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Psalms 150:4

in Psalms 150

Praise Him with tambourine and dancing; praise Him with strings and flute.

BSB

The same verse in ASV and KJV

ASV

Praise him with timbrel and dance: Praise him with stringed instruments and pipe.

KJV

Praise him with the timbrel and dance: praise him with stringed instruments and organs.

This verse in Psalms 150

Commentary

11 notes on this verse

A commentator

Origen of Alexandria

COMMENTARY ON THE PSALMS 150:3-5 · Written before 253.

The timbrel represents the death of fleshly desire because of honesty itself. Dancing is the agreement of reasonable spirits all saying the same thing and in which there are no divisions. The stringed instruments suggest the unison of the voices of moral excellence and the unity of the organ which is the church of God resting on reflective and active minds.

This site's exposition

Praise Him with the sound of the horn

on Psalms 150:3-6

The Hebrew verb for praise stands eight times in verses 3 to 6. Seven instruments carry it: horn, harp, lyre, tambourine, strings, flute, and cymbals, clashing and resounding. Verse 6 widens the call to everything that has breath, and Charles Spurgeon reads the name YHWH as made of breathings, since all breath comes from God.

The record, by era

The Church Fathers2 voices

A commentator

Arnobius the Younger

SELECTIONS FROM THE PSALMS 150 · Written before 460.

proposed

Let us praise on timbrel and with dance, when we, firmly set upon a restored way of life, adorn the timbrel of our body with the models of best behavior. Let us praise him on stringed instruments and on the organ as we play the …

A commentator

Augustine of Hippo

Exposition on Psalm 150 · Written in the 5th century.

proposed

"Praise Him in the timbrel and choir" [Psalm 150:4]. The "timbrel" praises God when the flesh is now changed, so that there is in it no weakness of earthly corruption. For the timbrel is made of leather dried and strengthened. The "choir" praises God when society made peaceful praises Him. "Praise Him on the strings and organ." Both psaltery and harp, which have been mentioned above, have strings. But "organ" is a general name for all instruments of music, although usage has now obtained that those are specially called organ which are inflated with bellows: but I do not think that this kind is meant here. For since organ is a Greek word, applied generally, as I have said, to all musical instruments, this instrument, to which bellows are applied, is called by the Greeks by another name: but it being called organ is rather a Latin and conversational usage. When then he says, "on the strings and organ," he seems to me to have intended to signify some instrument which has strings. For it is not psalteries and harps only that have strings: but, because in the psaltery, and harp, on account of the sound from things below and things above, somewhat has been found which can be understood after this distinction, he has suggested to us to seek some other meaning in the strings themselves: for they too are flesh, but flesh now set free from corruption. And to those, it may be, he added the organ, to signify that they sound not each separately, but sound together in most harmonious diversity, just as they are arranged in a musical instrument. For even then the saints of God will have their differences, accordant, not discordant, that is, agreeing, not disagreeing, just as sweetest harmony arises from sounds differing indeed, but not opposed to one another.

The Puritans and the Awakening2 voices

Praise him with the timbrel and dance,.... Or "pipe" (u); See Gill on Psa 149:3; praise him with stringed instruments; or divers "kinds" (w) of instruments not named, as R.

A commentator

Matthew Henry

1662–1714

Commentary on the Whole Bible (1710)

proposed

It is well that we are not concerned to enquire what sort of instruments these were; it is enough that they were well known then. Our concern is to know, 1.

The Nineteenth Century1 voice

A commentator

Charles Spurgeon

1834–1892

The Treasury of David, Vol. 7 (1885)

Praise him with the timbrel and dance. Associated with the deliverance at the Red Sea, this form of worship set forth the most jubilant and exultant of worship. The hands and the feet were both employed, and the entire body moved in sympathy with the members. Are there not periods of life when we feel so glad that we would fain dance for joy? Let not such exhilaration be spent upon common themes, but let the name of God stir us to ecstasy.
4 more voices on this verse

