Psalms 5:1

Because of grace this hymn is sung, in behalf of the individual spirit or for the church called out for the divine inheritance, not a natural one but a spiritual one.

If you say, "Give ear to my words," utter those words that come from a gentle and loving person, containing nothing of the devil.… A supplicant, in fact, does not employ the language of an accuser.

The fifth psalm is headed with this title: Unto the end, for her who obtains the inheritance, a psalm of David. Many think that the titles do not belong to the psalms, and by what reasoning they judge this, they do not know. If indeed these titles were not found in the Hebrew and Greek and Latin volumes, they would rightly think so; but now, since they are found in the Hebrew books — and especially this title which is set at the head of the fifth psalm — I am astonished that they should wish to say this, that there is anything in Scripture without a reason. For if 'one iota and one tittle shall not pass from the law,' how much more such words or even syllables?

Above, the Psalmist set forth a prayer against those who persecute openly; here he prays against the deceitful, lest he be deceived. And concerning this he does two things. First, he sets forth a petition against the deceitful, lest he be deceived. Second, that the …

Give ear to my words, O Lord,....

There are two sorts of prayers—those expressed in words, and the unuttered longings which abide as silent meditations. Words are not the essence but the garments of prayer. Moses at the Red Sea cried to God, though he said nothing. Yet the use of language may prevent distraction of mind, may assist the powers of the soul, and may excite devotion. David, we observe, uses both modes of prayer, and craves for the one a hearing, and for the other a consideration. What an expressive word! "Consider my meditation."

There are two sorts of prayers—those expressed in words, and the unuttered longings which abide as silent meditations. Words are not the essence but the garments of prayer. Moses at the Red Sea cried to God, though he said nothing. Yet the use of language may prevent distraction of mind, may assist the powers of the soul, and may excite devotion. David, we observe, uses both modes of prayer, and craves for the one a hearing, and for the other a consideration. What an expressive word! "Consider my meditation." If I have asked that which is right, give it to me; if I have omitted to ask that which I most needed, fill up the vacancy in my prayer. "Consider my meditation." Let thy holy soul consider it as presented through my all-glorious Mediator: then regard thou it in thy wisdom, weigh it in the scales, judge thou of my sincerity, and of the true state of my necessities, and answer me in due time for thy mercy's sake! There may be prevailing intercession where there are no words; and alas! there may be words where there is no true supplication. Let us cultivate the spirit of prayer which is even better than the habit of prayer. There may be seeming prayer where there is little devotion. We should begin to pray before we kneel down, and we should not cease when we rise up.

Give ear to my words - This is properly a morning hymn, as the preceding was an evening hymn. We have seen from the conclusion of the last Psalm that David was very happy, and lay down and slept in the peace and love of his God. When he opens his eyes on the following morning, he not only remembers but feels the happiness of which he spoke; and with his first recollections he meditates on the goodness and mercy of God, and the glorious state of salvation into which he had been brought. He calls on God to give ear to his words; probably words of God’s promises which he had been pleading.

:Title Upon Nehiloth - The title of Psa 4:1-8 is, “upon Neginoth.” As that refers to a musical instrument, so it is probable that this does, and that the idea here is that this psalm was intended particularly for the music-master that had special charge of this instrument, or who presided over those that played on it. Perhaps the idea is that this psalm was specially designed to be accompanied with this instrument. The word here, Nehiloth - נחילות nechı̂ylôth, plural. נחילה nechı̂ylâh, singular - is supposed by Gesenius, Lexicon, to denote a flute, or pipe, as being “perforated,” from חלל châlal, to bore.” The word occurs only in this place. Very various opinions have been entertained of its meaning. See Hengstenberg, “Com.” The Latin Vulgate and the Septuagint understand it as meaning “inheritance” - the same as נחלה nachălâh, and as being somehow designed to refer to the people of God “as” a heritage. Latin Vulgate: In finem pro ca, quae hereditatem consequitur, psalmus David. So the Septuagint - ὑπὲρ τῆς κληρονομούσης huper tēs klēronomousēs. So Luther, Fur das Erbe. What was the precise idea affixed to this it is not very easy to determine. Luther explains it, “according to the title, this is the general idea of the psalm, that the author prays for the inheritance or heritage of God, desiring that the people of God may be faithful to him, and may always adhere to him.” The true interpretation, however, is evidently to regard this as an instrument of music, and to consider the psalm as adapted to be sung with the instrument of music specified. Why it was adapted particularly to “that” instrument of music cannot now be determined. Horsley renders it “upon the flutes.” Compare Ugolin. Thesau. Ant. Sac.; tom. xxxii. pp. […]