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Song of Solomon 1:5

in Song of Solomon 1

I am dark, yet lovely, O daughters of Jerusalem, like the tents of Kedar, like the curtains of Solomon.

BSB

The same verse in ASV and KJV

ASV

I am black, but comely, Oh ye daughters of Jerusalem, As the tents of Kedar, As the curtains of Solomon.

KJV

I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon.

This verse in Song of Solomon 1

Commentary

30 notes on this verse

A commentator

Ambrose of Milan

On the Holy Spirit 2.10.112 · Written before 397.

It is written, "Ethiopia shall stretch out her hand unto God." In this is signified the appearance of holy church, who says in the Song of Solomon, "I am black and comely, O daughters of Jerusalem": black through sin, comely through grace; black by natural condition, comely through redemption, or certainly, black with the dust of her labors. So it is black while fighting but comely when it is crowned with the ornaments of victory.

This site's exposition

black, but comely, O ye daughters of Jerusalem

on Song of Solomon 1:5-6

The bride names herself black, but comely, sun-darkened as the tents of Kedar and yet lovely as Solomon's own curtains, labor and dignity held together in the same line. Look not upon me, because I am black gives the reason plainly: her mother's sons were angry with her and set her to keep the vineyards, so the sun did what a family quarrel caused, and mine own vineyard have I not kept turns the same word on herself, her own care left unattended by the work laid on her. The older allegorical reading heard the church's beauty and imperfection together in the verse; the text itself reads as an unashamed woman naming honest labor.

The record, by era

The Church Fathers5 voices

A commentator

Theodore of Mopsuestia

PARAPHRASE OF THE COMMENTARY OF THEODORE OF MOPSUESTIA · Written before 428.

proposed

[Solomon] took Pharaoh's daughter as his wife. But … she was dark, as all the Egyptian and Ethiopian women are.… The Hebrews and their beautiful wives, and the other princesses as well, ridiculed her on account of her unseemliness, her small height and her dark …

A commentator

Hippolytus of Rome

TREATISE ON THE SONG OF SONGS 4:1-2 · Written before 235.

proposed

"I am black and beautiful, daughters of Jerusalem." I am a sinner, but even more, I am beautiful, because Christ loved me. "I am black and beautiful, daughters of Jerusalem." All nations, come and gather and look at me, the beloved. "Do not marvel at my countenance because I am darkened or because the sun's glance has made me swarthy." … Nor is it because Christ has despised me, since [Scripture] calls him the true sun, for it says, "And the sun of righteousness will appear to you who fear my name."

A commentator

Origen of Alexandria

COMMENTARY ON THE SONG OF SONGS 2:1 · Written before 253.

proposed

"I am dark and lovely, O daughters of Jerusalem, like the tents of Kedar, like the coverings of Solomon." In other manuscripts we read, "I am black and lovely." Again in this passage the character of the bride is introduced as the one speaking, but she is not speaking to those young women who are accustomed to run with her, but "to the daughters of Jerusalem." Although they have derided her for her hideousness, she seems to answer them and say "I am indeed dark" or "black" as far as the color is concerned, "O daughters of Jerusalem," but I am "beautiful, if someone should examine the internal liniments of the limbs." For he also says "tents of Kedar," which is a great nation. They are "black" and the very name of the people "Kedar" means blackness or darkness. But also the "coverings of Solomon" are black and nonetheless the blackness of the coverings did not seem unsightly to the king in all his glory. …This covers the historical drama and the quasi-story that has been set forth. But let us return to the mystical interpretation. This bride who speaks represents the church gathered from the Gentiles; but the "daughters of Jerusalem," with whom she hold this discourse … are the daughters of this earthly Jerusalem, who see the church from the Gentiles, although they see her as lowborn because she cannot ascribe to herself the noble quality of Abraham, Isaac, and Jacob.… Responding to these things, she says, "Indeed I am black, O daughters of Jerusalem," inasmuch as I am not a descendant from the stock of famous men and I did not receive the illumination of the law of Moses, but I have my beauty with me. […]

A commentator

Origen of Alexandria

HOMILIES ON JEREMIAH 11:6.3 · Written before 253.

proposed

Thus some such process also happens to us who are in generation. We are dark at the beginning in believing—hence in the beginning of the Canticle of Canticles it is said, "I am very dark and beautiful," and we look like the soul of an Ethiopian at the beginning—then we are cleansed so that we may be more bright according to the passage, "Who is she who comes up whitened?"

