Skip to content
mannafest.faith
Scripture: The text alone. Study: The verses explained. Original: The Hebrew and Greek, and the tradition.

Psalm 150

6 verses · KJVPsalms book hub →

Psalms 150:1-2

in his sanctuary: The Psalter's last psalm opens with the same command that seals it, Praise ye the Lord, so that the whole poem is one shout from first line to last. The sanctuary names the earthly house where Israel gathered to sing, and the firmament names the sky itself, so praise is commanded on earth and above it in the same breath. His mighty acts and his excellent greatness give the reasons before a single instrument sounds, what he has done and what he is. This is the fifth and final doxology of the Psalter, following the seams at 41:13, 72:18-20, 89:52 and 106:48 that close Books One through Four, and here the whole psalm stands as Book Five's closing praise and the Psalter's own Amen.

Voices on this verse, 3What preachers and commentators have said about Psalms 150:1, in their own words.

Psalms 150:1

Praise ye the Lord,.... Or, "hallelujah"; which, in the Targum, Septuagint, and Vulgate Latin versions, is the title of the psalm; and expresses the subject of it, the praise of the Lord; praise God in his sanctuary; in the temple, the house of his sanctuary as the Targum and R Judah; or in heaven, as R. Moses, his holy place, where he is praised by holy angels and glorified saints; or in the church below, of which the sanctuary or temple was a type.

Psalms 150:1

Praise God in his sanctuary. This psalm in general commends the spiritual worship of God, which consists in sacrifices of praise. By the sanctuary there is little doubt that heaven is here meant, as is often the case elsewhere.

John Calvin· Commentaries (1554)reformed

Psalms 150:1

Praise ye the Lord. Hallelujah! The exhortation is to all things in earth or in heaven. Should they not all declare the glory of him for whose glory they are, and were created? Jehovah, the one God, should be the one object of adoration. To give the least particle of his honour to another is shameful treason; to refuse to render it to him is heartless robbery. Praise God in his sanctuary. Praise El, or the strong one, in his holy place. See how power is mentioned with holiness in this change of names. Praise begins at home.

Charles Spurgeon· The Treasury of David, Vol. 7 (1885)Particular (Reformed) Baptist / Five-point Calvinist / 1689 LBCF / 19th-c. evangelical

Voices on this verse, 1What a preacher or commentator has said about Psalms 150:2, in their own words.

Psalms 150:2

Praise him for his mighty acts. Here is a reason for praise. In these deeds of power we see himself. These doings of his omnipotence are always on behalf of truth and righteousness. His works of creation, providence, and redemption, all call for praise; they are his acts, and his acts of might, therefore let him be praised for them. Praise him according to his excellent greatness. His being is unlimited, and his praise should correspond therewith. He possesses a multitude or a plenitude of greatness, and therefore he should be greatly praised.

Charles Spurgeon· The Treasury of David, Vol. 7 (1885)Particular (Reformed) Baptist / Five-point Calvinist / 1689 LBCF / 19th-c. evangelical

Psalms 150:3-6

with the sound of the trumpet: The summons moves through the full range of Israel's worship, the trumpet's blast, the psaltery and harp of the temple choirs, the timbrel and dance of the open court, stringed instruments and organs, and cymbals both loud and high sounding, so that string, wind, percussion and the moving body are all named in turn with none ranked above another. The final verse widens the call past every named instrument to every living thing, Let every thing that hath breath praise the Lord, and the psalm closes on the same word it opened on, so Hallelujah is both the first sound and the last. Thirteen calls to praise fill these six verses, the older writers count, and bring the whole Psalter to a close on praise alone, no petition and no lament left the final word.

Voices on this verse, 2What preachers and commentators have said about Psalms 150:3, in their own words.

Psalms 150:3

Nor was it without reason that God under the law enjoined this multiplicity of songs, that he might lead men away from those vain and corrupt pleasures to which they are excessively addicted, to a holy and profitable joy.

John Calvin· Commentaries (1554)reformed

Psalms 150:3

Praise him with the sound of the trumpet. With the loudest, clearest note call the people together. Make all men to know that we are not ashamed to worship. Summon them with unmistakable sound to bow before their God. The sound of trumpet is associated with the grandest and most solemn events, such as the giving of the law, the proclamation of jubilee, the coronation of Jewish kings, and the raging of war. It is to be thought of in reference to the coming of our Lord in his second advent and the raising of the dead.

