Psalms 149:3

Let them praise his name in the dance: let them sing praises unto him with the timbrel and harp. Thus let them repeat the triumph of the Red Sea, which was ever the typical glory of Israel. Miriam led the daughters of Israel in the dance when the Lord had triumphed gloriously; was it not most fit that she should? The sacred dance of devout joy is no example, nor even excuse, for frivolous dances, much less for lewd ones. Who could help dancing when Egypt was vanquished, and the tribes were free? Every mode of expressing delight was bound to be employed on so memorable an occasion. Dancing, singing, and playing on instruments were all called into requisition, and most fitly so. There are unusual seasons which call for unusual expressions of joy. When the Lord saves a soul its holy joy overflows, and it cannot find channels enough for its exceeding gratitude: if the man does not leap, or play, or sing, at any rate he praises God, and wishes for a thousand tongues with which to magnify his Saviour. Who would wish it to be otherwise? Young converts are not to be restrained in their joy. Let them sing and dance while they can. How can they mourn now that their Bridegroom is with them? Let us give the utmost liberty to joy. Let us never attempt its suppression, but issue in the terms of this verse a double license for exultation. If any ought to be glad it is the children of Zion; rejoicing is more fit for Israel than for any other people: it is their own folly and fault that they are not oftener brimming with joy in God, for the very thought of him is delight.

Let them praise his name in the dance - במחול bemachol, with the pipe, or some kind of wind music, classed here with תף toph, the tabor or drum, and כנור kinnor, the harp.” מחול machol,” says Parkhurst, “some fistular wind-instrument of music, with holes, as a flute, pipe, or fife, from חל chal, to make a hole or opening.” I know no place in the Bible where מחול machol and מחלת machalath mean dance of any kind; they constantly signify some kind of pipe.

Let them praise his name in the dance - Margin, with the pipe. The Hebrew word here - מחול mâchôl - is rendered dancing in Psa 30:11; dance, as here, Psa 150:4 (where also the margin has pipe); Jer 31:13; Lam 5:15; dances, Jer 31:4. It does not elsewhere occur. On the verb חול chûl, see Psa 10:5, note; Psa 51:5, note. Here it cannot be improper to regard it as referring to that measured tread, or solemn movement which sometimes constituted a part of worship: 2Sa 6:14. Such a movement cannot be proved to be wrong in worship; whether it is wise or expedient is a different matter. Customs in worship change as the customs of a people change; and that might be very proper in one stage of society, or in one period of the world, which, though not in itself wrong, might be very unadvisable in another. There was much in the Hebrew mode of worship which cannot be transferred to the forms of Christian worship without an obvious incongruity and disadvantage; and because a thing has been done, and is not in itself wrong, we should not infer that it should always be done, or that it would be always best. If people like the Shakers dance in worship, they have an undoubted right to do so, and it may be the most edifying mode of worship for them with their low notions of religion; let not others ridicule them; nor let others go to see them as they would any other “outr’e” performance from idle curiosity. Such absurdities might soon die away if they were not kept alive by the notice which they attract, and by the foolish curiosity of wiser people. […]

But let us ask ourselves (in a spirit of love, as Mr. Chadband would say), what are the ballets of the Alhambra? The ballets of the Alhambra are institutions in which a particular selected row of persons in pink go through an operation known as …