A commentator

Gregory of Nyssa

HOMILIES ON THE SONG OF SONGS 2 · Written before 395.

proposed

The bride further speaks to her pupils of an amazing fact about herself in order that we might learn of the bridegroom's immense love for humankind who added beauty to the beloved [bride] through such love. "Do not marvel," she says, "that righteousness has loved me." Although I have become dark through sin and have dwelt in gloom by my deeds, the bridegroom made me beautiful through his love, having exchanged his very own beauty for my disgrace. After taking the filth of my sins upon himself, he allowed me to share his own purity, and filled me with his beauty. He who first made me lovely from my own repulsiveness has showed his love for me.…The bride says, although the beauty given to me by being loved by righteousness now shines forth, I still realize that in the beginning I was not radiant but black. My former life has created this dark, shadowy appearance. Although I am black, I am now this beautiful form, for the image of darkness has been transformed into beauty.… Then the text adds further words for strengthening the minds of its pupils. The cause of darkness is not ascribed to the Creator, but its origin is attributed to the free will of each person.
23 more voices on this verse

The Church Fathers8 voices

A commentator

Caesarius of Arles

SERMON 124:1 · Written before 542.

proposed

It is said concerning the church of the Gentiles, "I am dark and beautiful, O daughter of Jerusalem." Why is the church dark and beautiful? She is dark by nature, beautiful by grace. Why dark? "Indeed, in guilt was I born, and in sin my …

A commentator

Theodoret of Cyrus

COMMENTARY ON THE SONG OF SONGS 1 · Written before 458.

proposed

The bride is saying this no longer to the young girls but to those taking pride in the law, glorying and boasting, and reproaching her not only for her foreign origins but also for her former superstition and the black color coming from it. Hence …

A commentator

Theodoret of Cyrus

COMMENTARY ON PSALM 87:3 · Written before 458.

proposed

In the Song of Songs the bride cries aloud, "I am black and beautiful, O daughters of Jerusalem"—"black" in the sense of deceived, besmirched by the stench of wild beasts, and "beautiful" in the sense of awaiting for your arrival from heaven as Lord for …

A commentator

Jerome

LETTER 22.1 · Written before 420.

proposed

Born, in the first instance, of such parentage we are naturally black. Even when we have repented, so long as we have not scaled the heights of virtue, we may still say, "I am black but comely, O daughters of Jerusalem." … "For this cause shall a man leave his father and his mother and shall be joined unto his wife, and they two shall be" not as is there said, "of one flesh" but "of one spirit." Your bridegroom is not haughty or disdainful; he has "married an Ethiopian woman." When once you desire the wisdom of the true Solomon and come to him, he will avow all his knowledge to you; he will lead you into his chamber with his royal hand. He will miraculously change your complexion so that it shall be said of you, "Who is this that goes up and has been made white?"

A commentator

Cassiodorus

Commentary (church-history corpus) · Written before 585.

proposed

We read in the Song of Songs of the church which bears the image of the Lord Savior, "I am black and beautiful," that is, black physically and beautiful in heavenly merits. He demonstrates why he used the word beautiful: as Christ put it, the …

A commentator

Cassiodorus

EXPOSITION OF THE PSALMS 44:3 · Written before 585.

proposed

Concerning the church which bears the image of the Lord Savior, one reads the following passages in Song of Songs: "I am black and beautiful," that is, black with regard to the physical body, but beautiful because of heavenly merits. Then he shows why he …

A commentator

Gregory of Elvira

EXPLANATION OF THE SONG OF SONGS 1:23-24 · Written before 392.

proposed

It adds, "I was dark and beautiful, O daughters of Jerusalem." I have to confess that I am astonished at how the church is here called dark and beautiful, since it is not possible for what is dark to be beautiful. How can something dark …

A commentator

Ambrose of Milan

On the Mysteries 7:35 · Written before 397.

proposed

The church, having put on these garments through the laver of regeneration, says in the Song of Songs, "I am black and comely, O daughters of Jerusalem." Black through the frailty of its human condition, comely through the sacrament of faith. And the daughters of Jerusalem beholding these garments say in amazement, "Who is this that comes up made white?" She was black; how is she now suddenly made white?