The Nineteenth Century3 voices

A commentator

Charles Spurgeon

1834–1892

The Treasury of David, Vol. 7 (1885)

proposed

Praise him with the timbrel and dance. Associated with the deliverance at the Red Sea, this form of worship set forth the most jubilant and exultant of worship. The hands and the feet were both employed, and the entire body moved in sympathy with the members. Are there not periods of life when we feel so glad that we would fain dance for joy? Let not such exhilaration be spent upon common themes, but let the name of God stir us to ecstasy. Let us exult as we cry, There is enough in our holy faith to create and to justify the utmost degree of rapturous delight. If men are dull in the worship of the Lord our God they are not acting consistently with the character of their religion. Praise him with stringed instruments and organs. We have here the three kinds of musical instruments: timbrels, which are struck, and strings, and pipes; let all be educated to praise the Lord. Nothing is common and unclean: all may be sanctified to highest uses. Many men, many minds, and these as different as strings and pipes; but there is only one God, and that one God all should worship. The word translated "organs" signifies pipe—a simpler form of wind instrument than the more modern and more elaborate organ. Doubtless many a pious shepherd has poured out gracious pastorals from a reed or oaten pipe, and so has magnified his God.

A commentator

Adam Clarke

1762–1832

Commentary on the Bible · Written before 1832.

proposed

Praise him with the timbrel - תף toph, drum, tabret, or tomtom, or tympanum of the ancients; a skin stretched over a broad hoop; perhaps something like the tambarine. Anglo-Saxon; the glad pipe. Taburne; Old Psalter. And dance - מחול machol, the pipe. The croude or crowthe: Old Psalter; a species of violin. It never means dance; see the note on Psa 149:3. Crwth signifies a fiddle in Welsh. Stringed instruments - מנים minnim. This literally signifies strings put in order; perhaps a triangular kind of hollow instrument on which the strings were regularly placed, growing shorter and shorter till they came to a point. This would give a variety of sounds, from a deep bass to a high treble. In an ancient MS. Psalter before me, David is represented in two places, playing on such an instrument. It may be the sambuck, or psaltery, or some such instrument. Organs - עוגב ugab. Very likely the syrinx or mouth organ; Pan’s pope; both of the ancients and moderns. The fistula, septem, disparibus nodis conjuncta, made of seven pieces of cane or thick straw, of unequal lengths, applied to the lips, each blown into, according to the note intended to be expressed. This instrument is often met with in the ancient bucolic or pastoral writers.
Praise him with the timbrel - Hebrew, תף tôph. See this described in the notes at Isa 5:12. It is rendered tabret and tabrets in Gen 31:27; 1Sa 10:5; 1Sa 18:6; Isa 5:12; Isa 24:8; Isa 30:32; Jer 31:4; Eze 28:13; timbrel and timbrels in Exo 15:20; Jdg 11:34; 2Sa 6:5; 1Ch 13:8; Job 21:12; Psa 81:2; Psa 149:3; and in the margin in Jer 31:4. The word does not occur elsewhere. It was an instrument that was struck with the hands. And dance - See this word explained in the notes at Psa 149:3. Dancing among the Hebrews seems to have accompanied the timbrel or tabret. See Exo 15:20, Praise him with stringed instruments - מנים minniym. This word means strings, from a verb which means to divide; and the proper reference would be to slender threads, as if they were divided, or made small. It is nowhere else applied to instruments of music, but might be properly applied to a harp, a violin, a bass-viol, etc. The word strings is indeed applied elsewhere to instruments of music Psa 33:2; Psa 144:9; 1Sa 18:16; Isa 38:20; Hab 3:19, but the Hebrew word is different. Such instruments were commonly used in the praise of God. See the notes at Psa 33:2. And organs - Hebrew, עוגב ‛ûgâb. See this word explained in the notes at Job 21:12. It occurs elsewhere only in Gen 4:21; Job 21:12; Job 30:31; in all of which places it is rendered organ. The word is derived from a verb meaning to breathe, to blow; and would be applicable to any wind-instrument. It here represents the whole class of wind-instruments. The word organ is a Greek word, and is found in the Septuagint in this place; and hence, our word organ has been introduced into the translation. The Greek word properly denotes (a) something by which work is accomplished, as a machine; (b) a musical instrument; (c) the material from which anything is made; (d) the work itself. […]

