Psalm 120
7 verses · BSBPsalms book hub →
Speaks with:Psalms 109×2Psalms 18×1Jonah 2×1Psalms 118×1Psalms 140×1Proverbs 12×1
Summary
Chapter summary
The Songs of Ascents begin (120–134): pilgrim songs for the road up to Jerusalem. This first one starts far from home: 'In my distress I cried unto Jehovah, and he answered me. Deliver my soul, O Jehovah, from lying lips, and from a deceitful tongue': sharp arrows of the mighty, coals of juniper. 'Woe is me, that I sojourn in Meshech, that I dwell among the tents of Kedar!': at home among the hostile. 'My soul hath long had her dwelling with him that hateth peace. I am for peace: but when I speak, they are for war.'
Context
Poetry · David, Asaph, Sons of Korah, others — Psalms overview
The world behind this chapter
Psalms 120The history
This is the first of fifteen psalms headed a Song of Ascents. Two settings are attached to them by long practice, and both may be true: they were sung by pilgrims going up to Jerusalem for the yearly feasts, and Jewish tradition records that the Levites sang them on the fifteen steps that climbed from the outer court of the temple to the inner one — fifteen steps, fifteen songs.
The collection is arranged as a journey, and this psalm is the departure point. The singer says he lives in Meshech and among the tents of Kedar. Meshech lay far to the north in the mountains of Asia Minor; Kedar was an Arab tent-dwelling people in the desert to the southeast. Nobody lived in both. Naming them together is a way of saying he is stuck among foreigners, as far from Jerusalem as a man can be in any direction.
The weapon he complains about is a lying tongue, and the punishment fits it exactly: a warrior's sharpened arrows and burning coals of the broom bush. That desert shrub makes the hottest, longest-lasting charcoal in the region — embers from it can be raked out of the ash and still be alive the next day. A slander works the same way.
The tents in the last lines are literal. Kedar's people lived in black goat-hair tents, and a man among them was a guest with no city wall, no gate, and no court to appeal to.
What it meant to them
The pilgrim book starts where its singers actually were: a long way off, worn down by people who hate peace, with only a prayer to start with.
Every step of the journey that follows is measured from here. Whoever sang Psalm 120 knew he was not going to feel at home until he reached the courts at the end of the collection.
Sources cited
- Walton, Matthews and Chavalas, The IVP Bible Background Commentary: Old Testament
- The Mishnah, tractates Middot and Sukkah (Danby translation)
The text of this chapter
This page carries no textual note on Psalms 120. Where this site has examined a place the manuscripts differ, the examination is in the manuscripts room. Every place this site examines →
This page draws on Jamieson, Fausset & Brown, Commentary Critical and Explanatory; John Calvin, Commentaries; John Wesley, Notes on the Old Testament and Matthew Henry, Complete Commentary.
