Psalms 92:3

In such a work all proper aid must be used. with a . . . sound--or, on Higgaion (see on Ps 9:16), perhaps an instrument of that name, from its sound resembling the muttered sound of meditation, as expressed also by the word. This is joined with the harp.

Upon an instrument of ten strings; with the fullest range of music, uttering before God with the full compass of melody the richest emotions of his soul. And upon the psaltery; thus giving variety to praise: the Psalmist felt that every sweet-sounding instrument should be consecrated to God. George Herbert and Martin Luther aided their private devotions by instrumental music; and whatever may have been the differences of opinion in the Christian church, as to the performance of instrumental music in public, we have met with no objection to its personal and private use. Upon the harp with a solemn sound, or upon meditation with a harp; as much as to say, my meditative soul is, after all, the best instrument, and the harp's dulcet tones comes in to aid my thoughts. It is blessed work when hand and tongue work together in the heavenly occupation of praise. It is, however, much to be feared that attention to the mere mechanism of music, noting keys and strings, bars and crotchets, has carried many away from the spiritual harmony which is the soul and essence of praise. Fine music without devotion is but a splendid garment upon a corpse.

Upon an instrument of ten strings - Eusebius, in his comment on this Psalm, says: Ψαλτηριον δε δεκαχορδον, ἡ του Ἁγιου Πνευματος δια των αισθητηριων πεντε μεν του σωματος, ισαριθμων δε της ψυχης δυναμεων, επιτελουμενη λατρεια· “The Psaltery of ten strings is the worship of the Holy Spirit, performed by means of the five senses of the body, and by the five powers of the soul.” And, to confirm this interpretation, he quotes the apostle, 1Co 14:15: “I will pray with the spirit, and with the understanding also; I will sing with the spirit, and with the understanding also.” “As the mind has its influence by which it moves the body, so the spirit has its own influence by which it moves the soul.” Whatever may be thought of this gloss, one thing is pretty evident from it, that instrumental music was not in use in the Church of Christ in the time of Eusebius. which was near the middle of the fourth century. Had any such thing then existed in the Christian Church, he would have doubtless alluded to or spiritualized it; or, as he quoted the words of the apostle above, would have shown that carnal usages were substituted for spiritual exercises. I believe the whole verse should be translated thus: Upon the asur, upon the nebel, upon the higgayon, with the kinnor. Thus it stands in the Hebrew.

Upon an instrument of ten strings - The general idea in this verse is, that instruments “of all kinds” are to be employed in celebrating the praises of God. On the instrument here referred to, see the notes at Psa 33:2. And upon the psaltery - Or “lyre.” See the notes at Isa 5:12. The word is there translated viol. Upon the harp with a solemn sound - Margin, upon the solemn sound with the harp.” Prof. Alexander renders this, “On meditation with a harp.” On the word rendered “harp,” see the notes at Isa 5:12. The Hebrew word rendered “solemn sound” is הגיון higgâyôn which means properly “murmur;” then, the sound of a harp; and then, meditation. See the notes at Psa 9:16. Here the meaning seems to be, “with murmurs upon the harp;” that is, with the sound of the harp - its murmuring tones. It does not denote here a distinct instrument of music, but it refers to the tones of the harp: not to the meditations of the mind - of the worshipper - but to the low and gentle sounds of the instrument itself.