study.

WordWhat it meansVerses
דּוֹדdôwd6 times, as דּוֹדִ֖י, דּוֹדִ֔י, דוֹדִי֙lover my3, 8, 9, 10 and 2 more
קוֹלqôwl4 times, as ק֣וֹל, וְק֥וֹל, קוֹלֵ֑ךְvoice8, 12, 14
שׁוּשַׁןshûwshan3 times, as שֽׁוֹשַׁנַּ֖ת, כְּשֽׁוֹשַׁנָּה֙, בַּשּׁוֹשַׁנִּֽים׃lily1, 2, 16
רַעְיָהraʻyâh3 times, as רַעְיָתִ֖י, רַעְיָתִ֥יfriend my2, 10, 13
אַהֲבָהʼahăbâh3 times, as אַהֲבָֽה׃, אַהֲבָ֖ה, הָאַהֲבָ֖הlove4, 5, 7
צְבִיtsᵉbîy3 times, as בִּצְבָא֔וֹת, לִצְבִ֔י, לִצְבִ֗יby gazelles7, 9, 17
Every word of this chapter, on the Original level →

Cross references

The 8 chapters this one speaks with, most first. Open a row for the verses it shares.

  • Song of Solomon 83 verses
    • Song of Solomon 2:7

      Song of Solomon 8:4I charge you, O daughters of Jerusalem, that ye stir not up, nor awake my love, until he please.
    • Song of Solomon 2:3

      Song of Solomon 8:5Who is this that cometh up from the wilderness, leaning upon her beloved? I raised thee up under the apple tree: there thy mother brought thee forth: there she brought thee forth that bare thee.
    • Song of Solomon 2:9

      Song of Solomon 8:14Make haste, my beloved, and be thou like to a roe or to a young hart upon the mountains of spices.
    • Read Song of Solomon 8 →
  • Song of Solomon 52 verses
    • Song of Solomon 2:14

      Song of Solomon 5:2I sleep, but my heart waketh: it is the voice of my beloved that knocketh, saying, Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, and my locks with the drops of the night.
    • Song of Solomon 2:5

      Song of Solomon 5:8I charge you, O daughters of Jerusalem, if ye find my beloved, that ye tell him, that I am sick of love.
    • Read Song of Solomon 5 →
  • Song of Solomon 42 verses
  • Isaiah 552 verses
    • Song of Solomon 2:13

      Isaiah 55:10For as the rain cometh down, and the snow from heaven, and returneth not thither, but watereth the earth, and maketh it bring forth and bud, that it may give seed to the sower, and bread to the eater:
    • Song of Solomon 2:12

      Isaiah 55:12For ye shall go out with joy, and be led forth with peace: the mountains and the hills shall break forth before you into singing, and all the trees of the field shall clap their hands.
    • Read Isaiah 55 →
The rest of the chapters this one speaks with, 4 of them, for a reader following a thread past the four above

Cross-references from the Treasury of Scripture Knowledge and OpenBible.info.

The world behind itThe place, the time and the people around this chapter, for a reader who wants the setting.

The world behind this chapter

Song of Solomon 2
When
The reign of Solomon · c. 960 BC
Where
The Sharon plain and the hill country in early spring, just after the winter rains
Who first heard it
People who knew exactly what week of the year the poem was describing

The history

The spring passage is a calendar, not a mood. "The winter is past, the rain is over and gone", the rains in that country run from roughly October to March and then stop entirely. "The flowers appear on the earth", the hills go green and covered in anemones and cyclamen for a few short weeks. "The time of the singing of birds is come, and the voice of the turtle is heard in our land", the turtledove is a migrant that arrives in spring, so its call was the recognised signal that the season had turned.

"The fig tree putteth forth her green figs, and the vines with the tender grape give a good smell." Fig trees in that region put out an early crop of small green fruit before the leaves are full, and grape blossom has a faint sweet scent that carries on warm air. Both are April sights and smells.

"Take us the foxes, the little foxes, that spoil the vines." This is a real pest problem. Foxes and jackals dig under vineyard walls, eat ripening grapes, and break down young vines; keeping them out was part of the work of a vineyard keeper, which is what she was in chapter one.

"He brought me to the banqueting house" is literally "the house of wine", the hall where a feast was held. "Stay me with flagons, comfort me with apples" asks for raisin cakes and fruit, the food handed to someone faint at a celebration.

"O my dove, that art in the clefts of the rock" describes rock doves nesting in cliff crevices, safe and out of reach, an image of someone hidden away who is being coaxed to come out.

What it meant to them

For the first hearers this was the sound of their own spring, the season of weddings after the harvest of grain had not yet begun and the world was briefly green.

The refrain running through the book appears here for the first time: do not stir up love until it please. In a culture of arranged marriages and family negotiation, the song insists that love has its own timing and should not be forced.

Sources cited

  • John H. Walton, Victor H. Matthews, Mark W. Chavalas, The IVP Bible Background Commentary: Old Testament
  • Roland de Vaux, Ancient Israel: Its Life and Institutions

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This page carries no textual note on Song of Solomon 2. Where this site has examined a place the manuscripts differ, the examination is in the manuscripts room. Every place this site examines →

This page draws on 13 works. Open for the list.

This page draws on Adam Clarke; Albert Barnes, Notes, Explanatory and Practical, on the Old and New Testaments (1832-1869); Ambrose of Milan; Bernard of Clairvaux, Sermons on the Song of Songs, Sermon 58; Cyril of Alexandria, COMMENTARY ON LUKE, HOMILY 3; Franz Delitzsch, Commentary on the Song of Songs and Ecclesiastes; Gregory of Nyssa, HOMILIES ON THE SONG OF SONGS 4; Jamieson, Fausset & Brown, Commentary Critical and Explanatory on the Whole Bible (1871); Jerome; John Gill; John Wesley; Matthew Henry and Origen of Alexandria.