The Medieval Church9 voices

A commentator

Bernard of Clairvaux

Sermons on the Song of Songs, Sermon 3 · Written before 1153.

proposed

SERMON 3 ON THE KISS OF THE LORD'S FOOT, HAND, AND MOUTH 2. Do not let that place seem vile or contemptible to you, O whatever sort of soul you may be, where the holy sinful woman laid aside her sins and put on holiness. …

A commentator

Bernard of Clairvaux

Sermons on the Song of Songs, Sermon 25 · Written before 1153.

proposed

I mentioned in the previous sermon that the bride was compelled to give an answer to her envious assailants, who seemed to be physically part of the group of maidens, but alienated from them in spirit. She said: "I am black but beautiful, daughters of …

A commentator

Bernard of Clairvaux

Sermons on the Song of Songs, Sermon 26 · Written before 1153.

proposed

1. Like the tents of Kedar, like the curtains of Solomon (Song 1:4). We must begin from here, because this is where the preceding sermon left off. You are waiting to hear what this means, and how it is fitted to the chapter treated most …

A commentator

Bernard of Clairvaux

Sermons on the Song of Songs, Sermon 27 · Written before 1153.

proposed

My brothers, our friend has gone back to his homeland, we have paid the full tribute of human affection to his memory, so I take up again the instruction which I then discontinued. As he is now in the state of happiness it is improper …

A commentator

Bernard of Clairvaux

Sermons on the Song of Songs, Sermon 28 · Written before 1153.

proposed

1. You remember, I believe, to which and to whose curtains of Solomon I judged the beauty of the bride to be compared, if indeed the likeness given from these is to be referred to the commendation and display of beauty. But if it should …

A commentator

Gregory the Dialogist

Commentary on the Song of Songs, Chapter 1 · Written before 604.

proposed

We know that in the beginnings of the Church, when the grace of our Redeemer had been preached, some believed and others did not believe; but those who believed were despised by the unbelievers, and having suffered a kind of persecution, were judged to have departed, as it were, into the way of the Gentiles. Whence the Church in those same persons cries out against those who were not converted: "I am black, but beautiful, O daughters of Jerusalem." I am black indeed by your judgment, but beautiful through the illumination of grace. How black? "Like the tents of Kedar." Kedar is interpreted as "darkness"; for Kedar was the second of the lineage of Ishmael, and the tents of Kedar were the tents of Esau. How then black like the tents of Kedar? Because in your sight I have been judged after the likeness of the Gentiles, that is, after the likeness of sinners. How beautiful like the curtain of Solomon? It is reported that when Solomon built the temple, he covered all those vessels of the temple with curtains of skin. But surely the skins of Solomon could be beautiful in the service of the king. But since Solomon is interpreted as "peaceful," let us understand him as the true Solomon; for all souls clinging to God are skins of Solomon, mortifying themselves and returning to the service of the King of peace. I am indeed in judgment like the tents of Kedar, since I am judged to have departed, as it were, into the way of the Gentiles; but according to the truth I am like the curtain of Solomon, because I cling to the service of the King.