Modern Voices1 voice

A commentator

GK Chesterton

Heretics, Ch. 16: On Mr. McCabe and a Divine Frivolity (1905) (1905)

proposed

But let us ask ourselves (in a spirit of love, as Mr. Chadband would say), what are the ballets of the Alhambra? The ballets of the Alhambra are institutions in which a particular selected row of persons in pink go through an operation known as …

The words behind it

6 Hebrew words

Every Hebrew word of this verse in the order it stands, with what it means and the door to its own study. The last column counts the times a word stands in the whole Bible: the rarer the word, the more the places it appears belong together.

  • הַֽ֭לְלוּהוּpraise him

    haluhuH1984165 times

  • בְתֹ֣ףwith tambourine

    vetofH859617 times

  • וּמָח֑וֹלand dancing

    umacholH42346 times

  • הַֽ֝לְל֗וּהוּpraise him

    haluhuH1984165 times

  • בְּמִנִּ֥יםwith stringed instruments

    beminimH4482

  • וְעוּגָֽב׃and flute

    veugavH5748

A shaded row is a word that stands 400 times or fewer in the Bible.

The walk

8 stops

Each card is a verse this one points to, and under it the verses that one points to in turn. Where several paths arrive at the same place, that place is listed first: the text keeps returning to it.

  • Through

    Exodus 15:20

    Then Miriam the prophetess, Aaron’s sister, took a tambourine in her hand, and all the women followed her with tambourines and dancing.

    it leads to

    • Psalms 68:25

      The singers lead the way, the musicians follow after, among the maidens playing tambourines.

      Reached by 2 separate paths from here.

    • 1 Samuel 18:6

      As the troops were returning home after David had killed the Philistine, the women came out of all the cities of Israel to meet King Saul with singing and dancing, with joyful songs, and…

    • Psalms 149:3

      Let them praise His name with dancing, and make music to Him with tambourine and harp.

    • Judges 11:34

      And when Jephthah returned home to Mizpah, there was his daughter coming out to meet him with tambourines and dancing! She was his only child; he had no son or daughter besides her.

    • Numbers 26:59

      and Amram’s wife was named Jochebed. She was also a daughter of Levi, born to Levi in Egypt. To Amram she bore Aaron, Moses, and their sister Miriam.

  • Through

    Psalms 149:3

    Let them praise His name with dancing, and make music to Him with tambourine and harp.

    it leads to

    • Jeremiah 31:13

      Then the maidens will rejoice with dancing, young men and old as well. I will turn their mourning into joy, and give them comfort and joy for their sorrow.

  • Through

    Job 30:31

    My harp is tuned to mourning and my flute to the sound of weeping.

    it leads to

  • Through

    Psalms 144:9

    I will sing to You a new song, O God; on a harp of ten strings I will make music to You—

    it leads to

    • Psalms 33:2–3

      Praise the LORD with the harp; make music to Him with ten strings.

Where this verse is studied

About Psalms

Feast of Trumpets I. Aleksander Gierymski, 1884. National Museum in Warsaw. Public domain.
Feast of Trumpets I. Aleksander Gierymski, 1884. National Museum in Warsaw. Public domain.
This page draws on 10 works. Open the list of works

This page draws on Adam Clarke, Commentary on the Bible; Albert Barnes, Notes, Explanatory and Practical, on the Old and New Testaments (1832-1869); Arnobius the Younger, SELECTIONS FROM THE PSALMS 150; Augustine of Hippo, Exposition on Psalm 150; Charles Spurgeon, The Treasury of David; Charles Spurgeon, The Treasury of David, Vol. 7; GK Chesterton, Heretics, Ch. 16: On Mr. McCabe and a Divine Frivolity (1905); John Gill, Exposition of the Old Testament (1748-1763); Matthew Henry, Commentary on the Whole Bible and Origen of Alexandria, COMMENTARY ON THE PSALMS 150:3-5.