Charles Spurgeon· The Treasury of David, Vol. 7 (1885)Particular (Reformed) Baptist / Five-point Calvinist / 1689 LBCF / 19th-c. evangelical

Voices on this verse, 2What preachers and commentators have said about Psalms 150:4, in their own words.

Psalms 150:4

The timbrel represents the death of fleshly desire because of honesty itself. Dancing is the agreement of reasonable spirits all saying the same thing and in which there are no divisions. The stringed instruments suggest the unison of the voices of moral excellence and the unity of the organ which is the church of God resting on reflective and active minds.

Origen of Alexandria· third century· COMMENTARY ON THE PSALMS 150:3-5patristic

Psalms 150:4

Praise him with the timbrel and dance. Associated with the deliverance at the Red Sea, this form of worship set forth the most jubilant and exultant of worship. The hands and the feet were both employed, and the entire body moved in sympathy with the members. Are there not periods of life when we feel so glad that we would fain dance for joy? Let not such exhilaration be spent upon common themes, but let the name of God stir us to ecstasy.

Charles Spurgeon· The Treasury of David, Vol. 7 (1885)Particular (Reformed) Baptist / Five-point Calvinist / 1689 LBCF / 19th-c. evangelical

Voices on this verse, 1What a preacher or commentator has said about Psalms 150:5, in their own words.

Psalms 150:5

Praise high upon the loud cymbals: praise him upon the high sounding cymbals. Let the clash of the loudest music be the Lord's: let the joyful clang of the loftiest notes be all for him. Praise has beaten the timbrel, swept the harp, and sounded the trumpet, and now for a last effort, awakening the most heavy of slumberers, and startling the most indifferent of onlookers, she dashes together the disks of brass, and with sounds both loud and high proclaims the glories of the Lord.

Charles Spurgeon· The Treasury of David, Vol. 7 (1885)Particular (Reformed) Baptist / Five-point Calvinist / 1689 LBCF / 19th-c. evangelical

Voices on this verse, 3What preachers and commentators have said about Psalms 150:6, in their own words.

Psalms 150:6

Let everything that hath breath praise the Lord. "Let all breath praise him": that is to say, all living beings. He gave them breath, let them breathe his praise. His name is in the Hebrew composed rather of breathings than of letters, to show that all breath comes from him: therefore let it be used for him. Join all ye living things in the eternal song. Be ye least or greatest, withhold not your praises. What a day will it be when all things in all places unite to glorify the one only living and true God!

Charles Spurgeon· The Treasury of David, Vol. 7 (1885)Particular (Reformed) Baptist / Five-point Calvinist / 1689 LBCF / 19th-c. evangelical

Psalms 150:6

We are here, with the greatest earnestness imaginable, excited to praise God; if, as some suppose, this psalm was primarily intended for the Levites, to stir them up to do their office in the house of the Lord, as singers and players on instruments, yet we must take it as speaking to us, who are made to our God spiritual priests.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Psalms 150:6

Now that the gospel is ordered to be preached to every creature, to every human creature, it is required that every human creature praise the Lord. What have we our breath, our spirit, for, but to spend it in praising God; and how can we spend it better? Prayers are called our breathings, Lam. iii.

Matthew Henry· Commentary on the Whole Bible (1707-1721)puritan

Where the chapter sits

Psalms 150 falls in Book V: Hallel and Hallelujah (chapters 107–150). Songs of Ascents (120–134); Hallel (113–118); Great Hallel (136); Torah-praise acrostic Ps 119; fivefold Hallelujah doxology (146–150) as the Psalter's close.

Fivefold Hallelujah close. The Psalter's final doxology; ''let every thing that hath breath praise the LORD.''

Before it: Book IV: YHWH reigns, chapters 90–106.

The whole shape of Psalms

Key words

The Hebrew words this chapter turns on, by how often it uses them. Each one opens its word study.

WordWhat it meansVerses
הָלַלhâlal13 times, as הַ֥לְלוּ, הַֽלְלוּ־, הַֽ֝לְל֗וּהוּto shine1, 2, 3, 4 and 2 more
יָהּYâhh3 times, as יָ֨הּ׀, יָ֗הּ, יָֽהּ׃LORD1, 6
צְלָצַלtsᵉlâtsal2 times, as בְצִלְצְלֵי־, בְּֽצִלְצְלֵ֥יbuzzing5
Every word of this chapter, on the Original level →

Cross references

The 8 chapters this one speaks with, most first. Open a row for the verses it shares.