A commentator

Bede

Commentary on the Song of Songs · Written before 735.

proposed

I am black, etc. Black evidently from the adversity of oppressions, but beautiful in the comeliness of virtues; truly, the more beautiful in the sight of the internal judge, the more harassed and seemingly defiled by the greater oppressions of the foolish. However, the daughters …

A commentator

Bede

Commentary on the Song of Songs · Written before 735.

proposed

Like the tents of Kedar, etc. Kedar was the son of Ishmael, of whom it was said: His hand against all, and the hand of all against him (Gen. XVII). The truth of which prophecy is proven today by the nation of the Saracens, who …

A commentator

Bonaventure

Collations on the Hexaemeron, Collation 14 · Written in the 13th century.

proposed

The vegetation of the earth symbolizing Sacred Scripture is lovely. Even exterior roughness that gives nature a reputation of malformation is yet what makes it most beautiful. Hence the bride says: "I am as dark — but lovely." That is, lovely because dark.

The Puritans and the Awakening3 voices

A commentator

Matthew Henry

1662–1714

Commentary on the Whole Bible (1710)

St. Paul was weak, and yet strong, 2 Cor. xii. And so the church is black and yet comely; a believer is a sinner and yet a saint; his own righteousnesses are as filthy rags, but he is clothed with the robe of Christ's righteousness. The Chaldee Paraphrase applies it to the people of Israel's blackness when they made the golden calf and their comeliness when they repented of it.
I am black, but comely, O ye daughters of Jerusalem,....

A commentator

Matthew Henry

1662–1714

Commentary on the Whole Bible (1710)

proposed

Or the believer speaks to those that were professors at large in the church, but not of it, or to weak Christians, babes in Christ, that labour under much ignorance, infirmity, and mistake, not perfectly instructed, and yet willing to be taught in the things of God.

The Nineteenth Century3 voices

This section is made by the Targumist and other Jewish interpreters to adumbrate the condition of Israel in the wilderness; by some Christian expositors, that of the Gentile Church on her first conversion. Son 1:5 I am black ... - Dark-hued, as the tents of Kedar with their black goats’ hair coverings, rough and weather-stained, “but comely (beautiful) as the rich hangings which adorn the pavilion of Solomon. Kedar was the name of an Arab tribe Gen 25:13; Psa 120:

A commentator

Jamieson, Fausset & Brown

1802–1910

Commentary Critical and Explanatory on the Whole Bible (1871)

proposed

1Ti 1:15, "I am chief"; so she says not merely, "I was," but "I am"; still black in herself, but comely through His comeliness put upon her (Eze 16:14). curtains--first, the hangings and veil in the temple of Solomon (Eze 16:10); then, also, the "fine linen which is the righteousness of saints" (Re 19:8), the white wedding garment provided by Jesus Christ (Isa 61:10;

quarantine:debris (2026-07-29) — unbalanced-parens

A commentator

Adam Clarke

1762–1832

Commentary on the Bible · Written before 1832.

proposed

I am black, but comely - This is literally true of many of the Asiatic women; though black or brown, they are exquisitely beautiful. Many of the Egyptian women are still fine; but their complexion is much inferior to that of the Palestine females. Though black or swarthy in my complexion, yet am I comely - well proportioned in every part. As the tents of Kedar - I am tawny, like the tents of the Arabians, and like the pavilions of Solomon, probably covered by a kind of tanned cloth. The daughters of Jerusalem are said to represent the synagogue; the bride, the Church of Christ. It is easy to find spiritual meanings: every creed will furnish them.

The words behind it

9 Hebrew words

Every Hebrew word of this verse in the order it stands, with what it means and the door to its own study. The last column counts the times a word stands in the whole Bible: the rarer the word, the more the places it appears belong together.

  • שְׁחוֹרָ֤ה[am] black

    shechorahH7838

  • אֲנִי֙I

    ʾaniH589874 times

  • וְֽנָאוָ֔הand lovely

    venavahH500010 times

  • בְּנ֖וֹתO daughters of

    benotH1323588 times

  • יְרוּשָׁלִָ֑םJerusalem

    yerushalimH3389643 times

  • כְּאָהֳלֵ֣יlike [the] tents of

    keoholeiH168

  • קֵדָ֔רKedar

    kedarH6938

  • כִּירִיע֖וֹתlike [the] tent curtains of

    kiriotH3407

  • שְׁלֹמֹֽה׃Solomon

    shelomohH8010291 times

A shaded row is a word that stands 400 times or fewer in the Bible.

