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Psalms 33:2

in Psalms 33

Praise the LORD with the harp; make music to Him with ten strings.

BSB

The same verse in ASV and KJV

ASV

Give thanks unto Jehovah with the harp: Sing praises unto him with the psaltery of ten strings.

KJV

Praise the Lord with harp: sing unto him with the psaltery and an instrument of ten strings.

This verse in Psalms 33

Commentary

13 notes on this verse

A commentator

Basil of Caesarea

HOMILIES ON THE PSALMS 15:2 (PS 33) · Written before 379.

It is necessary to praise the Lord on the harp; that is, to render harmoniously the actions of the body. Since, indeed, we sinned in the body, "when we yielded our members as slaves of sin, to lawlessness," let us give praise with our body, using the same instrument for the destruction of sin. Have you reviled? Bless. Have you defrauded? Make restitution. Have you been intoxicated? Fast. Have you made false pretensions? Be humble. Have you been envious? Console. Have you murdered? Bear witness, or afflict your body with the equivalent of martyrdom through confession.

This site's exposition

Rejoice in the LORD

on Psalms 33:1-3

Praise here is a command, and verse 1 gives its reason, that praise is fitting for the upright. Verses 2 and 3 name the instrument and the skill, the harp, ten strings, and playing done well. The song asked for is a new one.

The record, by era

The Church Fathers2 voices

A commentator

Augustine of Hippo

Exposition on Psalm 33 · Written in the 5th century.

proposed

"Praise the Lord with harp:" praise the Lord, presenting unto Him your bodies a living sacrifice. [Romans 12:1] "Sing unto Him with the psaltery for ten strings" [Psalm 33:2]: let your members be servants to the love of God, and of your neighbour, in which are kept both the three and the seven commandments.

A commentator

Cassiodorus

EXPLANATION OF THE PSALMS 33:2 · Written before 585.

proposed

The harp and the lute are within us, or rather, we ourselves are the instruments when in their likeness we sing by the Lord's grace through the quality of our actions.

The Medieval Church1 voice

A commentator

Thomas Aquinas

Exposition on the Psalms of David · Written before 1274.

proposed

Then when he says, "Give praise to the Lord," he sets forth the manner of praise and joy. Now it should be known that in the praise of God what is principally intended is that the affection of man should tend toward God and be …

The Reformation1 voice

A commentator

John Calvin

1509–1564

Commentaries (1554)

Praise Jehovah upon the harp. It is evident that the Psalmist here expresses the vehement and ardent affection which the faithful ought to have in praising God, when he enjoins musical instruments to be employed for this purpose. He would have nothing omitted by believers which tends to animate the minds and feelings of men in singing God's praises.

The Puritans and the Awakening1 voice

A commentator

Matthew Henry

1662–1714

Commentary on the Whole Bible (1710)

proposed

): " Praise the Lord; speak well of him, and give him the glory due to his name." 3. Religious songs are the proper expressions of thankful praise; those are here required (

quarantine:debris (2026-07-29) — leading-punctuation

6 more voices on this verse

The Puritans and the Awakening2 voices

A commentator

Matthew Henry

1662–1714

Commentary on the Whole Bible (1710)

proposed

): Sing unto him with the psaltery. Here is, (1.) A good rule for this duty: "Do it skilfully, and with a loud noise; let it have the best both of head and heart; let it be done intelligently and with a clear head, affectionately and with a warm heart." (2.) A good reason for this duty: For praise is comely for the upright.

quarantine:debris (2026-07-29) — leading-punctuation+unbalanced-parens

Praise the Lord with harp,....

The Nineteenth Century4 voices

A commentator

Charles Spurgeon

1834–1892

The Treasury of David, Vol. 2 (1870)

Praise the Lord with harp. Men need all the help they can get to stir them up to praise. This is the lesson to be gathered from the use of musical instruments under the old dispensation. Israel was at school, and used childish things to help her to learn; but in these days, when Jesus gives us spiritual manhood, we can make melody without strings and pipes.

A commentator

Charles Spurgeon

1834–1892

The Treasury of David, Vol. 2 (1870)

proposed

Praise the Lord with harp. Men need all the help they can get to stir them up to praise. This is the lesson to be gathered from the use of musical instruments under the old dispensation. Israel was at school, and used childish things to help her to learn; but in these days, when Jesus gives us spiritual manhood, we can make melody without strings and pipes. We who do not believe these things to be expedient in worship, lest they should mar its simplicity, do not affirm them to be unlawful, and if any George Herbert or Martin Luther can worship God better by the aid of well tunes instruments, who shall gainsay their right? We do not need them, they would hinder than help our praise, but if others are otherwise minded, are they not living in gospel liberty? Sing unto him. This is the sweetest and best of music. No instrument like the human voice. As a help to singing the instrument is alone to be tolerated, for keys and strings do not praise the Lord. With the psaltery and an instrument of ten strings. The Lord must have a full octave, for all notes are his, and all music belongs to him. Where several pieces of music are mentioned, we are taught to praise God with all the powers which we possess.