  • Psalms 1492 verses
    • Psalms 150:1

      Psalms 149:1Praise ye the Lord. Sing unto the Lord a new song, and his praise in the congregation of saints.
    • Psalms 150:3, 4

      Psalms 149:3Let them praise his name in the dance: let them sing praises unto him with the timbrel and harp.
    • Read Psalms 149 →
  • Psalms 1452 verses
    • Psalms 150:2

      Psalms 145:3Great is the Lord, and greatly to be praised; and his greatness is unsearchable.
    • Psalms 150:6

      Psalms 145:21My mouth shall speak the praise of the Lord: and let all flesh bless his holy name for ever and ever.
    • Read Psalms 145 →
  • 1 Chronicles 152 verses
    • Psalms 150:5

      1 Chronicles 15:16And David spake to the chief of the Levites to appoint their brethren to be the singers with instruments of musick, psalteries and harps and cymbals, sounding, by lifting up the voice with joy.
    • Psalms 150:5

      1 Chronicles 15:28Thus all Israel brought up the ark of the covenant of the Lord with shouting, and with sound of the cornet, and with trumpets, and with cymbals, making a noise with psalteries and harps.
    • Read 1 Chronicles 15 →
  • Psalms 1341 verse
The rest of the chapters this one speaks with, 4 of them, for a reader following a thread past the four above

Cross-references from the Treasury of Scripture Knowledge and OpenBible.info.

Featured studies

Pages of this site that take up something in this chapter. Each one opens on its own.

The world behind itThe place, the time and the people around this chapter, for a reader who wants the setting.

The world behind this chapter

Psalms 150
When
The closing Hallelujah psalms, the end of the whole book · Author unnamed; the closing doxology of the Psalter, used in temple worship
Where
The temple courts with the full orchestra playing, and the sky above them
Who first heard it
Israelites finishing a book that began with a lone man reading the Law by himself

The history

The last psalm is a list of instruments, and it is the temple orchestra. Chronicles records David organizing the Levites into companies of singers and players, and the same families are still named centuries later.

The horn is the ram's horn, a signal instrument that announced the new moon, the year of release, and the alarm, not a melody instrument at all. The harp and lyre are the wooden framed string instruments the Levites played. The hand drum is a small frame drum held and struck with the fingers, the one carried by dancing women. Pipes were reed instruments, and there were two kinds of cymbals: bronze plates that clashed and larger, louder ones that rang.

Where and why come first. Praise him in his sanctuary and in his mighty expanse, the temple below and the sky above, and praise him for his mighty deeds and according to his surpassing greatness. Only then does the equipment list start.

The final line drops the instruments entirely: let everything that has breath praise the LORD. Breath is the one thing every living creature has, and it is the last requirement the book asks for.

What it meant to them

The Psalter opened with one man meditating quietly on God's law day and night. It ends with the entire temple orchestra going at once and every breathing thing on earth joining in.

For the first hearers that arc was the promise: the private, difficult, often tearful road of the earlier psalms was always headed somewhere loud.

Sources cited

  • Alfred Edersheim, The Temple: Its Ministry and Services
  • Roland de Vaux, Ancient Israel: Its Life and Institutions

Every work MannaFest builds on →

Connections

Where this chapter reaches into the rest of Scripture, with the verse each connection stands on.

v. 6 · Bookends: the same words open and close

The Psalter is framed on purpose. It opens with the wisdom portal of Psalms 1–2 (the two ways, and the enthroned Son) and closes with five straight hallelujah psalms (146–150) ending “let every thing that hath breath praise the LORD.” Torah at the door, praise at the end. Where scholars push back: Whybray (Reading the Psalms as a Book, 1996) argues the editorial shaping Wilson proposed is lighter than claimed and that the collection grew more loosely than a single designed frame.

Psalms 1:1

Blessed is the man who does not walk in the counsel of the wicked, or set foot on the path of sinners, or sit in the seat of mockers.

The text of this chapter

This page carries no textual note on Psalms 150. Where this site has examined a place the manuscripts differ, the examination is in the manuscripts room. Every place this site examines →

This page draws on Charles Spurgeon; Franz Delitzsch, Biblical Commentary on the Psalms; John Calvin, Commentaries (1554); John Gill, Exposition of the Old Testament (1748-1763); Matthew Henry and Origen of Alexandria, COMMENTARY ON THE PSALMS 150:3-5.