The walk

8 stops

Each card is a verse this one points to, and under it the verses that one points to in turn. Where several paths arrive at the same place, that place is listed first: the text keeps returning to it.

  • Through

    2 Corinthians 5:21

    God made Him who knew no sin to be sin on our behalf, so that in Him we might become the righteousness of God.

    it leads to

    • 1 Peter 2:22–24

      “He committed no sin, and no deceit was found in His mouth.”

    • 1 Peter 3:18

      For Christ also suffered for sins once for all, the righteous for the unrighteous, to bring you to God. He was put to death in the body but made alive in the Spirit,

    • Romans 5:19

      For just as through the disobedience of the one man the many were made sinners, so also through the obedience of the one man the many will be made righteous.

    • Galatians 3:13

      Christ redeemed us from the curse of the law by becoming a curse for us. For it is written: “Cursed is everyone who is hung on a tree.”

    • 1 Corinthians 1:30

      It is because of Him that you are in Christ Jesus, who has become for us wisdom from God: our righteousness, holiness, and redemption.

  • Through

    Luke 15:22

    But the father said to his servants, ‘Quick! Bring the best robe and put it on him. Put a ring on his finger and sandals on his feet.

    it leads to

    • Esther 8:2

      The king removed the signet ring he had recovered from Haman and presented it to Mordecai. And Esther appointed Mordecai over the estate of Haman.

    • Genesis 41:42

      Then Pharaoh removed the signet ring from his finger, put it on Joseph’s finger, clothed him in garments of fine linen, and placed a gold chain around his neck.

    • Isaiah 61:10

      I will rejoice greatly in the LORD, my soul will exult in my God; for He has clothed me with garments of salvation and wrapped me in a robe of righteousness, as a bridegroom…

Where this verse is studied

On this page

Studies2

About Song of Solomon

This page draws on 29 works. Open the list of works

This page draws on Adam Clarke, Commentary on the Bible; Albert Barnes, Notes, Explanatory and Practical, on the Old and New Testaments (1832-1869); Ambrose of Milan, On the Holy Spirit 2.10.112; Ambrose of Milan, On the Mysteries 7:35; Bede, Commentary on the Song of Songs; Bernard of Clairvaux, Sermons on the Song of Songs, Sermon 3; Bernard of Clairvaux, Sermons on the Song of Songs, Sermon 25; Bernard of Clairvaux, Sermons on the Song of Songs, Sermon 26; Bernard of Clairvaux, Sermons on the Song of Songs, Sermon 27; Bernard of Clairvaux, Sermons on the Song of Songs, Sermon 28; Bonaventure, Collations on the Hexaemeron, Collation 14; Caesarius of Arles, SERMON 124:1; Cassiodorus, Commentary (church-history corpus); Cassiodorus, EXPOSITION OF THE PSALMS 44:3; Franz Delitzsch, Commentary on the Song of Songs and Ecclesiastes; Gregory of Elvira, EXPLANATION OF THE SONG OF SONGS 1:23-24; Gregory of Nyssa, HOMILIES ON THE SONG OF SONGS 2; Gregory the Dialogist, Commentary on the Song of Songs, Chapter 1; Hippolytus of Rome, TREATISE ON THE SONG OF SONGS 4:1-2; Jamieson, Fausset & Brown, Commentary Critical and Explanatory on the Whole Bible; Jerome, LETTER 22.1; John Gill, Exposition of the Old Testament; John Gill, Exposition of the Old Testament (1748-1763); Matthew Henry, Commentary on the Whole Bible; Origen of Alexandria, COMMENTARY ON THE SONG OF SONGS 2:1; Origen of Alexandria, HOMILIES ON JEREMIAH 11:6.3; Theodore of Mopsuestia, PARAPHRASE OF THE COMMENTARY OF THEODORE OF MOPSUESTIA; Theodoret of Cyrus, COMMENTARY ON THE SONG OF SONGS 1 and Theodoret of Cyrus, COMMENTARY ON PSALM 87:3.