A commentator

Adam Clarke

1762–1832

Commentary on the Bible · Written before 1832.

proposed

Praise the Lord with harp - כנור kinnor; probably something like our harp: but Calmet thinks it the ancient testudo, or lyre with three strings. The psalter - נבל nebel. Our translation seems to make a third instrument in this place, by rendering עשור asor, an instrument of ten strings; whereas they should both be joined together, for נבל עשור nebel-asor signifies the nebal, or nabla, with ten strings, or holes. Calmet supposes this to have resembled our harp. In one of Kennicott’s MSS., this Psalm begins with the second verse.
Praise the Lord with harp - For a description of the “harp,” see the notes at Isa 5:12. Sing unto him with the psaltery - For the meaning of this word, also, see the notes at Isa 5:12, where the word is rendered “viol.” And an instrument of ten strings - The word “and” is supplied here by the translators as if, in this place, a third instrument was referred to, distinct from the harp and the psaltery. The more correct rendering, however, would be, “a psaltery (or lyre) of ten strings.” The same construction occurs in Psa 144:9. In Psa 92:3, however, the two words are separately used as denoting different instruments. The “lyre” or psaltery was probably not always made with the same number of strings, and it would seem that the one that was made of “ten” strings had something special about it as an instrument of uncommon sweetness or power. Hence, it is particularly designated here; and the idea is that the instruments of especial power and sweetness should be on this occasion employed in the service of God.

The words behind it

7 Hebrew words

Every Hebrew word of this verse in the order it stands, with what it means and the door to its own study. The last column counts the times a word stands in the whole Bible: the rarer the word, the more the places it appears belong together.

  • הוֹד֣וּgive thanks

    hoduH3034114 times

  • לַיהוָ֣הto Yahweh

    layahwehH30686520 times

  • בְּכִנּ֑וֹרwith harp

    bekhinorH365842 times

  • בְּנֵ֥בֶלwith lyre of

    benevelH503538 times

  • עָ֝שׂ֗וֹרten

    asorH621816 times

  • זַמְּרוּ־make music

    zameru-H216745 times

  • לֽוֹ׃to him

    lo

A shaded row is a word that stands 400 times or fewer in the Bible.

The walk

8 stops

Each card is a verse this one points to, and under it the verses that one points to in turn. Where several paths arrive at the same place, that place is listed first: the text keeps returning to it.

  • Through

    Exodus 15:20

    Then Miriam the prophetess, Aaron’s sister, took a tambourine in her hand, and all the women followed her with tambourines and dancing.

    it leads to

    • Psalms 150:4

      Praise Him with tambourine and dancing; praise Him with strings and flute.

    • 1 Samuel 18:6

      As the troops were returning home after David had killed the Philistine, the women came out of all the cities of Israel to meet King Saul with singing and dancing, with joyful songs, and…

    • Psalms 149:3

      Let them praise His name with dancing, and make music to Him with tambourine and harp.

    • Psalms 68:25

      The singers lead the way, the musicians follow after, among the maidens playing tambourines.

    • Judges 11:34

      And when Jephthah returned home to Mizpah, there was his daughter coming out to meet him with tambourines and dancing! She was his only child; he had no son or daughter besides her.

  • Through

    Psalms 71:22

    So I will praise You with the harp for Your faithfulness, O my God; I will sing praise to You with the lyre, O Holy One of Israel.

    it leads to

    • Psalms 92:1–3

      It is good to praise the LORD, and to sing praises to Your name, O Most High,

    • 2 Kings 19:22

      Whom have you taunted and blasphemed? Against whom have you raised your voice and lifted your eyes in pride? Against the Holy One of Israel!

  • Through

    Psalms 144:9

    I will sing to You a new song, O God; on a harp of ten strings I will make music to You—

    it leads to

    • Psalms 33:2–3

      Praise the LORD with the harp; make music to Him with ten strings.

About Psalms

Dutch Ships in a Calm. Willem van de Velde the Younger, Circa 1665. Wikimedia Commons. Public domain.
Dutch Ships in a Calm. Willem van de Velde the Younger, Circa 1665. Wikimedia Commons. Public domain.
This page draws on 12 works. Open the list of works

This page draws on Adam Clarke, Commentary on the Bible; Albert Barnes, Notes, Explanatory and Practical, on the Old and New Testaments (1832-1869); Augustine of Hippo, Exposition on Psalm 33; Basil of Caesarea, HOMILIES ON THE PSALMS 15:2 (PS 33); Cassiodorus, EXPLANATION OF THE PSALMS 33:2; Charles Spurgeon, The Treasury of David; Charles Spurgeon, The Treasury of David, Vol. 2; Franz Delitzsch, Biblical Commentary on the Psalms; John Calvin, Commentaries; John Gill, Exposition of the Old Testament (1748-1763); Matthew Henry, Commentary on the Whole Bible and Thomas Aquinas, Exposition on the Psalms of David.